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김승일(KimSeung-Il),정영주(ZhengYing-Zhu) 한국체육학회 2005 한국체육학회지 Vol.44 No.3
The study tried to newly light up the tradition of the art constitution in a socialist state, analyze korean race dancing of China in the art-historical flow and find out the characteristics of modern art history by examining the formation, developmental process and their works of the korean race dancing of China.First, the formative period was from the time migrated Koreans to 1949. The flow and the propagation of the civil-folk dancing was developed actively in this periods. The dancing of theater art was developed by dancing art of korean race in China and the dancing of stage art was developed by stage art, which was the civil-folk dancing of the korean race.Second, the developmental period of the korean race dancing in China was from 1949 to 1980. Examining the flow and the change in the developmental period, this art was developed not only as keeping pace with the great flow of the socialist revolution and the establishment of China in a dancing cultural sphere but also as having a characteristic of the korean race of china, based on the traditional culture of their race. Therefore this is the period that the artistic dancing of the korea race leads to its own developmental course.Third, the peak period of the korean race dancing in China was from 1980 to the present. As the exchange of dancing was frequent in the inside and outside in this period, the acceptable work of the foreign dancing was progressed actively and the developmental area of the korean race dancing culture was established largely.Accordingly, the professional dancing theory and comments were developed deeply and broadly, and harmonized quantitatively as well as qualitatively in this period. Therefore the formation and contents of the work was understood concretely throughout understanding the historical flow of the korean race dancing of in China and the development of the dancing and the study could play an important role to understand an artistic aspect widely.
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