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학생들의 글쓰기에 나타난 논의구조에 미치는 탐구적 과학 글쓰기 활동의 효과 분석
장경화 ( Kyung Hwa Jang ),남정희 ( Jeong Hee Nam ),최애란 ( Ae Ran Choi ) 한국과학교육학회 2012 한국과학교육학회지 Vol.32 No.8
이 연구의 목적은 학생들의 글쓰기에 나타난 논의 구조의 특징을 통해 탐구적 과학 글쓰기 활동의 효과를 심층적으로 살펴보고자 하는 것이다. 이를 위해 탐 구적 과학 글쓰기 전략을 바탕으로 개발된 중학교 2 학년 프로그램 7개 주제를 적용한 후 학생들의 글쓰기에 나타난 논의 구조의 특징을 비교해 보았다. 이 연구를 위해 광역시 소재 중학교 2학년 2개 학급을 실험집단으로, 1개 학급을 비교집단으로 선정하여, 실험 집단에는 탐구적 과학 글쓰기 활동을 실시하였고, 비교집단에는 전통적인 강의 및 실험 수업을 실시하였다. 프로그램의 처치 후 두 집단에게 요약 글쓰기를 실시하였고, 요약 글쓰기를 통해 학생들의 글쓰기에 나타나는 논의 구조의 특징을 살펴보았다. 프로그램의 처치 결과 탐구적 과학 글쓰기 활동을 실시한 실험집단 학생들이 전통적 강의 및 실험 수업을 실시한 비교 집단에 비해 요약 글쓰기에서 논의 구조를 많이 사용 하는 것으로 나타났고, 실험집단 학생들의 증거에서 설명과 함께 그림, 그래프, 예시 등의 다양한 표현 제시되어 있었다. 그리고 증거 제시 수준에서도 비교집단은 증거를 제시할 경우 단순한 용어 나열하는 반면 실험집단의 경우 상대방이 이해하기 쉽게 용어에 대한 설명을 하거나 예를 적절히 사용하고 있었다. 이러한 결과로부터 탐구적 과학 글쓰기 활동이 학생들의 글쓰논의 구조에 긍정적인 영향을 미치고 비교집단 과 구별되는 특징을 나타냄을 알 수 있었다. The purpose of this study was to examine the effects of argument structure on students` writing in implementation of argument-based inquiry using the Science Writing Heuristic (SWH) approach. Participants of this study were 108 8th grade students (three classes). Two classes (68 students) were assigned to an experimental group, and the other class (35 students) was assigned to a comparative group. The experimental group was taught argumentbased inquiry using the Science Writing Heuristic (SWH) approach, while the comparative group was taught with the traditional teaching strategy. After implementing this program, the two groups were asked to write summaries using structured argumentation in their writing. The result of this study showed that the experimental group used better argument structure and multimodal representation such as pictures, graphs and examples in evidence than the comparative group. The quality of evidence used in the students` writing was different between two groups. Students of the comparative group only listed fragments of science concepts for evidence to support their claims, but students of the experimental group explained science concepts by giving specific examples. The findings show that argumentbased inquiry using the SWH approach was effective on argument structure in students` writing.
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펑크록이 반영된 Vivienne Westwood 작품의 기호적 해석
장애란(Ae Ran Jang) 한국복식학회 1998 服飾 Vol.39 No.-
Vivienne Westwood, the revolutionary creator of Punk fashion(ripped T-shirts, bondage clothes, fetishist accoutrements) was a streetfashion designer. Although Westwood`s clothes have frequently been described as decadent, degenerate and unwearable, they have also exerted a powerful influence on interntional fashion. Westwood became a fashion designer in the mid-1970s, when he emergence of Punk put London back on the fashion map for the first time since 1965. Just as the Mods, Rockers, and Hippies of the 1960s had embraced particular styles of dress and music, so also did the Punks create their own subculture. The Punk style in revolt was a deliberately revolting style that incorporated into fashion various offensive or threatening objects like tampons, razor blades, and lavatory chains. Vivienne Westwood and partner Malcolm McLaren articulated this youth culture, who roots lay in music. A sing is something which stands for some object or idea, while the semiotics are the external expression for an internal meaning. Semiotics can be used as a medium of communication between dress and music. A language is simply used for explicit of meaning, while the style of dress and music express the explicative and implicative signs. Peirce`s scheme among several theories of the semiotics was chosen for this study, because the Peirce`s scheme was the first non-language communication medium between external and internal stages, and readily interpreted the styles of dress and music. Punk rock was studied at first to identify the style which influenced Vivienne Westwood`s works and then Semiotics were used to apply the above results to the 1970s and 1990s for analyzing and interpreting the Vivienne Westwood`s works. Vivienne Westwood`s works were also interpreted by the symbolic characteristics of Semiotics, because the symbol of semiotics often found at Youth Cults reflected punk rock. The symbol of revolt, decadence, grungy, freedom in Vivienne Westwood`s works were determined by using Punk rock`s semiotics. This study could conclude that the style of dress and punk rock were able to be interpreted by semiotics.
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장애란(Ae Ran Jang) 한국복식학회 2002 服飾 Vol.52 No.5
The purpose of this study was to investigate the experimental design by using deconstructive design and mobile design depicted on Hussein Chalayan` works. Hussein Chalayan, the Turkish-Cypriot who is based in London, says `Challenging is the best word for me`. And so word, `radical` that has difficult connotations was chosen for this study. It implies two menainigs for the word. The first thing is extreme - something that is drastic. And `Applied to clothes`, it can probably mean experimental. He has iconoclastic ideas and his ramp shows are always high on concept, experimentation of art and utility. His approach to fashion derives from philosophical and intellectual theories of deconstruction and mobility, which he expresses through his designs. Deconstructionism, in fashion, rejects customary rules and breaks all conventions. It questions aesthetic norms about bodily proportions and the criteria of beauty, emphasizes the adding on, or discovery of, an irrational moment, and reveals the processes of tailoring in clothing. The shape and the construction of the garment is more important than the color. Cuts, tears, asymmetries, matching different materials are among the most evident features of the deconstructive design. And Chalayan performed the mobile design of transforming furniture into clothes. Chair covers became dresses, a coffee table became a skirt which were designed by Chalayan, with geometric and architectural references. Chalayan says he was inspired by the idea of refugees fleeing. Besides Chalayan uses clothing as an art to reinterpret and reform the human body in a continuous tour de force of body/identity conceptualism and dressmaking. He reflect the body`s function in the cultural context of architecture, science, or nature - and then attempt to translate his findings into clothing.
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디지털 의복(Digital Clothing)에 표현된 디지털 패러다임
장애란(Ae Ran Jang),현명관(Myung Kwan Hyun) 한국복식학회 2003 服飾 Vol.53 No.4
The purpose of this study was to investigate the Digital Paradigm cords depicted on the Digital Clothing by borrowing nearby fields. Therefore, it will offer not only theoretical data but also databases for product development on functional and aesthetic views even though it is not systematically set up the idea yet. The Digital Paradigm cords of Interactivity, Nonlinearity and Combination in the Digital Clothing were determined. This study found that Interactivity Paradigm cord was expressed by the interaction of clothing and computer, the techniques of built in · attach · detach · fragment of the Digital Clothing at the external indicators, and maintained this personalizing that was pursued comprehension and the shape and silhouette of the existed clothing, that Nonlinearity Paradigm cord was able to overcome the limitation of a successively approach, in other words the discontinuous moving possibilities of time and space, that Combination Paradigm cord was contained creative concept without fixed ideas through coordination of Digital Clothing that was combination, continuous creation, changes and process between heterogeneous factors. In conclusion, introduction of the new Digital Paradigm is going to accelerate on lasting development and research.
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