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김승일(KimSeung-Il),강여주(KangYoe-Joo),장동환(ChangDong-Hwan) 한국체육학회 2003 한국체육학회지 Vol.42 No.6
The purpose of this study was to examine era trait of Song-Bum’s new dance which was classified as artistic activity, artistic trait, artistic trend, the masterpiece through sectioning every ear from his life history standpoint. Also, this study reconstructed Song-Bum’s life and tried to start life history study by using qualitative method. This study was made up of two section. Firstly, depth interview which was the most important research method in this study was composed of semi-structured depth interview and unstructured depth interview. Secondly, collection of human work and content analysis was used. Data was analyzed through procedures which organized, classified, categorized data and found pattern and synthesized data to understanded deeply and generally about new dance in his life history standpoint. The first step was transcription and second step was coding, categorization and the last step was constant comparison. The results can be summarized as follow using above method. Firstly, Song-Bum’s beginning period(1945-1960) started to create, perform work into dance of new part. Secondly, Song-Bum’s activity period(1961-1970) emphasized dance’s formality beauty by developing into occupational dancing organization. Thirdly, Song-Bum’s restoration period(1971-1980) developed new dance into korea material, techniques. Fourths, Song-Bum’s best period(1981-1990) typed new dance into korea dance style in center of national dance organization and completed formation of synthetic art. This study can be played a important role on establishing theory system of new dance and dada finding, data preservation because new dance have actively effect on present creation dance. Namely, this study will be played a important role on understanding not only development history, phase of korea dance but understanding his artistic activity, artistic trait, artistic world.
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