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장궈랑(Zhang Guoliang),리샹롱(Li Shuanglong) 한국방송학회 2005 한국방송학회 학술대회 논문집 Vol.- No.-
Many cultures and ideologies emerged in last century tend to be more emphasized on conflict, but 21 century should be an era of cultural harmony. The cultural harmony is overwhelming to some extent. Its soft-power had been considered as major cause of the normalizations of Sino-Japanese and Sino-Korean relations as well as their continuing friendship and cooperation in recent years. The North-eastern Asian, consisting of China, Japan and Korea, is one of the leading regions in culture and economic development of Asian, even of the world. Essentially, its traditional cultures have emphasized on entireness, equilibrium and harmony. Harmony leads to mutual benefit, mutual benefit boosts the cooperation, cooperation advances the development, the conflict will be solved under the development of each parties. Hence, harmony is the key to win-win strategy. Actually, there are differences among the north-eastern Asian countries despite the common value of them. The Korean fashion, such as film, TV and music etc, are very popular among the youngsters of China in recent years, hence being called as “Han tide” in China. Some Chinese scholars ague that it is due to the approximation of cultures between two countries. The Korean fashion culture, absorbing much from modern western culture, with its traditional heritage still retain, would be easily accepted by people with some extent of acquaintance and curiosity. Nevertheless, some Chinese scholars show anxious of the “Han tide” that many fans have blindly imitated life styles which are so much influenced by the western culture. Moreover, they believe that the over immerging in “Han tide” will make the youngsters lost in the identity of our own culture, thus the pride of nation will be weakened. Some scholars assent to a cultural self-protection action in order to counter against so-called “vulgar pop culture”. As a result, many cities of China, including Shanghai, show a great impetus to cultivating their own cultural industries based on Chinese tradition and its unique style. They think the development of culture is an indispensable brand of a metropolis. The North-eastern Asian countries, including China, Japan and Korea, have the common cultural originConfucianism. But now, as a sub-branch of Confucianism, Korean pop culture have more influential on China than Chinese one on Korea, with a great impact on the value and aesthetic perception of Chinese youngsters. I believe that the pop culture has its own truth, the “Han tide” blow with its wits of Korean, uncovering the lag of Chinese own pop culture which has long been neglected. It is not the truth that the “Han tide” was attributed only to the chance or the ill-consumption with a blink and superficial manner. Actually, the “Han tide” was not a momentary phenomenon and would not pass away quickly. The truth is that we should have an open mind with it, meanwhile, take a thorough consideration from the depth of our traditional culture. The 21 century should be era of harmony with people oriented. The North-eastern Asian countries have to build their common culture beyond the nation boundaries on a people oriented basis. Only get through the myopic view of cultural imperialism can we create our common oriental culture admired by all the human being. If the Korean movies or other pop cultures have pushed a step for the whole region of East Asia, or even for the world, and cast a light for the world cultures, it would be significant not only for the Korean pop culture itself, but also for the whole of oriental culture, including Chinese culture, to go into the world arena.
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