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오리엔탈 포로 서사에 드러난 자유와 성적 유혹의 협상: 페넬로피 어빈의 『숭고한 노예들』
임재인 ( Jane Lim ) 한국근대영미소설학회 2018 근대 영미소설 Vol.25 No.3
Written as an Oriental captivity narrative in which the European protagonists are held hostage by Muslim authorities, Penelope Aubin’s The Noble Slaves(1722) presents the struggle of white slaves pitted against a disparate world of religious and sexual assaults. Recent critics, focusing on the novel’s use of the captives’ distressed body, attempt to label Aubin either as a conformist to conventional gender ideology or a renegade who outlaws sexual normativity. Yet the gender dynamics of Aubin’s captivity narrative is nebulous to say the least, precisely because gender roles and sexual politics are reassigned in the Orient, a liminal space in which the protagonists’ cultural values are called into question. This article investigates the ways in which Aubin translates the seduction plot into what Laura Doyle terms the “liberty plot,” a narrative of freedom and natural birthright that becomes Saxonized, politicized, and racialized. Aubin’s captivity narrative bends the heterosexual norms of the British Empire by displacing European bodies against the backdrop of the Orient. Aubin thus taps into a metropolitan dialogue of transnational crossing and cultural encounter that ultimately helps Britons and Europeans imagine themselves as commanding sexual autonomy and liberty.
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가십하는 여자들: 다니엘 드포의 『록사나』에 나타난 여성 가십, 출산, 비밀의 문화
임재인 ( Jane Lim ) 한국영미문학페미니즘학회 2017 영미문학페미니즘 Vol.25 No.2
This article analyzes the ways in which women control their bodies, intelligence, and subjectivity by employing a network of female gossips in Daniel Defoe`s Roxana (1724). Specifically, I focus on Amy`s role as a female “gossip”―one who attends a mother at child birth, according to its early modern etymology, and hence someone who colludes in establishing a collective female knowledge and experience that men are excluded from. Amy also spreads rumors, through “gossiping,” to corroborate Roxana`s multiple social performances, guises, and masquerades. The power of Roxana`s transformation, after all, lies in her ability to control and “reproduce” knowledge about her sexual history. Critics have paid scant attention to how Roxana and Amy manipulate the culture of childbirth to produce a body of secrecy. As gossips, they invent false stories and lies about their sexual past to navigate a male-centered political and economic nexus. Yet conscious that such a network is a turbulent one susceptible to surveillance, Roxana searches for new ways to refashion herself through imaginary gossip with the Quaker. By attending to scenes of labor and lying-in, I argue that the circulation of knowledge about women`s reproduction and the maternal body serves as a potent tool to construct female subjectivity.
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