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        400 MHz ISM 대역 데이터 통신용 GFSK 송·수신기 설계 및 제작

        이행수,홍성용,이승민,Lee Hang-Soo,Hong Sung-Yong,Lee Seung-Min 한국전자파학회 2006 한국전자파학회논문지 Vol.17 No.2

        The GFSK Transceiver of 400 MHz ISM band for data communication is designed and fabricated. To reduce the occupied bandwidth of transmitted signal, the GFSK modulation is selected. The measured results of fabricated transceiver show the data rate of 2,400 bps at 8.5 kHz bandwidth, frequency deviation of less than ${\pm}3\;kHz$, sensitivity of -107 dBm at SINAD of 20 dB, BER of less than $1.8{\times}10^{-3}$ at -110 dBm input power. The fabricated transceiver is satisfied with the regulation of radio wave and has the good performance. 데이터 통신용 400 MHz ISM 대역 송${\cdot}$수신기를 설계하였다. 전파 법규의 8.5 kHz 이하 점유 주파수 대역폭을 만족하기 위해 GFSK 변조 방식을 이용하였고, 8051 CPU에 통신 프로토콜을 이식하여 데이터를 송${\cdot}$수신하였다. 제작된 송${\cdot}$수신기는 ${\pm}3\;kHz$이하의 주파수 변조도와 20 dB의 SINAD에서 -107 dBm의 감도를 나타내었으며, 인접 채널 평균 전력을 -60 dBc 이하로 전파 법규를 만족하였다. 제작된 송수신기의 BER 특성은 입력 신호 전력이 -110 dBm에서 $1.8{\times}10^{-3}$, -106 dBm 이상일 경우 0으로 측정되었다.

      • 셰익스피어비극의 탈중심적 관점

        이행수 한국현대영어영문학회 2002 현대영어영문학 Vol.46 No.2

        The good and evil in Shakespeare's tragedies can be regarded as relative values instead of absolute ones. In Hamlet, Claudius is obviously a murderer, but the dead Hamlet and Prince Hamlet are murderers as well. The two Hamlets are not entirely good and therefore are neither entitled to criticize nor seek revenge against evil. They themselves have evil attributes which are revealed in certain situations. In Macbeth, Shakespeare's decentral viewpoint becomes clear when the witches say that fair is foul and foul is fair in the first part of the play. Macbeth is brave and virtuous, but his character becomes mean and cruel later in the play. The witches' prophesies about Macbeth's Destiny prove to be equivocations that are transformed into foul happenings. Macbeth realizes through his evil actions that visible life in this world is but a walking shadow. In King Lear, Lear discovers his own evil characteristics in his daughters' ungrateful behavior when he is marginalized after giving away his kingdom and territories to his daughters. He confesses that his evil daughters are diseases of his own flesh. According to the proclamations made by Edgar and Hamlet, evil forces are necessary to achieve ripeness and readiness in life. If life in this world is a process of readiness and a ground for ripeness, evil forces have positive roles in making human beings complete. Just as darkness is necessary for defining brightness, evil is needed to give meaning to goodness. Shakespeare dramatized this decentralized insight into his tragedies and awakened another aspect of life's truth.

      • KCI등재
      • KCI등재
      • Tender Is the Night에 對한 傳記的, 精神分析學的 硏究

        李幸洙 충남대학교 대학원 1977 論文集 Vol.8 No.-

        The predominant mode of perception in the depiction of the emotional and spiritual decline of Dick Diver in Tender Is the Night is psychological. The novel is not just the story of the failure of a promising young doctor or a tragedy of a romantic marriage. In a sense, it is faithful recount of psychological breakdown of Zelda and the "emotional bankruptcy" of Fitzgerald himself-a pair of queen and laureate of the Jazz Age. And it was such deep emotional involvement of the author to which many critics ascribed the failure of the novel. Since the novel is thus paternized as psychological and biographical, I adopted the psychological and biographical approach in my attempt to analyze the rise deterioration, and fall of the main characters, Nicole Warren and Dick Diver. In Chapter Ⅱ, Ⅰ commented the significance of biography. In Chapter Ⅲ, a part of the main body of this thesis, I investigated Dr. Diver's dual world of ideal and reality, his personality and surroundings and then traced the process of Dr. Diver's physical and spiritual deterioration. In Chapter Ⅳ, I presented the causes Diver's deterioration. The background of Dick Diver, in which he has grown to be a stoic, and the background of his wife, an insane daughter from a wealthy but unruly household, were incompatible from the very beginning in their fabric of married life. The tragedy was already in store for Dr. Diver when he was perchased, in spite of his feeling of resistance, by Warren family. Nicole recovers from her symptom by transferring her outraged affection for her father to her psychiatrist-husband. On the other hand, Dr. Diver's dual role as husband-physician to his wife over shadows the realisation of his ideal, forcing him to assume the heavy responsibility and obligation for Nicol. In the later part of the novel, however, the role of physician-patient is reversed, and Ni cole's abandonment of Dr.Diver as both a husband and a doctor can be interpreted as a sign of her complete cure and the beginning of the final ruin of her husband. And Dr. Diver's deterioration and final ruin can be interpreted by Freudian theory. According to Freudian theory, mental or spiritual breakdown appears when human beings are frustrated by the stress of their environment, or when they become the victim of the strict control of their Super Ego. When such phenomena occur the accumulation as well as the discharge of the attack instinct begins. Dr. Diver at first overcomes the stress steming from his self consciousness about the rich, and completely sublimates his instinctual impulse in his Id realm with the strict import of his Super Ego. But he is gradually ruined in the process of repression, isolation, regression, undoing and projection, which result in the defense of resources for the uneasiness of a Super Ego. Many critics maintain that the cause of Dr. Diver's deterioration is uncertain or unreasonable. But it would to more accurate to say that the causes are proliferated, and only when one tries to analyze the changing aspects of Dr. Diver's unconscious and conscious realm based on the principles of Freudian psychology does the deterioration of Dr. Diver become clear and reasonable. Fitzgerald may have failed to present his subject objectively as many critics claim, but he surely succeeded in his portrayal of the complex nature of the emotional and spiritual conflict of an idealist wiho was eventually victimized by the irresponsible and corrupted world of the rich and materialism.

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