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- 저자 : 이언주 ( Eon-joo Lee ) (검색결과 4 건)
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이언주 ( Eon-joo Lee ),이경숙 ( Kyoung-suk Lee ),이형숙 ( Hyoung-suk Lee ) 한국미용예술경영학회 2010 미용예술경영연구 Vol.4 No.1
In this study, it is investigated how the celebrity images to the public is affected by. With the development of mass media in modern society, it’s easy to see entertainers in everyday life. These days, Celebrity status has changed a lot, unlike in the past. Modern entertainers do an endeavor to build up their public images because image is very important to remember that celebrities. The historical environment play an important role to make the image of entertainers. Some female entertainers represented by the screening age were selected to study their public image and the influence to the public. And their fashionable hairstyles were studied. The Korea Society in the 1950s began with the end of the Korean war. The 4.19 revolution of the 1960s and the 5.16 military coup brought rapid changes to Korea. 1960s was a recovery era that Korea started internationalization. In 1970s, there was a lot of democracy fever and the relationship of two Korea was in collision with. The life quality based on the economical success was pursued in 80s and the anxiety to the end of a century was appeared in 90s. 2000s era is a personal sensibility period due to the development of high-technology and the prevalence of well-being life. The image of the entertainers should be changed differently in accordance with a historical and cultural environment.
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한유니(Yu ni Han),이애연(Ae yeon Lee),이언주(Eon joo Lee),배수진(Su jin Bae),김지영(Ji young Kim) 충북대학교 생활과학연구소 2016 생활과학연구논총 Vol.20 No.1
Nowadays fashion industry have collaborated with other area like architecture, drawings, and formative arts, which made a big trend in contemporary society. The purpose of this study is to make the creative artwears using design inspiration which were grasped from the characteristics of external form and internal meanings of Arc works of Richard serra. The methods of this study were centered on literature review including previous studies and design plans were carried out based on analysis of Serra's arc works. We set up the whole concept as 'chaos' and made creative 3 piece of artwears from the literature review and analysis of arc works, 'curved shape' and 'instability' that were derived from external characteristics and 'site-specificity' and 'experienced spaced' were from internal characteristics. The complicated and continuous curve induce dizziness and make general disproportion according to the comparison of material, shape, and weigh. Wearer can participate in this work by the way of wearing clothes and also looking positions and angles can be changed according to the volume of shape. This study have a meaning to help creative fashion design panning by the analysis on internal characteristics and external characteristics of works combining fashion and sculpture territory.
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李彦珠 동국대학교 불교대학원 1999 佛敎大學院 論叢 Vol.6 No.-
The Buddhism Flourishing to reach to 11 kinds of sects till Koryo Dynasty(高麗) was prone to declined to 7 at TaeJong(太宗) period, finally to Zen-doctrin 2 Sects (禪敎兩種) which disappeared, thanks to suppressing Buddhism at JungJong(定宗) period. So, it became Unified Buddhism, no sectarianized one with no sect-names, no sectary teachings. With this horrible reality, Buddhism was maintained with the forms of mountain-practicing Buddhism. It was Sungrang(僧郞) of monk-troops on Imjinwoeran(壬辰倭亂), 1592 that the suppress on Buddhism became lose somewhat, when monks were trying the rebuild or construct the damaged porporties of temples. While on the period of from late Koryo the early Chosun(麗末鮮初) technicians for reconstruction were scouted monks, by themselves did that on late Chosun Dynasty(朝鮮), covering from wood carving, stone carving, painting, making Bells, Danchung(丹靑) to petty things. In this situation, monks played toe major role in constructing. The Buddhist society focused 3 factors Zen(禪), Hwa-wom(華嚴), Chanting(念佛) on the basis of goal of Buddhism. With this result, constructers of late Koryo to early Chosun, before Imjinwoeran and those of after Imjinwoeran are quite differ in their outer-shape. So this thesis covers the research on about 50 Buddhist-alters telling the shift form Jusimpo(柱心包) matbae-roof of late Koryo to early Chosun to Dapo-Paljak-Roof(多包八作) style in late Chosun, changing in the number of Culmok(出目) below 2 to grow included. To this trend, Gondpo(공포) was carved to the shape of wave lotus(波蓮) and the shapes of Lotus, Dragon or chinese phoenix was added as the decoration. On the ceiling. Lotus Lantern style was diminishing and Lotus., Dragon, Bichonsang(飛天像), Unmun(雲紋), heavenly phoenix(極樂鳥) which represent Buddhapia were carved and added. These Kinds of changing were seen in Monsal(문살) and interior of BUddha Hall, too. In chapter Ⅲ, I tried to find the ground for these changes, In that era, the Buddhism was suffered from the restrict suppression whose reason the society. Just focused on mountain-Buddhism for with this stream, it was prevailing that they put importance on building Buddha-Halls or picture of Yongsanhoisang(靈山會相) with accordance to Hwa-om Sutra(華嚴經). In chapter Ⅳ, Firstly, They expressed endless virtue and beautifully, flower-elaborated Buddhapia. Secondly, Through the shape of heavenly phoenix, Bichonsang heavenly picture of ceiling we can see the heavenly world and Buddhapia of Yongsanhoisang, Thirdly, Through Dragon-head carved pillars of embankments they shows flowers are listening to Buddha's teaching and reached the other shore, Buddha-world already. These show the buddha-alter are the very Buddhapia, lotus-flower elaborated world. So far, we can find lots of theses of research related to constructers of National Treasures registered Buddha hall but not in those of the symbolism of them. That is the reason for existence of my thesis. even though there are things to be done and acquired more. I hope this thesis can be the first step of study more deeply about this field in coming future.
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