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시간과 공간의 분절(分節)형식으로서의 칸과 틀 : 선사화(先史畵)에서 하이퍼텍스트까지
이순구,Lee, Soon-Gu 한국만화애니메이션학회 2005 만화애니메이션연구 Vol.- No.9
시간의 흐름을 이미지로 나타내는데 있어서 근원적으로 분절의 형식을 취할 수밖에 없다. 이미지의 고착상태는 그것이 회화든 조각이든 동영상의 형식을 제외한 모든 형식은 나뉨(분절)의 형태로 우리에게 보이게 된다. 이 방법을 극대로 키워온 것은 만화의 영역이다. 때문에 만화는 칸의 배열에 의해 사건이 전개되고 의미를 찾을 수 있다. 또한 애니메이션이란 분절된 매체를 연속적으로 붙여 전개하는 것이 원리로 되어있다. 본 논문은 이러한 시간 흐름의 분절에 의한 시간의 고착화된 개념으로서 칸과 틀을 미술사 안에서 찾아보고, 좀 더 만화형식의 근본 원리를 찾아 분석해보고자 의도했다. 따라서 원시적인 틀의 구획과, 카툰오과 같이 단편적인 칸의 나눔, 그리고 서사적인 나열형식에 의한 칸과 틀의 예를 찾으려 노력하였다. 이로써 시간의 표현을 위한 여러 종류의 칸과 틀의 구획을 확인할 수 있었다. 또한 하이퍼 텍스트적인 만화형식의 다양함과 공간사용의 가능성을 발견하고 예시하여 좀더 폭넓은 만화의 위상을 제안하고자 했다. The image that reflects the lapse of time can only take the form of segmentation originally. All of the fixation status in an image is shown to us as the form of division(segmentation) whether it is the form of two dimensional paintings or three dimensional sculptures, but not the form of video monitors. This kind of method was extremely developed in the cartoon field. Therefore, the cartoon evolves the subjects of events and finds the worth and meaning through the arrangement of cuts. Also, Animation inquires into the principles of attaching the media continuously. The media is represented in the segmentation according to the lapse of time and I tend to analyze the origination of cartoon formation. Consequently, I tired to find the examples of the prehistoric cuts and forms, the divisions of fragmented cartoon stripes, and the cuts and forms which are composed of narrative and descriptive styles of arrangement, and finally can certify and validate them. In summary, the sections and divisions of the variable kinds of cuts and frames for the expression of the time were corroborated. The potentials of the space usage and the diversity of the cartoon formation were also founded and illustrated to suggest the broader stands of cartoon.
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버지니아 울프의 에세이에 나타난 아웃사이더 예술을 통한 사회 혁명
이순구(Soonku Lee) 한국인문사회과학회 2016 현상과 인식 Vol.40 No.3
이 논문에서는 1920년대 이후에 발표된 울프의 몇몇 에세이 분석을 통해 여성과 노동자 계급 등 사회의 아웃사이더들과 자신을 동일시하려 했고 사회혁명의 수단으로 이들에 의한 독서와 글쓰기를 강조했던 그녀의 급진주의자적인 면모를 살펴보고자 한다. 이들 에세이에서 울프는 계급 간 구분이 허물어져 가는 민주주의 시대에 그러나 여전히 계급의 감옥에 갇혀있는 영국사회와 문단을 향해 과연 미래의 민주적인 시대의 올바른 문학의 모습은 어떠해야 하는가에 대한 질문을 던지고 있다. 그녀는 중산층 출신의 남성 작가들에 의한 문학은 사회혁명의 활력을 상실한지 오래 되었으며 이제는 교육받지 못한 사회적 타자들인 여성과 근로자들이 주체가 되는 예술만이 사회를 구제할 수 있다며 그들에 의한 적극적인 문학적 행위가 전제될 때에야 비로소 미래의 계급 없는 평등사회에 대한 갈망이 실현될 수 있다고 주장한다. 이 논문에서는 이러한 울프의 급진주의자적 시각을 1920년대 이후에 써진 그녀의 몇몇 에세이 분석을 통해 살펴보고자 한다. The purpose of the present study lies in examining the radical aspects of Virginia Woolf, who sought to identify with social outsiders such as women and the working class and stressed their reading and writing as a means of social revolution, by analyzing several of her essays published in and after the 1920s. In these essays, she posed the question of what the correct image or stance of literature ought to be in the democratic era of the future to British society and literary circles, which still were locked in the prison of class in an age of democracy, when distinctions among classes were crumbling. Stating that literature created by male writers from the middle class had lost the energy of social revolution long before and that, now, only art where women and laborers, uneducated social others, were the subjects could save society, Woolf argued that the fervent wish for the classless, equal society of the future could be finally realized only when these outsiders’ active, literary acts were presupposed. The present study seeks to examine such a radical perspective on Woolf’s part by analyzing several of her essays written in and after the 1920s.
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호텔 조직의 리더십이 리더십 유효성과 조직시민행동에 미치는 영향
이순구(Soon Gu Lee) 한국관광연구학회 2008 관광연구저널 Vol.22 No.3
This study intended to seek for the strategic implications on the Korean hotel organizations so that the organization may secure competitive advantages. By identifying the relationship of leadership, which is suitable for hotel organizations whose goals are the best leadership and particularly for employees who realize the services at the contacts with the customers. To get the objective of study, this study confirmed the validity of measuring parameters of leadership, leadership effectiveness and organizational citizenship behavior through preceding research and confirmatory factor analysis, and examined the measurement of structural equation model and the hypothesis. Based on the above study, following implications can be obtained in this study. First of all, transformational leadership and servant leadership have not effects on Leadership effectiveness Second, Transactional leadership and service leadership have effects on leadership effectiveness Third, leadership effectiveness has effects on the members` organizational citizenship behaviors(OCB) as an antecedent, which offers the implications for setting and sharing the service objective level, education, training, compensation etc.
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이순구(Soon Ku Lee) 한국영미문학페미니즘학회 1999 영미문학페미니즘 Vol.7 No.1
This article accepts some critics` view that evangelical feminism existed side by side with Enlightenment feminism during the nineteenth century. That women were different from men, and in general, inferior to them was a Victorian commonplace. According to these critics` views, Enlightenment feminism and evangelical feminism explode this commonplace, but they do so in opposing ways: Enlightenment feminism by denying difference, evangelical feminism by extolling virtues rooted in female experience and culture. This paper asserts that Eliot`s feminism is based on evangelical feminism, which concentrates on extolling feminine characteristics. Additionally, I argue that Eliot admits the good points of Enlightenment feminism such as equal rights, autonomy, and self-realization, while still maintaining the feminine characteristics as useful and essential values. Eliot`s feminism can be seen as eclectic and synthetic, merging opposite streams of feminism of that time. A close study of Dorothea Brooke`s moral development would confirm these aspects of Eliot`s feminism Dorothea Brooke, heroine of Middlemarch, embodies the values of femininity which Eliot considered important. The power to enter into the feelings of others and to suspend judgement of others, are the virtues found in Dorothea`s moral viewpoint. By the novel`s end, however, she is confronted with moral dilemmas in which her ethic of care or responsibility for others does not work for herself or for hers. Dorothea learns that living for others does not always mean being good, nor does living for herself always mean being selfish. The concepts of rights, autonomy, and self-realization, previously understood by Dorothea to belong only to the masculine realm, are realized as important in her own life as well.
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