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인삼 모잘록병 (Rhizoctonia soEani)에 대한 Tolclofos-methyl의 효과
유연현,조대희,오승환,Yu, Yeon-Hyeon,Jo, Dae-Hui,O, Seung-Hwan 고려인삼학회 1989 Journal of Ginseng Research Vol.13 No.1
Tolclofos-methyl applied as seed dipping at 1,000 ppm for 3 hrs before sowing and soil drenching at the rate of 300 g ai./10 a in the middle of April protected emerging seedlings of Panax ginseng from damping-off caused by Rhiiutonia solani(AG2-1) in Yangjik Soil artificially infested with the pathogen. Germination rates with tolclofos-methyl, pencycuron, and control were 53.7%, 45.8%, and 7.5%, respectively, while the rate of the seeds at non-infested soil was 62.6%. The effectiveness of Tolclofos-methyl against the pathogen in the soil lasted upto 32 days in vitro. However, the transpiratio of ginseng seedlings increased greatly with chemical treatment, showing 0.02, 0.12, and 0.24 m1/cm2 leaf area/day at 0, 1,2, and 4 ppm a.i. of the fungicide, respectively.
유연현,조대휘 고려인삼학회 1990 Journal of Ginseng Research Vol.14 No.3
Incidence of damping-off callsed by Rhizoctonia solani was 0.6-10.9% at "Yangjik" seedbed in Pocheon, Korea. The seedbeds where the lengths of etiolated stems (underground portion) of ginseng seedlings were 0.78-1.25 cm showed 0.8-3.2% of the disease, while 6.9-10.9% disease incidence was observed at the seedbeds with the longer etiolated stem (1.89-2.26 cm). The pathogen produced a typical girdle symptom on the etiolated portion of ginseng stems close to the soil surface. The deeper the seeds were sown, the more the disease occurred in pot soil inoculated with the pathogen, AG 2-1, showing 18.4, 27.4 and 32.9% of damping-off at the seeding depth of 1, 2 and 4 cm, respectively. Cuticle layers of colored stems (over ground portion) were well - developed to be 42.8, 58.0, and 55.0 um in thickness compared to the etiolated stems with 8.5, 15.0 and 8.0um for seedling, 2 year-old, and 3 year-old ginsengs, respectively, when the disease occurred. In the seedling and 2 year-old ginseng, the colored stems were more rigid than the etiolated. There was however, no difference in rigidness of the stem of the 3 year-old ginseng where the disease is not severe as in seedlings and 2 year-old ginseng plants.ng plants.
유연현,오승환 고려인삼학회 1985 Journal of Ginseng Research Vol.9 No.2
The efficacy of fungicides was compared for control of root rot as well as leaf blight caused by Phytophthora cactorum on ginseng plants. Growth of P. cactorum in rlitro was completely or highly inhibited by metalaxyl, tetracyclin, captafol, carbendazim, and thiophanate + thiram. In field trials, the disease was significantly reduced not only in the root rot but also in the leaf blight when metalaxyl was applied at 4.17 mg a.i. per plant for soil drenching and 1.25 mg a.i. for foliage application. Also captafol was effective on control of the leaf blight but its effect was inferior to that of metalaxyl. Metalaxyl lost its effectiveness in vivo between the 5th and 7th week after soil wren ching. Phytotoxicity was, however, observed on 2 years old ginseng plants when metalaxyl was drenched at 8 mg a.i. while no phytotoxic symptom was developed on 2 years old ginseng plants at 4k mg a.i. and 3 years old at 16 mg a.i. per plant, respectively.
김혜정 한국민속학회 2018 韓國民俗學 Vol.68 No.-
Jang-woljungseon is a master of pansori, master of various instruments, dancer and choreographer, who showed his versatile talents. jang-woljungseon was also the editor of Changgeuk. This paper focuses on the composition technique of Jang wol Chung Sun. Pansori is used to ensure the unity of the pole in chang-geug <myeongchang imbang-ul>. The compositions were composed of 26 songs, and there were more composites than Pansori. In particular, he used a variety of jangdan, and in particular, he used ‘semachi’ in a strong sense of ‘reason’ and Jinyangjo in a strong sense of ‘sensibility’. Make a sense of speed by sticking the lyrics tightly. Since the length of the music piece is short, the modulation and the variation are also used briefly. 장월중선은 판소리 명창이면서 여러 악기의 명인이자 무용가 및 안무가로서 다재다능한 재능을 뽐냈던 명인이다. 장월중선은 창극의 작창을 맡기도 하였는데 그의 다양한 재능이 창극을 통해 어떻게 집약되어 표출되었는지 그 작창기법을 살펴보는데 본고의 목적을 두었다. 창극 <명창 임방울>은 판소리 명창 임방울의 일생을 그린 작품이기 때문에 작품 전체에서 임방울의 특장 대목들을 반복적으로 활용하고 기존 판소리를 활용하여 극 전체의 통일성을 확보하고 있다. 작품 내 장월중선의 작창 악곡은 모두 26곡이었으며, 판소리에 비해 장단 복합구성이나 여러 인물의 소리를 섞이는 경우가 많았다. 음악적으로 9종 이상의 다양한 장단을 사용하였고 특히 세마치는 ‘이성(理性)’이 강한 대목에 진양조는 ‘감성(感性)’이 강한 대목에 구분하여 사용하였다. 판소리와 달리 가사를 촘촘하게 붙여 속도감을 만들며, 악곡의 길이가 짧으므로 변조와 변청도 짧게 사용하였다.