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한국, 중국, 일본의 복식 미의식 비교-근대 이전 시대를 중심으로-
유순례(You. Soon-Lye) 한복문화학회 2002 韓服文化 Vol.5 No.4
This article study for change of style costume and aesthetic in Korea, Chinese.. Japanese in the view Point of inter coleural.<br/> Korean costume has the basic shape two parts of up and down, and straight construction and has gore as something extra space.<br/> Chinese Costume is one piece type construction with straight line and curve line in elude extra space.<br/> Japanese costume has two parts type constructive with straight. In the methodes of dressing, Korean has personal free dressing, Chinese has the majesty of large volume, Japanese has the layed methodes.<br/> Korean costume has the harmony of line, propotion of UP and down. Chinese has ceremonial and manner. Japanese has the harmony of calor with layed clothes.<br/>
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유순례(You Soon-Lye),임순(Im Soon) 한복문화학회 2006 韓服文化 Vol.9 No.2
North Korea was isolated globalization 20th, has the character of social state. But people has the pursuit of personality, esthetic. The people of social state to propose pragmatism, productivity. The demand and supply are control by social party. But follow at western fashion trend. The policy of demand & supply costume made by distinction of social status. Then costume became of the symbolic of social status. The people of North Korea are interested in costume. North Korea academy are interested in traditional culture, succeed to the ancient costume reconstruction , modernization. North Korean like to well made dress, high level value, elegance, but South Korean like to fashionable, sexy. The costume culture of South/North interchange is very important. The development of Han brand contents is requirement case study North Korea.
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조우현(Cho Woo-Hyun),유순례(You Soon-Lye) 한복문화학회 2007 韓服文化 Vol.10 No.3
This study is on costume for funeral ceremonies of Chosun's Yi-dynasty. Those funeral ceremonies contained not only its culture but also their confessional spirits. This study shows some specific characteristics of royal funeral costume. In order to protect the corpse, they made the corpse put on many aesthetic layers of these costume made by silk, linen, gold power, and they buried the body deep in the ground. With this way they could express their respect to their ancestors. They believed the dead person could go over to the other world of after death as a new being like a god. This costume originated from our northern ancestor of those who are named horse-riding people. The northern ancestor thought highly of 3 which meant good luck to them, because number 3 was a symbol of birth and death. We inherited this traditional spirit.
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이주원(Lee Choo-Won),유순례(You Soon-Lye) 한복문화학회 2005 韓服文化 Vol.8 No.1
Hanbok is the traditional costume of Korea. After modernization of Korea society, Hanbok dressed the people of korean, and exchanged, the role of traditional costume.<br/> The character of Hanbok separate to traditional costume and casual dress 1980.<br/> The manufacture of Hanbok transfer to industrial system . This is necessary of long range plan, production method rationalization, adaption of method fashion marketing, development brand, bring up designer.<br/> Association of designer, cunsocium of production, bring up Hanbok merchandiser, CAD system, standard terminology, plan product, these are premier precondition
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임영자(Young Ja Lim),유순례(Soon Lye You) 한국복식학회 2000 服飾 Vol.50 No.8
The purpose of this study describe about aesthetic of korean art and costume. Therefore we understand the beauty of korean style well. Methods of this study are the analysis of the paper before published on the aesthetic and costume aesthetic. Especially in the global postmodern age, the understanding of the value of korean beauty and costume are very important. This study define of the special character. That is as follows. 1) Beauty of form a. Harmony of line different character b. Composition of plane make super space aesthetic c. Beauty of asymmetric, non formal, freedom of dressed man d. Beauty of symbolic color 2) Beauty of mind a. Aesthetic of the north nomads feeling b. View of the naturalism c. Ceremony of confucianism d. Preservation of original form, koreanization from heterogeneity
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