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우퉁(Wu Tung),선승혜(번역자) 한국미술연구소 2004 美術史論壇 Vol.- No.18
Written for readers in Korea, this Survey provides a condensed outline of the many aspects of Chinese art history It covers, chronologically, the artistic development in China from the Neolithic period to the modem era. The outline introduces both two and three dimensional art works as well as architecture, furniture and garden created by the Chinese Att creativity is examined and interpreted not only from aesthetic viewpoint but also from its cultural, economic, social, political and religious backgrounds. This Survey gives special attention to the constant artistic and cultural exchanges with foreign countries throughout the Chinese histo교. On the other hand, it also addresses the unique characteristics of the Chinese art, In order to ensure the accuracy of such characterization of Chinese art, this Survey relies heavily on archaeologically discovered objects for the periods before the Mongolian Yuan dynasty. The last seven hunch-ed years of the Yuan, Ming, Qing dynasties and the modem period at'e largely based on masterpieces in major collections around the world. The Survey often calls for attention to the spiritual and philosophical quality of Chinese art works. It also highlights artistic contribution made by female artists, Whenever appropriate, it briefly compares the subtle difference of similar aIt objects or movements between China and other Asian countries For example, the literati painting movement taken place in China, Korea and Japan: the international Gupta style in India, China, Korea and Japan. For the 20th and the 21st centuries, the Survey points out the duality in Chinese cultural traditions that allows diverse and varied development in Chinese artistic presentation. Therefore, we see the Christian West -inspired art existing side by side together with those derived from Chinese traditional Daoism, Buddhism, and Confucianism However, the rivalry between these two approaches and the difficulty in balancing one against the other is not forgotten. In conclusion, the Survey highlights three major cultural encounters in Chinese history: [1] the South Asian Buddhism-when Chinese curiosity and spiritual needs had facilitated the adaptation of the Buddhist faith and art for the Chinese to follow as early as the first century AD. [2] the Near Eastern art and culture they made their way along the vibrant Silk Route trade into China during the Sui and Tang dynasties. [3] During the early 20th century, the Chinese were given a chance to acquaint themselves with the so-called Mr. De (Democracy) and Mr. Sai (Science), which in tum gave birth to modem China and Chinese art.
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