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신설령 ( Seol Ryoung Shin ) 민족음악학회 2013 음악과 민족 Vol.45 No.-
The disputes over music and ideology in the newspaper do not seem easy to estimate just as simple arguments through a few articles of Shin Go-seong and Hong Nan-pa considering the profoundness of the subject. Through these arguments we could see the issues of the distance between music and public, reflection on the fact that music cannot bring comfort for people, hope for new music which people can enjoy, and endeavor to devise the new form of music that contains the hope. In addition, we should take note of the following fact that these issues were raised by the reference on proletarian art. Proletarian music movement by KAPF(Korean Artists Proletarian Federation) advocates the popularization of music and furthermore, makes use of music as tools for equipping public such as workers and farmers with Proletarian ideology. Shin Go-seong`s articles mention the direction of Japanese proletarian music movement and indicate the influence of Russian proletarian music. The disputes over music and class in the newspaper show that intellectuals at that time concern a lot about music of their time and public who appreciate music as well. Thus the significance of the disputes is that they make people face the reality of music by revealing the problems of music at that time.
신설령 민족음악학회 2004 음악과 민족 Vol.28 No.-
Since there were few musical critics in 1930s, Kim Guan proposed the reexamination of "the national music." During this era, there were no support or exchanging of views from his fellow musical critics toward his proposal. Many believed that because of the closely monitored Japanese imperialism, they were intimidated to express their points of views and support for Kim's, "the national music." Besides of being suppressed, many found that Kim's opinion were very ahead of time or very futuristic and therefore, it didn't get the importance of its issues. After the independence from Japan, there were bursts of discussions about his proposal as like the darn water exploded. Many people including the musical critics were able to express their views towards the proposal. They could sing for joy during the independence. In 1980s, the systematic written exposition or argument about Korean music could point out and discussed the problems of the western music influences. However, during the occupation of the Japanese, there was one musical critic who gave his valuable opinion on "the national music" --- Kim Guan. Even though there was no freedom, there was advancement and it led the Korean music where it is today.