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파사드 포셰 이론을 통한 도심 재래시장 재생디자인 방법 연구 - 건물형과 가로형이 결합된 서울특별시 동작구 성대시장을 중심으로-
송하엽,정순욱 한국문화공간건축학회 2017 한국문화공간건축학회논문집 Vol.- No.60
This study suggests the regeneration design method for Urban Conventional Market, through by establishing design methods in Sungdae Market. This study is based on the Facade-Poche theory, which aims for designing not only the facade of the building, but the streetscape facing the building, thus the frontal areas. The Urban Conventional Market, fitted in the urban context, needs not only the regeneration of the facilities, servicing area, and etc, but the regeneration in the way of contacting the urban area. Two types of Urban Conventional Market; ‘building-type market’ and ‘street-type market’, were categorized in researches of existing Urban Conventional Markets in Dongjak-gu. The research site, Sungdae Market, Dongjak-gu, Seoul, shows both market types. Focusing at Sungdae Market, this study will propose a design methods for each space types in the market; a corner space, a street-facing space, an in-between space, and an interior space, to improve the currently isolated and segregated Urban Conventional Market. With suggested design methods, the Urban Conventional Market will be more functional in urban context and provide people with a place to experience. Through this research Urban Conventional Market will create its own atmosphere and become a unique commercial place, rather than being a common supermarkets.
Adjusted Techniques by Architects Trained as Craftsmen
송하엽 대한건축학회 2010 Architectural research Vol.12 No.1
Many theorists acknowledge that Modern architecture denied the architect’s crafty gesture for the sake of pure formal and compositional status of a building. As well, modern technology in construction has been prevailing as the sole support for modern architecture. But there exists architects who proposed a dialectic development of traditional and modern techniques. This thought was prominent in Germanic circle where technological development was in advance. Throughout 20th century, the works of Adolf Loos, Mies Van der Rohe, and Peter Zumthor are representatives in each period. A common point begins from their apprenticeships as craftsmen: Loos and Mies as stonemasons, Zumthor as a cabinetmaker. More than this fact, their craftsmanship is embedded in their works and express creativity of architects. While mass production system raises non-participatory practice that merely require assemblage of products, the adjusted techniques with craftsmanship brings forth a participatory practice that does not limit the creativity of architects.
송하엽 대한건축학회 2011 Architectural research Vol.13 No.1
To design and construct a museum of art involves the interest of artists, architects, curatorship, management, and local government. More than this direct relationship, museum obliges the public a mission of delivering genuine public experience through art and architecture. However,most of Modern and contemporary architecture has not delivered genuine public experience of integrated art and architecture. Conceptual message of art and perceptual architectural exhibition space has not been integrated easily. Picture frame canvas initiated this schism and institutionalized museum management hampered the creativity of artists. This schism was overcome through artists’ questioning of museum culture and creative works that embrace work and its environment. In contemporary culture, installation art and media art necessitates a new museum format which needs not only exhibition, but laboratory and interface space with viewers. This paper will regroup the existing museum according to its use and strategy, and reinterpret progressive museums that fosters young artists, and more than this, will introduce successfully established museums for new forms of art, which are equipped with versatile exhibition spaces, innovative interface between works and viewers, and own laboratory that can produce works of art. These examples will envision a creative method of art and architecture production that can achieve genuine public experience.
깃듬의 건축: 마르셀 브로이어의 거주성의 추구와 건축주 스틸만 씨의 구축적 보존
송하엽 대한건축학회 2006 대한건축학회논문집 Vol.22 No.1
Modern houses designed by Marcel Breuer and maintained by his client, Mr. Stillmann, will be discussed as representative examples of inhabitedness in architecture. In order to trace the inherent tradition of inhabitedness in architecture, the characteristics of the mid 19th Century English domestic architecture, such as practicality and the connection between inside and outside, will be interpreted as an embodiment of 'modern inhabitability.' The arguments and practices of Adolf Loos, Walter Gropius, and Marcel Breuer will be introduced as the modernization of inhabitability. It is not intended to make a chronological connection of them, however, but to suggest a topical concept of inhabitedness in architecture. In sustaining modern inhabitability in American context after the second World War where automobile culture and mass-production culture prospered, architects focused on interior plan making strategy, the use of exterior spaces, and the application of modern construction technology. Simultaneously, creative clients and dwellers, adapting their life style to modern houses, have practiced the renewal of life style change and accordingly the enhancement of their house and site configuration. It could be explained that if architects' design follows foresight, constructive mind, and technology, dweller's constructive maintenance follows hindsight, experience, and cultivation. Both modes of constructive mind and cultivative dwelling are necessary to accomplish inhabitedness in architecture. This paper examines semi-outdoor spaces such as deck, terrace, and porch to explain the contention between architect's intention and real dwelling experience. In Stillmann House I, II, III, and renovated Stillmann House I, decks and screened porches will be dealt in depth as a place of contention as well as an originator of further changes of house and site configuration.
착생건축의 관점에서 바라본 알레한드로 아라베나의 공공주거 프로젝트의 성격과 의의에 관한 연구
송하엽,임진혁 한국문화공간건축학회 2016 한국문화공간건축학회논문집 Vol.- No.55
The purpose of this study was to analyze the characteristics and social contribution of Alejandro Aravena's social housing project with the viewpoint of Epiphyte Architecture. To solve the Chile's urban housing problem, Aravena presented his social housing strategy, 'Half of a good house', which applied residents' self-building lifestyle and indicates Epiphyte Architectural design method. Aravena's social housing strategy displays the characteristics of Epiphyte Architecture; utilization of existing built environments as an epiphytic object; coexistence of individual architectural elements; and cultivative architecture with complement. Moreover, he suggests the new role of an architect: lessening one's aesthetic desire, encouraging users' participation, and providing proper method as professional. Lastly, his social housing shows the social symbiosis effect of architecture; it helps residents to make their own asset by themselves, and shows possibility to solve the world-wide housing problem by its high adaptability.