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월북사진가 김진수(金珍洙) 연구 - 해방공간과 1950년대 활동을 중심으로 -
박주석 ( Park Ju Seok ),홍성후 ( Hong Sung Hu ) 한국사진학회 2020 AURA Vol.0 No.44
This article surveys a photographer Kim Jinsu who was a key figure in < Joseon Sajin Dongmaeng > in North and South Korea, and a photographer who made clear his identity as a socialist in North Korea. Since he defected to the North Korea, Kim has worked as a photographer for the headquarters of < Joseon Photographic Press > and a editor of 『Shining Motherland』. Received the trust of the North Korean government, he served as chairman of the < DPRK's Photographic Union > in 1951 to study socialist realism of Soviet Union. Based on Kim's photographic activity as a socialist culminated in 《World Festival of Youth and Students》, and clearly showed the identity of North Korean photography. On the other hand, we concluded that all his works are not just political pictures that represent the party's position. The subjects such as 'labor people as masters', 'worker's subjectivity' and 'nationality of Joseon' as shown by Kim's socialist realism photography were largely a means of promoting socialist ideology. His photography has become a methodology for contemporary North Korean photographers and has developed into ‘Juche Sajin’ since the 1970s.
박주석 ( Jooseok Park ),정남수 ( Namsu Jung ) 한국농공학회 2009 한국농공학회 학술대회초록집 Vol.2009 No.-
급격한 도시화와 사회구조의 변화로 인해 현재 우리나라는 1990년에 1.59명, 2003년에 1.19명으로 저하되고 있으며 이는 2001년 EU국가에서 최저 출산율을 보인 이탈리아(1.24명)보다 낮은 수치이다(김정옥, 2005). 이와 함께 경제발전과 보건기술의 발달로 고령인구의 비율이 높아지고 있으며 특히 농촌지역은 노동인구의 이농현상과 맞물려 도시지역에 비해 고령화가 빠르게 진행되고 있다. 농촌지역인 예산군의 경우, 65세 이상 인구비율은 1995년에 10.46%이었던 것이 2000년에는 14.06%로 상승하고 2008에는 21.07%로 매우 가파른 상승을 하고 있다(통계청). 최근 농촌을 활성화시키기 위해 다양한 농촌지역개발사업이 시행되고 있다. 사업의 효과적인 수행과 운영을 위해서는 적정한 규모의 농촌주민이 확보되어야 하나, 노년층에 편중된 농촌의 인구구조는 급격한 인구감소를 유발할 수 있어 장기적으로 사업성과 달성이 불투명하다. 현재까지 농촌지역 인구에 대한 연구는 인구 유입·유출 요인에 관한 연구, 인구 추정에 관한 연구, 사업인구 변화에 관한 연구가 있으나 인구수 만을 대상으로 하였으며 장기적인 사업효과를 담보하기 위한 인구구조에 관한 연구는 부족한 실정이다. 본 연구에서는 인구통계자료를 바탕으로 전형적인 농촌지역인 예산군의 12개 읍면을 대상으로 인구구조 변화에 대하여 살피고, 인구구조의 편중된 정도를 파악하기 위하여 생태계의 건전성을 측정하는 다양성 지표를 적용하며, 인구 유출입과의 관계를 파악 하고자 한다.
박주석(Juseok Park),정기원(Kiwon Chong) 한국정보과학회 2004 정보과학회논문지 : 소프트웨어 및 응용 Vol.31 No.5
소프트웨어 회사들은 새로운 개발보다는 기존 프로젝트의 유지보수와 성능향상 프로젝트를 보다 많이 수행한다. 기존의 비용 추정 모델들은 유지보수 프로젝트들에 적용할 수 있지만, 유지보수 분야에 적용시키기 위해서는 변경이 필요하다. 본 논문은 개발 프로젝트와 유지보수 프로젝트의 기능점수 계산방법을 분류하고 ISBSG의 밴치마킹 자료를 회귀분석한 결과를 토대로 유지보수 프로젝트의 비용을 측정할 수 있는 방법을 제안하였다. 먼저, ISBSG 자료를 소프트웨어 비용에 영향을 미치는 요소인 프로그램 추가, 변경과 삭제 3가지 요소의 8가지 중에서 실제 유지보수가 나타나는 4가지 그룹으로 분류하였다. 그리고, 그룹별로 통계적 모델과 RBF 망(Radial Basis Function Network)을 이용한 모델을 개발하여 각각 의 성능을 분석 평가한 결과 RBF 망이 통계적 모델보다 좋은 성능을 보였다. Software industry has put more emphasis on maintenance and enhancement work than on the new development. The existing effort estimation models can still be applied to maintenance projects, though modifications are needed. This paper suggests a way to estimate the size of a maintenance project from the regression analysis of ISBSG's benchmarking data. First of all, among the 3 elements(addition, modification and deletion of the program) which influences the software cost, we selected and classified 4 groups from a total of 8 which shows actual maintenance cost from ISBSG's data. Moreover, we developed statistical model and a model which uses RBF(Radial Basis Function) Network and after evaluating each functions we concluded that the RBF Network is superior to the statistical model.
일제강점기 예술사진의 한 양상 연구 - 사진집 <은뢰(恩賴)>의 사진과 야마자와 산조(山澤 三造)를 중심으로 -
박주석 ( Park Ju Seok ) 한국사진학회 2017 AURA Vol.0 No.39
During the colonial period in the 1920s, art photography began to take place in Korea. Certain information about photography flowing abroad has allowed the world to know the world's global trend of photographs and the trend of art photography. In the 1910’s, the Japanese people underwent this process, and it was in the 1920s that Japanese people began their artistic activities as part of their taste as part of the Western culture. The most frequent form of artwork produced during this time was the scene of a pastoral view of the idyllic surroundings of the ordinary folk scenes. Yamajawa Sanjo, the central theme of the article, was one of the leaders of the photography Society of Colonial Joseon, who held < Jeonjoseonsajinjeonramwhe > and the review of the exhibition, which was the most influence of that time. The problem is the concepts of Art Photography was ‘local color’ of Colonial Joseon. A picture of Japanese occupation, not just paintings that appear most frequently in the area of the ‘local color’ has a local nature of ordinary people against the backdrop of everyday life. To speak on a pastoral atmosphere. In the entire realm of art and literature, " Joseon local color " was an extremely important theme, and it explained that it was an effort to record everyday life and sublimate aesthetically. However, the artistic picture of this poem seems to be beautiful and elegant, but it should recognize that the subtle visual propaganda of the Japanese colonial rule of this era is realistic.
박주석 ( Park Ju Seok ) 한국사진학회 2018 AURA Vol.0 No.41
In 1876, through a contract of ‘Korea-Japan Treaty of 1876', Joseon dynasty government have formed a diplomatic relation with the Japanese government and they started to open the country to foreign intercourse. For this reason, there were various Joseon delegations for diplomatic relations with Japan, US and other European countries. It was in the same context of Yeonhaengsa who had been delegated to China before as a diplomatic operation. There were few kinds of ambassadors after the contract of ‘Korea-Japan Treaty'. They are ‘Sushinsa' were delegated to Japan, ‘Youngsunsa' were detached to China for advanced military technology and skills and ‘Bobingsa' were dispatched to express thanks to assigned of US diplomatic minister residing in Korea peninsula, after contracting of ‘Treaty of Peace, Amity, Commerce and Navigation, United States-Korea Treaty of 1882'. These various delegations had experience visiting local photo studio and taking portrait pictures in countries where they were sent. Although there was no official introduction of photography during 1860-1870s, the ambassador members kept finding studio and taking their pictures. Therefore, it became a kind of tradition among the delegation members who have visited foreign countries. The delegations recorded their experience on photography, visual culture, impressions and these various forms of documents come down to us in these days. In the other word, before formal introduction of photography, there were documents about experiences and impressions of photography. Through these series of processes, photography could be accepted by Joseon noblemen without resistance; rather it became an attractive modern technology to them. Therefore, it provided a foundation of the introduction of photography. As a result, the acceptance of photography as a typical modern culture form means the truth that Joseon practically entered into modern society.