의생활 교육내용에 대한 고등학생의 실천 의식 조사

박일록,이은희 한국 가정과 교육 학회 2003 한국가정과교육학회지 Vol.15 No.1

The purpose of this study was to research high school students' practical awareness about the contents(classify them into four units, choice and dressing of clothes, textile and management of clothes, design and sewing of clothes, knitting and embroidery) clothing and textiles education in their real life. This is the investigation of which 576 high school students located in Choongchungnamㆍbukdo, Junrabukdo, Daejeon. In this statistical analysis, SPSS 10.0 for Windows Program was utilized to calculate percentage, mean and standard deviation. Also, these materials were verified by t-test, One-way Anova, Pearson's correlation coefficient. The main results of obtained this study are as follows. High school students' practical awareness about the contents of clothing and textiles education in their real life appears to be low(only 9 items were over median point of 3.0). There was a significant difference in practical awareness of contents of clothing and textiles education according to demographic variables, and correlation of variables differed significantly. These results should be provide fundamental information for improving students' critical practice in their real life. Since this study has touched only limited research on the topic of clothing and textiles education, it is essential that further research covering a wider array of themes be done in the future.

絹織物에 對한 視覺的 比較硏究 : 韓·日 女大生을 中心으로 a case of Korean and Japanese college students

박일록 圓光大學校 1991 論文集 Vol.25 No.2

絹 100%의 平織物 Decien인 6가지 色으로 官能檢査(Sensory test)를 하였다. 이 絹織物은 다른 보통 織物보다 약 두배 정도 두껍고, 平面重(Plain weight)도 크다. EIA RS-232-C INTER-FACE로 試驗布를 分析한 결과 가로, 세로 방향에 대한 色差가 다소 있었으나 이는 널(구불구불)때문에 視覺的으로도 방향에 따라서 色差가 있음을 알 수 있었다. 全反射光分布曲線의 결과 反射에너지의 明度가 높다고 해서 반드시 큰 것은 아닌 것으로 나타났다. 韓ㆍ日 여대생의 官能檢査를 한 結果는 다음과 같다. 1.官能量에 대한 有意性은 한국학생이 1% 이상 高水準으로 有意差가 있었다. 2.官能量의 推定値는 兩國 모두 白이 明度가 높고, 靑, 白을 좋아하는것에 對해서는 각 官能量의 이동폭이 넓었다. 3.양국학생의 官能量의 相關行列은 相關性이 全體5.5%에 不過했다. 이는 兩國學生의 상관행열의 係數가 서로 相反되어 있음을 意味한다. 4.官能量의 相關계수는 각 項目에 따라 고수준으로 유의차가 인정되었으나 관능량은 각 학생들이 색에 따라서 지배되고 있는 경향으로 색이 갖는 특성에 대한 상당한 차이가 났다. 5.因子負荷量의 分散에는 韓國學生에 比해 일본학생이 양호하게 나타났다. 전체적인 것으로서 보면 한ㆍ일 여대생의 시각적인 견해는 양국 학생간에 상당한 차을 나타냈고, 특히 주목할 만한 것은 밝다, 선명하다를 보는 방법이 다르다는 것이다. 이와같이 동양권 안에 있으면서도 국민성으로 인해 현저한 차이를 나타냈다. A sensory test was made on 100% silk fabrics decien in six different colors. This fabrics is characterized by being twice as thick as ordinary one and the plain weight proves as much great. The findings of analysis of the tested fabrics through EIA RS-232-C Interface show a certain degree of color difference in both horizontal and vertical direction. The distribution curve of the total reflection light demonstrates that the brightness of reflected energy is in direct proportion to its intensity. The results of the sensory test on the two nations students also show; 1. As for the significance of sensory quantity, Korean students show more than one percent of variance. 2. For the estimated value of sensory quantity, white indicates higher degrees in brightness in both nations and preferences of blue and white insures a wide range of change in each sensory quantity. 3. Regarding to the correlation matrix, sensory quantity of both students amounts to not more than 5.5%, which implies that the correlation coefficient of both sides of students in contradictory to each other. 4. The significant level of correlation coefficient of sensory quantity was recognized as being remarkably different in each item and the sensory quantity displays a considerable variance according to the quality of color, for the color tends to be influential on the students. 5. In terms of a convariance of factor load, Japanese students show a greater range of distribution than their counterparts. Results of the as a whole indicate a remarkable visual variance between the two nations, and most noticeable is way they distinguish brightness from clearness from clearness. Thus, despite their cultural and regional homogeneity, they show a striking difference due to their national peculiarity.

중학교 가정과 교육내용의 중요성에 관한 연구 : 전북지역을 중심으로

박일록 한국 가정과 교육 학회 1997 한국가정과교육학회지 Vol.9 No.2

The purpose of this study was to identify the important contents from teachers', parents' and students' view points based on the sixth Home Economics textbook contents, to apply these results at school settings and to provide the materials as a basis for the next curriculum revision. Subjects were 9 teachers, 253 parents, and 389 students form 3 cities and 5 counties in CholaBukDo. A questionnaire which was made by the researcher was used as an instrument for thsi study. The results are as follows: Of 32 contents on Family life subarea, all the teachers, the parents and the students put the emphasis on sex such as pregnancy, purity, sex-ethics, etc. This result means that middle-school students emphaszed the sexual identity formation and this was also a common concern about adolescents in our society. of 37 contents of Managing home resource and Consumer life subarea, teachers thought the environment pollution is an important subject and parents and students thought finding a method to conserve good e4nvironment were more important. This result reflects their concern on the environment. Of 49 contents on Dietary life, teachers and parents emphasized "the importance of nutritive elements" which is basic on their dietary life and students were more interested in "adolescence and growth and development among adolescents' nutritional characteristics and problems" which is more related to their current life. Of 40 contents on Clothing life subarea, while teachers put the emphasis on the method how they can buy ready-made clothes, parents and students wanted them to teach what kind of clothes are suitable for themselves. Of 18 contents on Residing life subarea, teachers emphasized the importance of ventilation for adjusting the room environment and students were more interested in the effective use of the residing space. By finding out what kinds of Home-economics contents are important from the view point of teachers, parents and students, this study can be a useful resource for the next curriculum revision and for selecting contents of a new-coming text book. However, restricted sampling must be considered and further studies which cover the whole area might be needed.

衣生活과 社會의 機能

朴一錄 東國大學校 1977 論文集 Vol.16 No.-

韓國蠶業政策의 變遷에 관한 考察 : 朝鮮時代를 中心으로

朴一錄 동국대학교 1979 論文集 Vol.18 No.-

In the light that clothing may be considered one of the major determinants of the cultural and industrial development of a race or nation, it is undisputable that silk-yarn is one that has had a prominent influence upon the industrial history, particularly on the textile side of Korea. Sericulture in the peninsula may be traced to its origin in the ancient China, and since its inflow around A.D. 285 according to "Sam guk Ji, a well-grounded historical book, it began to settle down as a small-scaled domestic industry. The primitive type of sericulture, however, had not yet been worth mentioning in terms of its scale and skill, until the age of Triple-dynasties (三國時代)when official uniform system was finally put in force. The exchange value of silks by that time came to meet with much recognition in the market, which gave access to an increase in the demand. But the most distinct impetus underlaid for the sericultural development in the era can be found in the physiocratic politics of Yi dynasty with notable administrative support for this particular industry. The establishment of silk worm-rearing houses, that is, a sericultural complex at local level and the enforcement of the mulberry cultivation projects, among others, played a great part in the differentiation of its structurem the popularizaton of the know-how and the growth in crops. In addition, Royal ceyemony for the nation-wide sericulture held in the Court by the queen including the court ladies, showed good examples to the people and helped them encourage themselves. For all these considerations, sericultural aspects of the kingdom were encountered with a variety of prevailing irregularities among the officials concerned as well as harms inflicted upon the public, which combined to result in closing most of the state-run silkworm raising houses. During the latter half part of the dynasty as drastic an administrative measure as was hardly expected, was taken in an attempt to revitalize the decaying industry, of which the results were far from being satisfactory, not only due to the Confucianistic idealism then prevalent in the scholaristic circles, but also due to the lack of scientific technology which could make possible the silk products of better quality and greater quantity. This is an evident factor which kept the industrial structure of the nation remaining constantly backward. Nevertheless, her sericultural development could be attained to a certain extent, of which the causes are: 1) Royal court stimulated the growth of sericulture by showing examples of silk-worm raising. 2) The exchange value of silks was highly recognized in the domestic market. 3) Silks also was mobilized as government issues. 4) Oveerseas demand for silks became increased as tribute to sucha Chinese dynasty as Ming. 5) As an official uniform silks was in remarkable demand. 6) Considered highly valuable, demands for silks among the privileged and the rich appeared to increase. Thus, the sericultural industry of Yi dynasty, even after the popularization of cotton, secured its impregnalbe position as a key industry of the age.

服裝文化의 一考察 : For Territries and changes 諸 領域과 變遷을 中心으로

박일록 圓光大學校 1989 論文集 Vol.23 No.2

최근 과학기술이 눈부시게 발달함으로 인하여 우리들의 生活環境에 많은 변화가 생겼으며 이러한 사회환경의 變化에 수반하여 服裝에도 많은 변화가 있다. 服裝에 관한 硏究로는 民族, 性別, 職業, 流行, 地域, 氣候등에 따라서 좌우되는 경우가 많고, 같은 時代라 할지라도 시대의 推移에 따라 生活環境이 달라질수 있는 것이다. 服裝이 地域性에 관련이 있음은 많은 先行 硏究에서 밝혀졌다. 또 服裝이 風土的인 환경에 따라 변하는 것도 큰 要因의 하나다. 本 硏究는 服裝文化史를 염두에 두고 服裝文化의 諸 領域 및 變遷史를 이해하는데 硏究의 촛점을 맞추었다. 1. 衣服에 관한 硏究를 일반적 의미로 服裝文化라고 하는 것이 우리의 通念이지만 服裝은 넓은 의미로 인체에 着裝한 狀態를 가르키기 때문에 服裝史는 단수한<옷>의 역사가 아니라 服裝과 人間關係의 역사이며 그 起源은 대체로 신체를 보호하며 자기 과시의 욕구를 채우는 것으로 나타나 人類에게 충족감을 주었던 것이다. 2. 民俗과 民族에 대한 服裝과의 관계에서는 오늘날 민족학계의 동향이 민속을 포함한 意味에서 民族學이 전개되고 있으며 독일 등의 유럽이나 아메리카의 학계에서도 民俗과 民族을 엄격하게 생각하지 않고 諸 民族의 社會와 文化에 대해서 비교 연구하고 있다. 또한 실지조사를 통하여 구체적으로諸 民族文化를 硏究하는 경향이다. 3. 服裝文化의 變遷에 있어서도 빙하기, 수렵시대, 유목시대를 거쳐 제4빙하기가 끝나는 농경시대에 이르러서야 人類生活에 섬유류가 등장하게 되고 각종 도구가 변천, 발전하게 되었다는 것을 알았다. 이러한 의미에서 服裝文化의 諸 領域과 變遷은 服裝文化史를 이해하는데 중요한 요소이며 고고학, 문화인류학, 민속학, 미술학, 생활사 등의 인접 학문과 함께 중요한 역할을 하고 있는 것이다. A remarkable development in scientific technology has recently resulted in prominent change of our social environment, which is followed by as much change in our clothing life. Enguiries into clothing are in the same age the trends would vary the life pattern. This study with emphasis on helping understand the scope and history of the costume culture, summarizes the findings as follows: 1. It is generally recognized that costume culture concerns with a wide range of arguments on cloths, but costume, implying the state of being worn by man, the history of which merely does not connote a history of clothes but that of human relations 2. Regarding the relations between the folk and the national costumes, the cotemporary ethnological arena tends to include folklore, and in many Euro-American countries including German, folk and nation are not strictly classified; instead, survey or comparative method of study seem to have dominantly been utilized. 3. With glacial, hunting and pastoral age passed by and also the fourth glacial age, the height of farming age sees the presence of the cloths and the development of various tools in human life. In this respect the changing patterns of costume culture are an important factor for a full understanding of costume culture, let alone it has played a great role in the overall interdisciplinary works in line with archeology, cultural anthropology, folklore, arts and life history.

중·고등학교 가정과 교육내용��중요성에 관한 연구 : 전북지역을 중심으로

박일록,김정자 원광대학교 교과교육연구소 1999 교과교육연구 Vol.1 No.1

絹의 語源學的 考察

박일록 圓光大學校 1996 論文集 Vol.32 No.2

본고는 복식문화에 있어 絹의 문화를 연구하기 위한 전제적 연구로서 絹의 어원론적인 측면에서 絹과 관련되어 있는 문자를 분석하고자 시도하였다. 絹을 최초로 생산한 것은 중국이라는 점에 대해서는 지금까지 사학계에서 전혀 異論이 없다. 따라서 본 연구는 絹의 어원을 고찰하는데 있어 중국에서 비단이라는 漢字가 만들어지게 된 경위와 그 문자가 쓰인 용례를 살펴보았고, 한국에서는 비단이 어떻게 사용되었는지를 살펴보았다. 중국과 한국의 고대 문헌에 나타나 있는 비단을 나타내는 한자는 絹 이외에도 상당한 수에 이르고 있다. 이 비단을 의미하는 대표적인 것으로는 桑·?·繭·錦·繡·縞·素·綺·羅·紗· ·練·絲·紬·繒과 ?· · ·緋·緞·綢 등의 한자가 있는데, 그들의 의미와 출처를 살피고, 아울러 이것들을 비단의 발생근거로 소급하였다. 漢字의 製字 원리를 밝히고 있는 『設文解字』에 따르면, 絹은 '薩'와 ' '이 결합한 形聲의 원리로 만들어진 문자임을 알 수 있다. 薩는 실[絲]의 의미를 나타내고, 은 누에의 뜻으로 音을 나타낸다. 따라서 絹은 누에가 뽑아낸 실로 만든 비단인 것이다. 絹과 연관된 21개 한자의 어원은 각종 문헌을 참고로 하여 위와 같은 방법으로 고찰하였다. 이들은 몇 개의 예외적인 글자를 제외하고는 모두 '薩'를 부수로 하고 있다. 絹은 薩, 즉 실로 만들어진 비단인 것이다. 그러나 絹은 단순히 비단만을 의미하지 않고, 짜는 방식과 품질의 高·低, 색깔에 따라서 각기 다른 한자로 표현되었던 것이다. 또한 시대에 따라 그 의미도 다르게 해석되어 선행적인 작업으로 어원을 먼저 고찰하게 된 것이다. 따라서 한국과 중국의 문헌속에 산재되어 있는 絹과 관련된 단어들을 한자리에 모아 그 어원적 의미를 밝힐 때 비단이 문화의 발전과 흐름 속에서 어떻게 다양한 형태와 색채로 발전되어 갔는지를 알 수 있는 것이다. This study is the etymological research of KYEN(絹), silk and the words which are related closely with silk. It is needed for the study on the Korean culture of silk and silk costumes, this study is the prerequistive study of Korean culture of costumes. The Silk was created by China from at first. This fact is very important to udnertand the history and culture of silk costumes. For the culture of silk costumes is developed in China. First I find the etymology of KYEN(絹, silk), namely the process of making the letter and meanings of the letter in various historical culture documents of China. And then I try to find the meanings of the letter in Korean historical and cultural documents. The are many other words which are very closely related with KYEN and represent silk with much different numbers in Korean and Chinese cultural documents. They are SANG 桑, CHAM 蠶, KYEN 繭, KUEM 錦, HOH 縞, SOH 素, KI 綺, RAH 羅, SAH 紗, KYEM 鎌, YEN 練, SAH 絲, JOO 紬, JUENG 繒, BAEK 帛, CHO ?, SI 시, BI 緋, DAHN 緞, JOO 綢, and so on. These words come out progressively according as developing of skills of silk production. So their meanings are different from each other. When we understand the meanings of each words and their relations. We can find the feature of the genesis and process of progressing of silk culture. According to 『Interpretation of Chinese letters』 which explores the principles of making Chinese letters, KYEN(絹) is made from the combination of SAH(?) and YEN(?). Sah(?) means a thread and YEN(?) means a silkworm. So KYEN(絹) means the thread which is made by a silkworm. I try to reveal the principles of making 21 letters, which are closely related to KYEN(絹, silk), and their etymological meanings. And the I try to find the practical meaning of them in various Korean and Chinese historical documents. Most of 21 letters have SAH(?) as the left side radical of a Chinese character. All of those words mean silk first. However, they are synonyms. Each words have different meaning. They represent the kinds of silk, the way of production and weaving, qualities and color of textiles. And their meaning have changed and understood differently when the change of time. So this study is preliminary survey for understanding the culture of time. So this study is a preliminary survey for understanding the culture of silk costume. It's very important to understand and compare the principles of making the words related to silk, and their exact meanings to reveal the various features of kinds and coloars of silk in the cultural history of silk weave and costumes.

絹織物에 關한 文獻的 硏究 : 中國 漢代를 中心으로

朴一錄 圓光大學校 1984 論文集 Vol.18 No.2

Sericulture has developed as a key industry since ancient society of China. With gradually heightened general concern in clothing, life pattern of ancient tribes began to change from picking-hunting stage to cultivation, of which the consequence brought about a remarkable progress in this sector of industry. According to an ancient material of Lan- Song dynasty (南宋), original inventor of silk is Fu-Si (伏羲), yet silk raising (sericulture) proved to be originally carried on by Siling(西陵). Interestingly enough, varieties of records ranging from Shell and bone character(甲骨文字), and gild letter to the Book of Odes demonstrate in some detail the developmental process of ancient sericultural industry of China. Those literature as used for this research imply that especially the costume representing Han dynasty (漢) play a good part in Chinese cultural history, in that China happened to establish the basic system of her clothing during the period, that is, a prototype of Chinese formal and official uniforms had been settled by that time, hence forth had a salient effect on the clothing life of such kingdoms as Ko-Chosun (ancient Korea), Japan and the dynasties of South-east Asia. The most worth noticing of all is the fact that with the historical trend of nation-building of ancient type, which resulted in the division of politico-religious system, demand of silk products prominently increased among the mass regardless of social status or class. In Han dynasty silk products were diversified up to 19 Kinds in quality as well as in colour. Development in sericulture by that time seemed to have been derived primarily from the establishment and reinforcement of nation system. More attention needs be paid to more extensive study in his field with comparative cultural approach.

신라 견(絹) 문화의 연구

박일록 圓光大學校 1995 論文集 Vol.29 No.2

This paper starts from the objective fact that clothes cluture in one of the most fundamental units of culture formation in human life. It intends to examine how silk worked organically in social culture of Silla, by means of contemplating the development process of silk as a fabric in the frame of social culture. Therefore it trys to examine each relation of silk to politics, economy and society, with a mind to the social conception of the formation of costume culture, and to refer to sundry documentary records like Samguksaki(三國史記), Samgukyusa(三國遺史), Dongguktonggam(東國通監), Dongsagangmok(東史綱目), Haedongyeoksa(海東繹史) as proofs of their correlation. Silk in the Silla era was regarded as one of the valuables in clothes culture. It played a typical role in building up constume culture and social sentiments. Silk fabric not only formed costume culture but had a deep connection with agricultural culture of the traditional society. The elements played an important part in development of silk culture of Silla had much influence in the whole field of politics, economy and society in those days. A study on the ancient silk is meaningful in the respect that it can make possible to perceive and foresee the fabric culture of the modern and the future. Today our country is recognized by many countries in the world as a principal silk-exporting country. At this point this paper puts the main focus on the understanding of the traditional quality of silk as a clothing materials and of the cultural value of silk known in and outside the country.