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문희원(HeeWon Moon),장웅조(WoongJo Chang) 한국예술경영학회 2023 예술경영연구 Vol.- No.68
문화예술분야 사회적기업은 문화예술 활동을 통하여 다양한 사회적 가치를 창출하는 조직이다. 본 연구에서는 문화예술분야 사회적기업 성과지표를 탐색하여 이들이 창출한 성과에 대한 이해를 넓히고, 그 지속가능성을 모색하고자 한다. 이를 위해 국내외 문화예술분야 사회적기업과 관련된 문헌연구를 토대로 현재 현장에서 활용하고 있는 사회적가치지표(SVI)와 문화예술 사회적경제 평가모형(ARC-SPEM) 사례를 재검토하고 종합하여 사회적, 경제적, 예술적 측면에서 성과지표를 새롭게 제시하였다. 이후 문화예술분야 사회적기업 전문가를 대상으로 설문조사를 진행하고, 계층분석과정(AHP)을 거쳤다. 분석결과를 통해 지표들 간의 중요도와 우선순위를 살펴보면 다음과 같다. 우선 경제적 성과지표와 예술적 성과지표에 비해사회적 성과지표의 중요성이 상대적으로 높이 인식되고 있었다. 사회적 성과지표에서는 ‘문화복지 및 향유’와 ‘문화예술교육’이, 경제적 성과지표에서는 ‘예술가 일자리제공’이, 예술적 성과지표에서는 예술을 수단으로 활용하여 다양한 가치를 유발하는 ‘사회적 활동으로서의 예술’이 우선되고 있음을 확인하였다. 그럼에도 현재 국내 문화예술분야 사회적기업의 성과를 측정하고 있는 사례분석을 통해서는 기관마다 성과지표에 대한 기준이나 용어, 그리고그 범주가 상이하며, 문화예술분야 사회적기업이 창출한 성과를 제대로 측정할 수 있을 만큼양적으로나 질적으로 여전히 충분하지 않음을 알 수 있었다. 결론적으로 예술가 일자리 특성이나 기부금 및 후원, 서비스 중심의 활동과 장르별 가치사슬의 특수성을 사회적, 경제적, 예술적 측면에서 동시에 고려해야 문화예술분야 사회적기업의 지속가능성을 담보할 수 있음을 확인하였다. 아울러, 문화예술분야 사회적기업에게 있어 예술적 성과지표 항목들은 예술적 성과뿐만 아니라 사회적 성과와 경제적 성과에도 영향을 미치고 있기에, 각 기업의 예술적 특성을 재인식하는 것이 무엇보다도 중요하다는 것도 다시금 각지하였다. 본 연구는 문화예술분야 사회적기업의 특성을 고려한 성과지표를 체계적이며 종합적으로 제시함으로써 그동안 간과되어 왔던 성과지표를 다시 톺아보게 하는 동시에, 문화예술분야의 특성을 고려하여 예술적 성과지표를 새롭게 제시하여 다양한 이해관계자들과 소통할 수 있는 계기를 마련했다는 데 의의가 있다 Arts and cultural social enterprises are organizations that create diverse social values through cultural activities. This study aims to explore performance indicators for arts and cultural social enterprises to enhance our understanding of their performance and investigate their sustainability. To this end, we reviewed and synthesized literature on arts and cultural social enterprises both domestically and internationally, focusing on the Social Value Index (SVI) and the Art & Culture Social Performance Evaluation Model (ARC-SPEM) currently in use. This synthesis informed the proposal of new performance indicators spanning social, economic, and artistic dimensions. Subsequently, a survey among arts and cultural social enterprise experts and a hierarchical analysis process (AHP) were conducted. The analysis highlighted the relatively recognized importance of social performance indicators compared to economic and artistic ones. ‘Cultural welfare and appreciation’ and ‘arts and cultural education’ emerged as priorities in the social dimension; ‘providing jobs for artists’ was prominent in the economic dimension; and ‘art as a social activity’—which employs art to generate diverse values— was underscored in the artistic dimension. However, a case study on the current performance measurement practices of arts and cultural social enterprises in Korea revealed inconsistencies in the criteria, terminology, and categories used across organizations, along with a lack of comprehensive quantitative and qualitative data for appropriate performance assessment. We conclude that to ensure the sustainability of arts and cultural social enterprises, it is crucial to concurrently consider the peculiarities of art jobs, donations and sponsorships, service-oriented activities, and genre-specific value chains from social, economic, and artistic perspectives. Furthermore, artistic performance indicators not only impact artistic outputs but also influence social and economic outcomes, highlighting the need to acknowledge each organization’s unique artistic nature. This study’s significance lies in its systematic and comprehensive identification of performance indicators, acknowledging the unique attributes of arts and cultural social enterprises. It provides a foundation for revisiting previously overlooked performance metrics and facilitates communication with various stakeholders by introducing new artistic performance indicators tailored to the arts and cultural sector.
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JAUS를 따른 무인 시스템 제어를 위한 peer-to-peer 데이터 통신
문희창(Hee-Chang Moon),우훈제(Hoon-Je Woo),김정하(Jung-Ha Kim) 한국자동차공학회 2006 한국자동차공학회 Symposium Vol.- No.-
This paper deals with the peer-to-peer (P2P) data communication to connect each of distributed levels of developed unmanned ground vehicle (UGV) according to the JAUS protocol. Each of distributed levels of the JAUS protocol divides into a system, some of subsystems, nodes, and components/instances, each of which may be independent or interdependence. Each of levels must require high performance to process data with high speed. Therefore, each of distributed independent levels send data to another level and then it has to be able to process the received data in other levels, Then, P2P communication has to control data flow of distributed levels. In this research, we explain each of levels of the JAUS and P2P structure among the levels using our developed UGV.
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레이저스캐너를 이용한 무인자동차의 장애물인식 시스템 설계
문희창(Hee Chang Moon),손영진(Young Jin Son),김정하(Jung Ha Kim) 제어로봇시스템학회 2008 제어·로봇·시스템학회 논문지 Vol.14 No.8
This paper describes an obstacle detecting system of an unmanned ground vehicle (DGV). The unmanned ground vehicle is consists of several systems such as vehicle control system, navigation system, obstacle detecting system and integration system. Among these systems, the obstacle detecting system is a driving assistance system of UGV. Through the UGV is driving, the system detects obstacles such as cars, human, tree, curb and hills and then send information of obstacles position to integration system for safety driving. In this research, the obstacle detecting system is composed of 5 laser scanners and develop algorithms of detecting obstacles, curb, uphill and downhill road.
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문희순(Hee-soon, Moon) 어문연구학회 2011 어문연구 Vol.68 No.-
This article is the thesis to study the aesthetic level of Korean poetry that concubine women tried to pursue. Although the cultual position of concubine was able to discuss about literature and art within the aristocratic boundaries, but it shows distinctive features comparing to Korean poetry of the noble-woman due to such as their deprived birth and growing up back ground, incomplete marriage and economical difficulties. In the Temperament thesis, the poem〈(Yeong Yeon Ja:詠燕子)〉 of Kwon Sang Shin(權常愼) ’s concubine Kyeong Hye(景蕙) became a object of the temperament thesis in the early 19th century. And this means while the Korean poetry of the noble-woman achieved the rightness of temperament, the concubine woman did not. This evaluation is also relevant to concubine’s fluid life style. In the aesthetic of New and Freshness(淸新), In 17~18th century Kim seong dal’s(1642-1696) concubine Woolsan(region name)Lee’s poetry 〈Tan Su(歎愁)〉and 〈Kang Chon Jeuck Sa(江村卽事)〉 is evaluated that expressed the aesthetic of new and freshness. The aesthetic of new and freshness is considered to be the artistic level that Korean female poetry generally pursued in common including noble-women and Gisaeng. In the aesthetic of Sadness and Grief(悽怨), In 16th century Jowon’s concubine Lee ock bong’s poetry 〈Yeong Wal Do Joong(寧越道中)〉 is evaluated that expressed the aesthetic of sadness and grief(悽怨). Among the female poets mentioned in poetry and painting, the noble-woman’s poetry is analyzed as it write about the unrestrained concubine women’s spirit. In the aesthetic of Encouragement, there are Lee oc bong’s 〈Gye mi book nan(癸未北亂)〉 and 〈Man heung jeung rang(漫興贈郞)〉. The aesthetic of encouragement is about male, architecture, and huge land scape. Among the concubine women, only Lee oc bong’s poetry was evaluated as a aesthetic of encouragement. In the such as aesthetic of ‘Beauty. subtleness’, Yang sa gi’s concubine’ poetry 〈Kyu won(閨怨)〉 and 2 lines of Kyeong hyeo’s poetry was the object for analysis. This aesthetic categories have something in come between noble-men and female poetry, however this have a distinctive point with different evaluation. This is considered that the limitation of social status is closely related to the art work. Through the comprehensive approach up to the poetry and painting of Gisaeng and servant which is not covered this article, the aesthetic feature of Korean female poetry will be completely delivered. By studying the features of each status of female poetry, the distinguishable features between female poets, and female poet and male poet could be construed.
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문희순(Moon Heesoon) 한국언어문학회 2007 한국언어문학 Vol.62 No.-
The aim of this manuscript is to study the aesthetic characteristic of the gentry ladies" chinese poems by making the style terminologies into a subject based on the discourse of the gentry ladies" chinese poems among the ladies" chinese poems of the previous Korean Collection of Shihwa. I chosed the gentry ladies" chinese poems which were issued on the discourse of Shihwa only and considered their aesthetic characteristics. Because the Shihaw critic"s point of critique must have had an important effect on the base of creation and existence of the ladies" chinese poems, I looked into the whole aesthetic aspects which were pursued by the ladies chinese poems through the style terminologies used by lady poets of the gentry. In the previous Shihwa, the aesthetic characteristics of the gentry ladies" chinese poems are integrated into SEONGJEONGMI(the beauty of the nature), CHEONGSHINMI(the fresh and new beauty), HOGIMI(the beauty of the intrepid spirit), DONHWOOMI(the beauty of the humanity), JEOLMYOMI(the beauty of the exquisiteness). There is no discrimination on this aesthetic category compared with that of men"s chinese poems. This is an instance that the gentry ladies" versification tendency and level was not so much different compared to the gentry men"s versification tendency and level.<BR> There were quite a few female poets in Korean Shiwha. The classes of the female poets were various from a concubine,?a gisaeng,?a court lady, a crown princess to a nameless lady. I started to study on the Shihwa with the assumption that there must have been differences among their poems that had been embodied with literature considering the situation of that era when the way of life was very much different according to the social position, The first object is the lady poets of the gentry. Because the view point and technique about the ladies of the Shihwa is not right compared to that of the men, many ladies" literary works are circulated as the form of a short phrase or a junk phrase. However, it is fortunate for us to be able to find out the female poets" poetic superiority and parts of their poems on the collection of Shihwa. The literary ability and level of the gentry female poets that we can get from the collection of Shihwa is very high. It is a more precious work if we consider the bad educational environment for females on the old days. Main Subject words: shihwa (a talk on a poetry), a lady"s chinese poem, a lady of the gentry, aesthetic characteristic.
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