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문정묵 현대건축사 2002 마루 Vol.- No.1

전시 공간의 복잡성에 나타난 사회 다원화 현상에 관한 연구

문정묵,임채진 한국문화공간건축학회 2002 한국문화공간건축학회논문집 Vol.- No.6

Since the Industrial Revolution of the 19th century, the amount of information has been increased rapidly with the property which the machine provided. In this circumstances, the media was so limited that the new way of communication came to require the Exposition. Since this, the Exposition became popular to the public with the industrialism. The product that a machine produce was the same in terms of its form and this way of producing affected the way of exposition. Therefore, the environment of exposition was homogeneous. Now, the information revolution is replacing the industrialism and the space of exposition is totally different from the past. This study is for the search of how the differences of the way of exposition in terms of its spatial environment between the industrial revolution and the information one are related to the social situation. These differences includes spatial one and formal one.

뮤지엄 공간구조와 내·외국인의 관람행태 차이의 특성에 관한 연구 - 서울소재 국·공립 역사계 뮤지엄을 중심으로 -

문정묵,조정은 한국문화공간건축학회 2015 한국문화공간건축학회논문집 Vol.- No.49

In 2011, the number of foreign tourists visiting Korea reached 10 million, the peak over 9 million. Also, the foreignvisitors visiting the national museum is on an uptrend. According to this social phenomenon, each museum provides a service for the foreigners helping their viewing the exhibits,including the operation of the explanatory media for the exhibits and takes the initiatives in benefiting from the Korean culture. However, the studies about the reaction of foreign viewers and their behaviors were not satisfactory. This study has investigatedthe viewing patterns of foreigners and compare them with those of locals, and through that, analyzed the differences in viewingbehaviors to reveal that the differences were based on the types of exhibitions and the spatial structures. The findings from thestudy are as follows. First, the foreign visitors' circulation showed lots of curves from the entrance to the exit, resulting in the changes in viewingdirection, compared with locals. Second, as a result of the analysis of the standard deviation of each exhibition hall in theviewing density having calculated the number of viewers in comparison with the exhibition area, the foreigners showed a lowerstandard deviation of viewing density compare to locals. Third, as a result of the distribution of viewers by the theme ofexhibition, the foreigner's viewing density by the particular theme of exhibition was not high and it was evenly distributed overall exhibition halls. Fourth, more viewing concentration points showing the concentrated viewing patterns during the viewing ofexhibition were found in foreigners than locals. Fifth, as a result of the utilization rate of the explanatory media for the exhibitswhen investigating the viewing concentration points, the utilization rate of the explanatory media for the exhibits by foreignerswas two times higher than that of local.

감시카메라 설치에 따른 뮤지엄 감시체계의 특성에 관한 연구 - 국·공립 중규모 역사계 뮤지엄을 중심으로 -

문정묵 한국문화공간건축학회 2015 한국문화공간건축학회논문집 Vol.- No.52

Abstract: One of the positive impact of the revival of the municipality to cultural activities in the Korea is the opening of museums. Especially through the expansion project of cultural infrastructure since 1996 the number of museums is increased rapidly. Thus there were lots of efforts to increasing the viewing effect in the exhibition through quality improvement of museum environment. At the same time the museum is necessary to establish monitoring systems for the exhibits inside the museum for the protection of those. However the grasp of the situation as well as the active research does not work properly even know. This study is to understand the direct surveillance system in conjunction with the installation of closed circuit television (CCTV) by targeting the public museum. Through the study it is planned to present the guidelines for the installation of (CCTV) in museum. This study led to the following conclusions. The quantity of cameras in national and public museums of history is based on a proportional scale to the floor area of exhibition space. In addition to this, the more complex the space is, the more camera installation is required. And the fewer employees to directly monitor is, the more dependant to the camera is required. In the space syntax analysis, even higher average connectivity, the lower the average integration and the lower average intelligibility of the entire space available to visitors are, there needed more number of CCTV. For location of the CCTV, If the camera located on the convex space of lower control value and of higher integration value, it required more cameras on the whole exhibition space.

시대적 변화가 유럽 미술관 건축의 유형별 특징에 미친 영향

문정묵,임채진 대한건축학회 2005 대한건축학회논문집 Vol.21 No.5

'The Civil Revolution' and 'The Industrial Revolution' of Europe have moved the private meaning of art which has been segregated from the public since 17th century into public one. This resulted in the increase of people's interests to the art and made a turning point to the history of art museum. The private meaning of 'art museum as a storage' which only the aristocratic class can be blessed with began to be a public one. Therefore, the publicity provided the social education to the people who didn't have a proper education about the art and the culture, giving the meaning of publicity to the art museum. And it has lasted to the present since that time. The europe's society since 18th century to the now can be divided into two chronological categories according to the social philosophy. The one is the 'Universal Society' that is used to mean thought of majority after the 'Civil Revolution' and standardized living life after 'the Industrial Revolution' one and the other is the 'Plural Society' that the identity, individualization and independence are more activated rather than unification, standard and regulation. If every cultural phenomena is a kind of structural expression of the society to which the culture is belonged as Levi Strauss mentioned, the social change after the Modernism is thought to affect to the form of social education of the art museum. In addition to this, because the visitor's movement in a museum is a system of knowledge transmission, it is probably related to the spatial structure as well as the system of visitor's circulation.

뮤지엄 운영인력 산출에 관한 연구 - 한국 국.공립 역사계 뮤지엄을 중심으로 -

문정묵 한국문화공간건축학회 2016 한국문화공간건축학회논문집 Vol.- No.56

After return of Korea’s municipality in 1991, there became a frequent construction of museums in Korea. Due to these active introduction of cultural infrastructure like museums, the local government has begun to set up the cultural identity of its area since that time. Also, in addition to these positive signals, the economic growth enabled people to spent their spare time on the cultural experience. Because of this, many researches on museum space has started since the invigoration of museum. However, it is mainly focused on the exhibition space that has lot’s of visitor’s concerns and this is carried out to maximize the effect of viewing. On the other hand, the number of staff who is actually take care of and administer the museum is also important issue nowaday. Because in addition to construction cost of the museum, the cost of labor become higher recently. However, there is not a certain standard to work out the number of staff and if any, it is not by the rigorous research. This study is to understand what the element of museum effects on number of staff. Through the study, the research proposes a basis for calculating the number of staff that can be accommodated just after construction of the museum.

18세기 이후 유럽의 뮤지엄 건축의 동선체계에 나타난 보편적 경향과 다원적 경향에 관한 연구

문정묵,임채진 대한건축학회 2004 대한건축학회논문집 Vol.20 No.4

Since the 18th century the museums in Europe have accepted the social demand of the publicity and have played a role of social education and it lasted to the present. Recently, the society began to change it's direction. It is from the Universalism to the Pluralism. The Universalism is due to democratic society after 'the Civil Revolution' and standardized social system after 'the Industrial Revolution' The Pluralism that starts with the decrease of the modern society is about the diversity and the activation of identity which has been disregarded since the Modernism. This study is to analyze and to clarify how the museum's educational environment which had begun since the 18th century has been changed since 1990 and how these are related to the social alteration from the Universalism to the Pluralism. As a result of this study, it was confirmed that there had been a simple circulation system and a unified spatial experience in the museum of Europe since 18th century to 1980's(ph1) while there had been a complex circulation system and a diverse spatial experience in the museum of Europe after 1990's(ph2). These mean that the museum of ph1 gave a unified social education to the visitors and they came to have a similar knowledge and emotion after their seeing the exhibition material while the museums of 'ph2' gave a diverse one and the visitor came to have a different knowledge and emotion to the same exhibition material. The museum which gives a unified social education is to produce a unified thoughts of people and it is because the social direction is the Universalism. In addition to this, the museum of diverse social education is to produce people of diversity and it is related to the Pluralism.

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문정묵 현대건축사 2002 (월간)Maru Vol.- No.1

A Study on Difference of Message in International Touring Program of Exhibition with the Same Exhibit - with Reference to ‘Science in the 18th Century’ and ‘Ten Great Experiments and Science & Splendour’ -

문정묵 한국문화공간건축학회 2017 한국문화공간건축학회논문집 Vol.- No.60

최근, 국제 교류가 확대됨에 따라 다른 문화권의 박물관 전시 콘텐츠를 수용하거기 위한 다양한 노력이 국제 순회 전(international touring exhibition program)의 형태로 이루어지고 있다. 그런데, 이러한 프로그램을 통하여 동일한 전시품이 다른 문화권으로 옮겨지면서 전시환경이 다르게 조성되는 경우가 있는데 그것은 각 전시공간의 물리적 차이점에 기인할 수 있으나 이와 함께 전시콘텐츠 및 이를 표현하기 위한 매체가 상이하게 조성되는 경우가 있다. 본 연구는 영국 과학박물관에서 개최된 '18 세기 과학전–조지3세 소장품전'이 동일한 전시품을 대상으로 국립중앙과학관에서 개최된 ‘뉴튼과 세상을 바꾼 위대한 실험전’으로 다시 개최되면서 나타나는 문화소비 현상을 사회적 시각으로 해석하고자 한다. 이를 위하여 18세기 영국의 과학사회 및 60년대 이후 한국의 경제개발과 과학기술 교육의 관련성을 이해하고자 하였으며 각 전시회의 전시 콘텐츠 및 매체, 공간적 특성, 이를 소비하는 관람자의 행태 그리고 관람자 연령별 분포를 파악하고자 하였다. 이를 통하여 본 연구는 동일한 전시품이 상이한 사회, 문화적 배경 하에 소비될 때 전시품을 통하여 생산된 원래의 메시지가 관람자에게 다르게 전달되어 소비되는 것을 이해하게 되었다.

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문정묵 현대건축사 2002 마루 Vol.- No.4