비비안 탐의 디자인에 나타난 민속풍에 관한 연구

노미경(Mi Kyung Ro),김찬주(Chan Ju Kim) 한국복식학회 2008 服飾 Vol.58 No.6

소재 재활용에 의한 패션소품 디자인 개발

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2010 服飾 Vol.60 No.10

Each season, many clothing companies dump small pieces of fabrics left over from making samples. Since fabrics do not decompose easily, this results in environmental pollution. This research was done to discover effective ways to reuse these fabric remnants. As most of these remnants were not large enough for making clothes, fashion accessories was chosen as the design object. Four steps of design development process followed: information research & analysis, prototype design & sample making, market testing, final design decision. After market research and trend analysis, four neck decoration wear -- scarf & muffler(SM), collar & cape(CC). vest & top(VT), and necklace (NE) -- were selected as final product types. 45 designs arose, and 120 items with variations in fabric materials and colors were produced as samples. The three main themes (multiple, reversible, cross) were applied throughout all of the design items. Samples were evaluated from the reactions of the consumers through a 10-day sale at a retail store. Based on the sales record and customers` opinions, five designs from each of the product types SM, CC, and VT were picked out as final designs. In conclusion, fashion accessories turned out to be a more appropriate item to reuse fabric remnants from clothing companies than clothes were, because they necessitate small fabric size and the limitation in fabrics could be compensated with creative design ideas.

아웃도어 라이프 활성화를 위한 페이스 커버 개발 연구

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2009 服飾 Vol.59 No.1

아메리칸 트렌디 케주얼 스타일의 국내 확산과 모방현상

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2009 服飾 Vol.59 No.2

드리스 반 노텐의 컬렉션에 나타난 문양디자인 특성

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2013 服飾 Vol.63 No.5

Dries Van Noten, one of the Antwerp Six, focused on recreating traditional attire from each region to complex contemporary attire and has shown designs that interpreted ethnic image in contemporary perspective from his very first collection· He has positioned himself as a designer with creative expression of ethnic image through broad use of various patterns· This paper analyze the use of pattern in Dries Van Noten`s designs by season and item, and reflects on the characteristics of pattern use and influence on fashion image· Total of 887 clothing items were collected from Noten`s collections on the Internet· Through analysis of frequency and percentage and cross tab of expression techniques, types, patterns of each motif, and classifications of print combinations, it was shown that Noten has applied six aesthetic rules in the use of pattern design· Pattern played the most significant role in his design· It was possible to achieve the balance of ethnic image and modern image with the mix of flower and abstract motives· Overall pattern was mostly used for practical purpose: border patterns and spaced patterns played a vital role in rendering uniqueness· Noten exhibited unity and variation in combining prints· He expressed the beauty of Oriental style by inserting solid color blocks in between patterns and decorations along trim lines.

아동의류에 나타난 동물표현 분석과 디자인 개발

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2014 服飾 Vol.64 No.8

Animals, as a part of nature, have much influence on children``s emotional development and are one of children``s favorite subjects of design. This study analyzes the differences in animal expression methods and types of animals, in relation to gender and item based on a collection of children``s clothing and accessories that use animal as their theme. The collection consists of 148 clothing and 75 accessories (total of 223 items), which were collected from on-line shopping sites for children``s clothes. Analysis results showed the following observations. Animal expression was categorized into four methods: emblem, illustration, character, and pattern.(The most common method was character, followed by pattern, illustration, and emblem. In relation to gender and clothing item, animal expression methods varied widely:(character was the most popular for) boys`` t-shirts and accessories, while girls`` bottoms and dresses. As for (animal) types, Mammalia was the most common, followed by birds and insects. Dogs and puppies were popular both genders.(However, differences in preferences existed as) boys liked big and wild animals such as bears, tigers, and foxes, while girls liked small and cute animals such as rabbits, cats, owls, and butterflies. Based on these results, six types of animals (rabbits, elephants, large-beaked bird Toco Toucans, fish, penguins, and bees) were selected as themes for kids`` vest designs and, among them, three designs were made.

보문 : 세계 대도시 남성들의 데님패션 비교연구

김찬주 ( Chan Ju Kim ),노미경 ( Mi Kyung Ro ) 韓國衣類學會 2007 한국의류학회지 Vol.31 No.7

현대 패션에 표현된 타이포그래피의 상징성 연구

허정선 ( Jung Sun Huh ),노미경 ( Mi Kyung Ro ) 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.4

본 연구는 먼저 커뮤니케이션의 대표적인 시각적 전달 형태인 타이포그래피의 관점에서 현대 패션과 아트웨어에 표현된 문자와 언어들이 어떠한 형식으로 나타나고 있는지 비교분석을 통해 유형을 분류하고, 유형에 따라 표출되는 내적의미와 상징하는 바는 무엇인지 살펴보는 것이 목적이다. 첫째, 현대 패션과 아트웨어에서 타이포그래피는 자신이 속한 사회, 민족이나 소속 단체, 그리고 선망하는 브랜드의 로고의 언어적 기능과 조형적 기능을 활용하여 자신의 정체성을 직접적으로 드러낼 수 있는 역할을 하고 있음을 알 수있었다. 둘째, 사회, 문화적 상황을 공유하는 집단의 이념, 가치, 이슈를 담고 있는 사회, 정치, 문화적 슬로건 문구나 그림은 타이포그래피 패션을 통해 공감할 수 있는 상징성을 집단 내에 전달하는 기능을 갖고 있었다. 셋째, 패션 디자이너들과 아트웨어 디자이너들은 자신의 개성을 표현하는데 새로운 시각적 전달요소로서 사용하기 위해 타이포그래피를 사용하고 있음을 알 수 있었다. 넷째, 패션 디자이너들과 아트웨어 디자이너들은 타이포그래피의 서체나 크기를 왜곡하거나 확대, 축소하기도 하고, 배열방식의 변형과 재미있는 레이아웃, 리듬, 운율, 오브제 변환, 입체적 표현 등의 방법을 통해서 다양한 시각적 효과를 부여하고 있었다. 이를 통해 대중과의 친근한 커뮤니케이션을 추구하며, 유희적 표현 방법으로 메시지를 표현하고 있었다. 이상과 같이 타이포그래피는 현대 패션과 아트웨어에 내재하는 메시지를 시각화하여 표현하는 조형적 기능을 통해 개인주의가 만연한 현대인들의 커뮤니케이션을 유도하고 전달하는 도구로 사용되고 있음을 알 수 있었다. This study sees modern fashion from the viewpoint of typography which is a representative visual delivery system of communication. It will study the cases showing how the letters and languages expressed in contemporary fashion and art wear are represented. Through this case study, the intention is to classify the patterns according to the functions, and to examine the internal meanings and symbols of the patterns. The text is rendered and socialized - or, in this instance, offered as a sign for non-socialization - in its contemporary fashion and art wear version; solitary letter is an agent of denunciation that serves as public notice. Language negotiates our personal expression and the conventions of common understanding, and clothing is woven of like cloth and convention. The symbolical properties of typography which were examined through the analysis of its patterns above are as follows. It allows designers to create unlimited meanings, free from the functions and roles that identity should be expressed, and contemporary fashion and art wear should be worn; it works as a means to criticize modern society that is full of the loss of humanity, uniformity, and materialism; it metaphorically parodies social and cultural situations while reminding modern day people of the problems, such as one-time use, enjoyment, and entertainment. Through this study, it was found that typography fashion makes diverse communication possible, depending on how the meanings of the contents, which are expressed in contemporary fashion and art wear, are interpreted.

현대 패션에 나타난 미래지향적 이미지의 표현 특성 연구 -Fashionable Technology를 중심으로-

허정선 ( Jung Sun Huh ),노미경 ( Mi Kyung Ro ) 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.3

현대의 패션은 우리의 상상을 넘어 급격히 다양한 변화의 물결을 타고 있으며, 21세기의 시작과 더불어 과학과 기술 등 다른 분야와 협업을 통해 문화, 과학, 기술 등과 활발한 융복합을 시도하고 있다. 미래적 이미지의 실험성이 강한 의상들은 디지털 기술의 개발에 따라 신소재와 하이테크놀로지의 접목을 시도하면서, 지금까지 볼 수 없었던 새로운 컬러들과 텍스추어, 문양들을 가지고 타인과의 인터랙티브 패션으로 다양하게 나타나고 있다. 본 연구는 현대 의상 중 패셔너블 테크놀로지를 접목시킨 미래지향적 이미지의 사례 분석을 통하여 패션 유형별 표현 특성을 도출하였다. 그 결과 첫째, 발광형 패션으로서 EL을 사용한 의상들, 센서에 의해 반응하는 LED 의상들, 타인과의 인터랙티브 개념이 적용된 의상 등, 빛과 센서를 이용한 패션이 많이 등장하였다. 둘째, 쉬프팅 웨어로서, 리모트 컨트롤에 의한 형태 변환, 에어로솔 기법에 의한 다양한 스프레이온(spray-on) 디자인 창출, 다목적 개념을 적용한 의상의 형태와 용도 변환으로 분류 되었다. 세 번째는 버추얼 패션으로서, 영상 프로젝션에 의한 즉각적이고 가변적인 텍스타일 이미지 연출, 디지털 사운드에 의한 패션 이미지의 연출, 공감각에 의한 패션쇼와 전시의 연출로 나타났다. 연구를 통해 오늘날 많은 디자이너들이 단순히 의상만을 보여주는 형식에서 빛, 공간, 움직임, 사운드, 영상 등의 디지털 테크놀로지를 전시와 쇼에 접목시켜 다양한 개념적 의상을 창출하고 있음을 알 수 있었다. 또한 패셔너블 테크놀로지는 다른 사람과의 인터랙티브 시스템 형태를 통해 감성적 교류를 표현하고 사회문화적 흐름과 상황까지도 표출해내는 미래지향적인 장르임을 확인할 수 있었다. The language of today`s fashion is becoming more diverse day by day, and it has been pursuing cultural, scientific, and technological integration through communication with science, technology and other genres since the late 20th century. Through the development of various digital technologies, fashion`s experimental nature has met with new materials and high technologies, presenting special colors, textures and patterns in interactive fashion. This study analyzed the types of future-oriented fashion which apply technology to fashion elements. The results were as follows. First was digital skin images. This includes luminescent light fashion using EL, LED and various sensory surfaces, and interactive fashion. Second was shifting silhouette. This includes silhouette transformation by remote control, spray-on design using aerosol, and multi-functional design converting to different uses. Third was virtual fashion image. This includes the creation of instant and diverse color and pattern through multi-media images, images that change with sound, and virtual fashion shows and exhibitions focusing on synesthesia imagery. Study implications and future research avenues are also discussed. This research found that the clothing of various concepts is created by numerous designers through integrating digital technology with exhibitions or shows by virtue of light, space, movement, and sound instead of showing simple clothing. In addition, it shows that fashion as an interactive art that communicates with the audiences was attempted.

서울과 북경 여성들의 데님패션 비교 연구

김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2006 服飾 Vol.56 No.2