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남윤숙(Yoon Sook Nam) 한국복식학회 1999 服飾 Vol.49 No.-
The purpose of this study was to research of color symbol on white in the Virgin Mary and an Infant Jesus icons. For this purpose, icons were selected and analyzed from the medieval ages to the 18th century. The results were as follows. Icons on the subject of the Annnunciation and the Nativity should be expressive of nobility, immaculacy and innocence of the Virgin Mary and an Infant Jesus, With this view, white was used to be color of candle, a waxing moon, lily, kettle, dress, bedspread, towel, wall encircled garden and became symbolic color in the Icons. As a result, the color symbol of white, the meaning of immaculacy and innocence, disseminated according to spread of the Christian religion. In these days, though elimination of the religious meaning, the white color is using continuosly as a symbolic color of immaculacy and innocence.
남윤숙(Yoon Sook Nam),김복희(Bok Hee Kim) 한국복식학회 2001 服飾 Vol.51 No.2
The purpose of this research is to study the aesthetic character of a mosaic which is expressed in the Modern Costume. The methods of the research were by literature and it was mainly done with reference to master`s theses, doctor`s theses, separate volumes, periodicals, domestic and overseas fashion magazines and internet on the subject. The result of the research appears as rhythm, exoticism, abstraction, mystery, recreation by disintegration. First, rhythm appears in a sense of free rhythm with the method of arranging motives and the kinds of materials varying. Second, exoticism gives impression with such motives as Oriental designs, African designs and the geometric designs of nature occupying the surface. Third, abstraction displays motives such as unrealistic fashion. Fourth, mystery gives a cyber-related impression with the help of such scientific materials as fluorescent plastics, metal and glass. Fifth, recreation gives an aesthetic impression by reorganizing the costume with the disintegration and transformation of industrial materials such as plastics, metal and glass, etc. based on their unique colors and quality.
연구논문 : DeLong 이론에 의한 회화속 팜므 파탈 이미지의 복식 형태 분석
김복희 ( Bok Hee Kim ),남윤숙 ( Yoon Sook Nam ) 한국의류산업학회 2011 한국의류산업학회지 Vol.13 No.2
This thesis, concerning Femme Fatale Image`s Costume Form in paintings viewed from DeLong`s Theory, analyzed frequency and traits on the basis of DeLong`s Form Observation Theory and drew out the result as followings. First, Costume Form was mostly open, whole, planer integration, rounded, and indeterminate. The styles were similar each other, Second, surface structure was expressed by line & shape, color, texture, and pattern of which color had the highest priority Next, line & shape and texture had the priority in order. They were expressed through intereaction. Third, the traits of Costume Form were a similar color harmony or large light and darkness contrast+soft quality+interaction by ambiguous line & shape. So, Femme Fatale Image in paintings was expressed by soft and pure images and erotic images.
현대 남성 패션에 나타난 이국적 취향(Exotic Taste)에 관한 분석 연구
신명진(Myung Jin Shin),남윤숙(Yoon Sook Nam) 한국복식학회 2011 服飾 Vol.61 No.10
The purpose of this study is to examine the recent various developments of men`s fashion by analyzing how exotic tastes were presented in men`s modern fashion from 2001 to 2010. For this purpose, a researcher reviewed relevant studies to identify the styles of exotic tastes that were reflected in men`s modern fashion specifically in Chinese, Japanese, Indian, East Asian, American, North American and South American styles. Findings of this study is summarized as follows. Main examples of men`s modern fashion were found in Chinese-style apparel such as the magwae, queue, coolie hat and the Mao jacket. The Kimono and the samurai robe, both of which best represent Japanese apparel and the Japanese traditional patterns also had an influence on men`s modern fashion Indian style clothing such as dhoti, veshti and lungi which cover the lower body, vajani as loose trousers, kurta of full-over tunic form and turban also had an effect as well. The men`s modern fashion is also impacted by Middle Asian styles that includes the thobe, sirwaal, futah, which is sort of a skirt that is long enough to cover the calf and whose front parts overlap each other, turbans and the hempen hood which is fixed with the agal. Exotic elements such as animal skins, body painting, tattoos and head dresses found in African styles can also be found in men`s modern fashion. Parts of North American style influence come from the applications of Indians` costume and head dress. The surveyed men`s modern fashion of the South America style was represented by the applications of natives` costume and Andean tunic, loincloth and shawl. In all of the exotic styles found in men`s modern fashion, historicity, eclecticism, aestheticism and nature- orientation are implied. They are the source of inspirations that promote changes and diversity in men`s modern fashion.
디자인,미학 및 뷰티 분야를 중심으로 본 국내 남성 패션 연구동향
신명진(Myung Jin Shin),남윤숙(Yoon Sook Nam) 한국복식학회 2011 服飾 Vol.61 No.3
The purpose of this study was to investigate trend of articles on men`s fashion in Korea as seen through clothing-related academic journals from 1990 to 2009. For a total of 478 research papers on men`s fashion published in 18 clothing-specialized learned society journals, which are KCI-cited journals or candidates thereof. The results were as follows: First, With respect to the number of papers on men`s fashion from 1990 to 2009, that of the 2000s rapidly increased to 5.2 times that of the 1990s. Second, The number of each area reserch was ranked aw follows: social psychology·marketing 34.1%(163), clothing construction 32.2%(154), design·aesthetics 19.7%(94), beauty 7.7%(37), history of clothing 4.8%(23), textile science 1.5%(7.7). Third, Studies on the aesthetics in men`s fashion showed a steady increase from 1995, resulting in the number of papers in the 2000s being 12 times that of the 1990s. And, in the 2000s, the subjects explored in the 1990s, such as feminization of men`s clothes, gender images, men`s suit, etc. were deepened and expanded.