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      • 김현승 시에 나타난 신앙과 고독

        남금희(Geum-Hee Nam) 영남신학대학교 2005 신학과 목회 Vol.24 No.-

        The poet Gim hyung-seung's poetry begins with the meeting with Gael. By going through the process of doubt and despair of God, it finally ends with perfection of suffering which comes from finding and confirming being of destiny's solitary sorrow. In this article, the changes of his poetic world are divided into four periods. Especially "God and the existence" revealed in 2nd period, "the world of absolute solitude" in 3rd period and "aspect of unconditioned conversion" in 4th period are considered. It may be summarized as follows. At first, poet's main interests of the 2nd period are humans delineation of feeling (lyricism) based on faith. Using tranquil prayers, he watches limpidly but intently his faith and solitude of existence. Second, in the 3rd period poems, he moves his interests from God to human being and settle himself in strong and firm solitude. With the poem 『Subject』, he leaves his lyrical world, doubts God and immerses himself in willing solitude. Third, in the 4th period poems, owing to conscience based in his life and unique experience, he free himself from absolute solitude and returns to native place of faith. The basis of his own faith awareness, his poetic words acquire special features. The words place high values on fruit than flower and hold tears and sorrow in high esteem rather than laugh and joy. He reveals dawn and ill-fated time as transcendental and soaring time. He use images of 'ash' which is left after aJI thing is burnt, and 'black' which absorb all light as 'expiation, harmony'. A crow is the soul symbol in his poem. Considering these expressions, we can find his poetic spirit which reflect his fierce try to embody anguish of ambivalent emotion. Whatever his situations are, even when he sings transparent emotion of prayer or falls into willing solitude, faith awareness penetrates his poems. He is the poet who constantly sings conflict and reflection accompanied with his faith.

      • KCI등재후보

        헤라화장품 광고에 나타난 메이크업 표현 특성에 관한 연구

        남금희(Geum Hee Nam),한선주(Sun Ju Han) 한국인체미용예술학회 2010 한국인체미용예술학회지 Vol.11 No.1

        Advertisements have been reconsidered as an element of culture creation which influences popular culture through reflection of historical aspects of the time. Among them, as it was thought that cosmetic advertisements reflect aesthetic mind and thoughts of women the most sensitively, this study examines the history and importance of cosmetic advertisements based on relevant bibliographical data and analyses the current makeup trends in HERA Cosmetic Advertisements. The HERA ads were differentiated from others' in the following aspects: First, professional makeup art directors participate in entire marketing such as makeup product planning and advertisement concepts; Second, a single model maintains a contract with HERA for such a long time to show changes in HERA, which helps people to remind the brand more, and as the same model shows several images in each season, if people use the product, they can change like a model.

      • KCI등재

        국내 화장품 광고에 나타난 에코뷰티 트랜드에 관한 연구 : 더 페이스 샵, 스킨푸드, 이니스프리, 비욘드를 중심으로

        남금희(Geum-Hee, Nam),한선주(Sun-Ju, Han) 한국인체예술학회 2010 한국인체미용예술학회지 Vol.11 No.4

        According to current cultural trend to recover physical health and to discover true beauty, cosmetic advertisement reflects our desire to have beautiful and healthy life style, which is represented in eco-beauty advertisement in various way. As well-being is considered as a new cultural code, customers are interested in self-satisfaction, health and environment for their consumption, which influence production of enterprises. To examine the eco-beauty trend shown in cosmetic advertisement, first, it presents clear brand concepts. THE FACE SHOP have an image of natural cosmetic, Skin Food of food cosmetic, Innisfree of herb cosmetic, and Beyond of eco-beauty brand. Second, they develop their own ideas of business to encourage customers to have belief and confidence in their brands. Third, to examine advertisements since 2005, natural models such as flowers, wind, sunlight and raindrops were presented in a harmonious way with nature to deliver innocent images of nature, but since 2008, advertisements have emphasized components with an authorization of Ecocert to show images of natural cosmetic.

      • KCI등재후보

        해방 이후 대구·경북 지역 신문연재소설에 대한 발굴 조사 연구 : 격동기(1948-1962) 대구경북지역 신문연재소설을 중심으로

        한명환,김일영,남금희,안미영 현대문학이론학회 2004 現代文學理論硏究 Vol.0 No.21

        The Aim of this thesis is the research and analysis about the feuilletons of Daegu and Gyeongbug Area in 1945-1963. The study of the Korean modern literature after 1945 should be accompanied with the researches of the local feuilletons that really memorizing the Korean War, and 4.19 & 5 · 16 coup d'etat. We know that feuilletons in 1945-1963 was diverse in lenght and in contents, which contained many different aspects. Not only the dividing of families but also the enlightenment of old-fashioned and new ideology related to democratic & mass psychology was addressed. With theses local feuilletons during 1945-1963 we feel the stories were universe and unique. We ascertain that those feuilletons contain the real codes equal to the real life of average people in this turbulent period of 1945-1963, and those people's anxiety and tension despair through reading newspapers The point of view of 1950's literature needs to be revised to be more comprehensive and affirmative. Through this research and study, we have come to collect memorial raw material of korean literature and culture and to be able to write new korean literary or culture history. Happily we could excavate a lot of raw materials; feuilletons during 1947-1961 unknown to korean academic world-these materials have been divided according to the period ; before war, on war, after war and classified according to subjects in romantic, social, historical novels and traditional chinese stories translated in korean and momorandums and so on. Specially these researches and excavates have acquainted us with facts that most feuilletons in that turbulent period had complicated social meanings and codes. And therefore, we come to know that some memorandum and the notes of reporters in 1949-1961 induced korean people in turbulent periods to experience literature that have been arrived in socialistic reviews of the world Finally, we conclude that a research and excavation on the feuilletons of Daegu & Gyeongbug area during 1945-1961 will have to help understanding the aspect of korean literature in 1950's, by adding to the history of korean literature new texts that will be studied in many ways ' forming the writer's group and the literary circle after 1945, moving traces of writers in war, the present status of tests in that period. But these researches and excavations should be accomplished with researches and excavations the feuilletons of Busan and Gy대ngnam Area in the same period. We also hope that this research and study will spread not only korean peninsula but north korean and overseas.

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