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심연옥(Sim Yeon-Ok),금다운(Keum Da-Woon) 한복문화학회 2016 韓服文化 Vol.19 No.3
This study is to progress the site inspection, based on lodgement area of hemp production which can be identified the terms as intangible cultural asset of national, municipal, and regional and hemp village in 2015. Also, it compared the current state of transmission of hemp at each region, breed and characteristic of hemp textile. The function of hemp weaving at four regions is designated as intangible cultural asset, and some places like Andong, Bonghwa, Geochang, Dangjin, Muju, Boseong, Namhae, and Jeongseon are where hemp is weaved actively up to now at unit of village. The age of hemp producer at each region is from 50"s, but most of them are over 70"s. Compare to other areas there are many hemp producers in Andong, Geochang, Namhae, and Jeongseon, and wide range of ages. Hemp, which is produced all over the country, is mainly being weaved as 35~38 ㎝ in width, 4~6sae (1sae : warp / 80). In the course of warping, material of starch is being used variously for each region, and the modified loom is mostly being used. The hemp is the main material of shroud. Even in places like Andong, where weaved hemp of various breed, the weaving of Musam and Iknaengi were stopped and produced according to Saengnaengi, due to hassle of the process. Saengnaengi is being produced in various sae, from 5 to 15. Saengnaengi style hemp is being produced even in Bonghwa and Cheongdo, and it is called as Hwangpo and Hwangjipo in Cheongdo. Musam in Andong has similar progress with hemp of other regions, and Musam is produced in Bonghwa. No other regions have any similar weaving method of Iknaengi in Andong.
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