廣州市歷史文化街區的公共設施物滿意度分析

康琳英 ( Linying Kang ),尹甲根 ( Gabgeun Yoon ) 사단법인 아시아문화학술원 2020 인문사회 21 Vol.11 No.5

近年來, 城市歷史文化街區的保護越來越受到各國重視, 公共設施物是人們對街區的歷史文化認知和文化傳承的重要載體之一. 本研究的目的是驗證公共設施物的設計方向性和有效性. 本研究探討了廣州市歷史文化街區的公共設施物的特性要素及使用後評價的設計評價概念定義, 並對專家對設計評價的標準進行了研究. 通過先行研究中對公共設施物設計評價方法的研究和比較分析, 提取出評價尺度語. 研究結果顯示, 作為研究對象的5個歷史文化個街區中, 從公共設施物的特性要素來看, 功能性評價最高, 其次是安全性、普遍性、認同性等. 研究結果建議, 今後在廣州市歷史文化街區的公共設施物設計時, 要註重公共設施物的審美性和可持續性, 將研究轉化為推動城市振興的重要手段. In recent years, the protection of urban historical and cultural blocks has received more and more attention from various countries. Public facilities are one of the important carriers of people’s historical and cultural cognition and cultural inheritance of blocks. The purpose of this research is to verify the design direction of public facilities And effectiveness. This research explores the characteristics of the public facilities in Guangzhou’s historical and cultural districts and the definition of the design evaluation concept for post-use evaluation, and studies the standards for design evaluation by experts. The research and comparative analysis of design evaluation methods extract the evaluation scale language. The results of the study show that among the five historical and cultural blocks as the research object, in terms of the characteristic elements of public facilities, the functional evaluation is the highest, followed by safety, Universality, identity, etc. The research results suggest that in the future in the design of public facilities in Guangzhou’s historical and cultural districts, attention should be paid to the aesthetics and sustainability of public facilities, and the research should be transformed into an important means to promote urban revitalization.

標誌設計中極簡主義的應⽤研究

陆洋 ( Yang Lu ),尹甲根 ( Gabgeun Yoon ) 사단법인 아시아문화학술원 2021 인문사회 21 Vol.12 No.2

標誌已不僅是⼀個簡單的圖形, 隨著當今信息技術的⾼速發展和多媒體的廣泛應⽤, 使標誌的形式、傳播的⽅式以及展⽰的姿態越來越多樣化。其中, 以極簡主義形式設計的標誌最受⼤眾喜愛, 極簡主義是1960年左右西⽅國家的藝術流派之⼀, 極簡主義追求的是利⽤⾮常簡單理性的形式, ⾼度的功能化, 不追求⼀絲⼀毫的各種裝飾, 這種⾵格⼀出現就⽴⾺⾵靡各個領域。⽤極少的東西讓設計顯得更加整潔有內涵, 現在社會中很多標誌設計都讓⼈眼花撩亂, 阻擋了正常認知標誌的視線, 正是這樣, 設計師運⽤簡單的元素把複雜的信息簡單化, 設計出讓⼈們簡單易懂識別性⾼的標誌設計, 這也是設計師們對極簡主義的喜愛和追捧的原由。本⽂以⽂獻研究法對其設計原則和⾵格特點進⾏系統的歸納整理, 為⽂章奠定了理論基礎。同時配合案例研究法、⽐較研究法, 找出它們的特徵與共性, 為後⾯的標誌設計原則和構思⼿法做準備。最後運⽤歸納分析法將極簡主義在標誌設計中是如何運⽤, 在未來, 構建的設計原則和構思⼿法必然會使極簡主義在標誌設計乃⾄全⽅位設計應⽤中展現出更⼤的價值和作⽤。 The logo is not only a simple graphic. With the rapid development of information technology and the wide application of multimedia, the form of the logo, the way of communication and the posture of display have become more and more diverse. Among them, the logo designed in the form of minimalism is the most popular among the public. Minimalism is one of the art genres in Western countries around 1960. Minimalism pursues the use of very simple and rational forms, highly functional, and does not pursue With the slightest trace of various decorations, this style became popular in all fields as soon as it appeared. Use very few things to make the design more tidy and connotative. Nowadays, many logo designs in society are dazzling and block the sight of normal cognitive logos. It is precisely this way that designers use simple elements to simplify complex information. Design a logo design that is easy to understand and highly recognizable, which is the reason why designers love and pursue minimalism. This article systematically summarizes its design principles and style characteristics with a literature research method, which lays a theoretical foundation for the article. At the same time, it cooperates with case study method and comparative study method to find out their characteristics and commonalities, and prepares for the following logo design principles and conceptual techniques. Finally, using the inductive analysis method to use minimalism in logo design, in the future, the design principles and conception methods of construction will inevitably make minimalism show greater value and role in logo design and even all-round design applications.

历史⽂化街区与公共设施设计⽅法研究-以哈尔滨中央⼤街为例-

姜长军 ( Changjun Jiang ),尹甲根 ( Gabgeun Yoon ) 사단법인 아시아문화학술원 2021 인문사회 21 Vol.12 No.4

历史⽂化街区不仅满⾜着城市公众居住使⽤的基本功能需求,还因为街区所独有的⽂化历史特点、社会发展潜⼒以及潜在性经济效益⽽承担起了参观,游览,纪念等的特殊性作⽤。公共设施担负起了体现街区场所精神,满⾜街区基本功能的重要作⽤.因此如何通过公共设施的表现引导历史⽂化街区未来发展的⾛向,成为了现阶段所亟需解决的问题。本论⽂以哈尔滨中央⼤街为例,针对当前城市建设发展⾓度下的历史⽂化街区及公共设施相关要素性质⼊⼿,分析了中央⼤街的公共设施现状,通过⽂献研究,调查分析研究,理论实证,统计分析,案例分析法等研究⽅法,利⽤设计⽅法总结出优缺点,以期达到对于街区现状问题的探索与解决,结论如下:第⼀,中央⼤街街区借助公共设施设计创造了较为宜⼈的空间环境和休闲空间,在照明设施、景观设施的设计上突出表现了哈尔滨的地域⽂化特⾊,使其在设计上保持了可持续性。第⼆,中央⼤街公共设施在个性化设计⽅⾯不够突出设计单⼀。第三,结合哈尔滨中央⼤街街区地理环境特点,交通环境依然很严峻,可持续性发展空间短缺,应有前瞻性的规划和建设,以满⾜⼈们⽇益增长的需求。 Historical and cultural blocks not only meet the basic functional needs of urban public residential use, but also assume the special functions of visiting, sightseeing and commemorating due to the unique cultural and historical characteristics, social development potential and potential economic benefits of the blocks. Public facilities play an important role in reflecting the spirit of the block and satisfying the basic functions of the block. Therefore, how to guide the future development of historical and cultural blocks through the performance of public facilities has become an urgent problem to be solved at this stage. Central avenue in Harbin as an example, this paper in view of the current urban construction development under the perspective of historical and cultural blocks and the nature of the public facilities related elements, this paper analyzes the present situation, the central street public facilities through literature study, investigation and analysis research, theory, statistical analysis, case analysis and other research methods, summed up the advantages and disadvantages of using the design methods, in order to achieve the blocks now To explore and solve the problem. Conclusions are as follows: First, the central Street block created a more pleasant space environment and leisure space with the help of public facilities design, and highlighted the regional cultural characteristics of Harbin in the design of lighting facilities and landscape facilities, so that it maintained sustainability in the design. Second, the central Street public facilities in the personalized design is not outstanding single design. Third, combined with the geographical characteristics of Harbin Central Street block, the traffic environment is still very severe, and the space for sustainable development is short, so forward-looking planning and construction should be made to meet the growing needs of people.

현대한옥 거주 후 실내 주거 만족도에 관한 연구

오수현(Oh, Soohyun),조주현(Cho, Juhyun),윤갑근(Yoon, Gabgeun) 한국디자인지식학회 2014 디자인지식저널 Vol.29 No.-

오랜 시간 형성된 전통적 대표 주거문화인 한옥은 도시형 주택에 비하여 거주와 관리하기가 불편하다는 인식 때문에 대부분의 사람들이 입주하기를 꺼려하는 공간임이 사실이다. 최근 거주가 편리하도록 개선되어 건축되는 현대 한옥이 많이 있는데 전라남도에서는 이를 단지화 하여 새로 건축하거나, 기존 마을을 다시 재정비 하여 전통주거 문화로 농어촌 지역민의 삶의 질 향상 이라는 비전계획을 실현해 나가고 있다. 그러나 일률적으로 단지를 조성하다보니 한옥의 외장적인 면에 편중되어 있었다. 본 연구는 실거주자를 대상으로 실내 주거만족도를 조사하여 분석자료를 토대로 차후 설계 시 유용한 자료로 반영되기 위함이 목적이다. 도내 기존마을 정비형 6개 단지를 선정하여 선행연구의 평가항목을 토대로 설문 조사서를 작성하여 거주자 만족도에 대한 분석을 주 내용으로 하였다. 구축된 세부 평가항목인 실내 동선 구성방법, 실내 마감방법, 실내 환경, 내부설계방법, 주거관리방법의 항목을 설문조사하여 분석한 결과 공간배치, 활용도, 수납공간, 창호 시스템, 난방시 온도, 여름철 쾌적성 등에서 만족도를 나타내었고 실내 내부 마감재, 방음상태, 관리비용에서 불만족 지수가 높게 나타났다. Hanok, a traditional Korean housing style, has been considered uncomfortable because it is inconvenient to live in and manage in comparison with western-style urban houses. Recently, Hanok has been rehabilitated to a modern style for easy and comfortable living. Also Jeollanamdo government designated locations to build new modern Hanok or had older Hanok remodelled with a vision toward higher living quality. However, as housing locations have been uniformly designed, focus has been given only to what it looks. Therefore, this study aimed to investigate the resident satisfaction of its interior and to use the results in future design. For this purpose, six remodelled complexes were selected and the residents were interviewed with the use of a questionnaire developed based on questions from previous studies. The questionnaire included the following questions: the indoor flow line, types of indoor finishing, the indoor environment, the type of indoor design, and the methods of housing management. As a result, it was discovered that the subjects were satisfied with the spatial arrangement, usability, storage space, fittings, heating temperature, and the pleasantness in summer. However, they were unsatisfied with the indoor finishing materials, noise-proof status, and the management expenditures.

이중외피의 경계적 표현특성

이기하(Lee, Kiha),송지현(Song, Jihyun),윤갑근(Yoon, Gabgeun) 한국디자인지식학회 2014 디자인지식저널 Vol.29 No.-

건축은 과거의 단편적이고 일률적인 정형적 형태, 공간구성에서 벗어나 다양하고 역동적이며, 독창적인 형태로 나타나면서 기존에 자리 잡고 있던 건축표현 방법과는 다르게 시도되고 있다. 그리고 외부와 내부가 분리되는 보편적인 경향에서 벗어나 다양한 성격의 경계면과 그 내부에서 일어나는 공간간의 상호작용 등을 통하여 구분이나 경계가 없는 건축적 통합체로서의 새로운 가능성을 만들어낸다. 또한, 이와 더불어 최근 환경적인 요소와 심미적인 요소가 중요시됨에 따라 이중외피 또한 형태생성의 한 부분으로서 대두되고 있다. 본 논문에서는 2000년대 이후의 현대건축의 이중외피가 공간과 어떠한 경계적 상호연관성을 가지고 기능적 , 구조적, 연속적인 방법으로 표현되어 지는지에 집중하여 연구를 진행 하였다. 그 결과, 이중외피의 시, 지각적인 새로운 요소가 건축의 내, 외부와 맞물리면서 기존의 외피로서의 분리적인 개념이 아닌 이질적 요소들 간의 통합과 결합을 통하여 영역이 확장되며 의미가 재해석되고 강조되어 내부와 외부를 소통하는 결과가 도출되었으며 다양한 요소간의 만남으로 이중외피가 새로운 영역을 만들고 있음을 찾아볼 수 있었다. As architecture has appeared in diverse, dynamic, and unique styles out of segmental, uniform, and inflexible spatial composition, we have pursued different architectural expression methods. Then, out of the universal tendency to divide the internal from the external, we aim to create new possibilities for architectural synthesis through spatial interaction occurring at different boundaries and inside. Also, these days, as we have focused on environmental and aesthetic factors, the double skin has appeared as part of a morphological generation. This study looked at boundary correlations between the double skin of contemporary architecture since the 2000s and space, concentrating on its functional, structural, and successive expression. As a result, it was discovered that as the visual and cognitive factors of the double skin connected the inside and outside of buildings, spaces were expanded and their meanings were reinterpreted through integration and combination of heterogeneous factors, which led to communication between the interior and exterior. It was concluded that through a combination of diverse factors, the double skin created new areas for growth.

감성적 접근을 통한 도시상징물의 인지효과 전략에 관한 연구

한세민(Han, Seimin),이성미(Lee, Sungmi),윤갑근(Yoon, Gabgeun) 한국디자인지식학회 2013 디자인지식저널 Vol.28 No.-

세계가 글로벌화 되면서 국가보다는 도시 마케팅의 중요성이 강조되고 있다. 도시상징은 도시경쟁력의 중요한 요소로서 도시의 좋은 이미지를 만들고 도시의 정체성을 표현하는 중요한 역할을 하고 있다. 본 연구에서는 도시상징물이 갖는 감성적 소통 기능이 도시상징의 인지효과에 긍정적인 영향을 준다고 가정하고 군산시를 대상으로 도시상징물의 인지도와 각 상징물이 갖는 감성적 소통과의 관계를 알아보고자 하였다. 연구결과 자연발생적 상징물이 인공적 상징물에 비해 인지효과나 지역상징효과가 큰 것으로 나타났다. 또한 감성적 소통정도와 인지효과 간의 관계가 유의한 것으로 나타났으며 감각적 감성보다는 기능적, 관계적 감성이 높을수록 상징효과도 높은 것으로 나타났다. 따라서 인공적 상징의 기능적 측면과 관계적 측면의 감성적 소통을 증진 시킬 수 있는 프로그램을 마련하고 인지효과가 높은 자연발생적 도시상징물을 시 상징물로 적극 활용한다면 도시상징물이 도시경쟁력을 향상시키는데 기여할 것이다. As the world is globalized, the importance of city marketing rather than the country is being emphasized. Symbol of the city is an important element for the city competitiveness and it plays a significant role to make a good image of the city and express the identity of the city. This study assumes that emotional function of communication that the symbols of the city has will have positive effect on cognitive effects of the city symbols and investigates the relationship between perception of the city symbols and the sentimental communication that each symbol has in Gunsan area. The study result shows that regional factor has greater perception or regional symbolic effect comparing to secondary symbols. Also, relationship between sentimental communication and regional symbolic effect is significant, and rather than sensible sensibility, higher functional and relational sensibility show high regional symbolic effect.

체험마케팅을 위한 팝업 스토어의 공간디자인 표현 특성

성가희(Sung, Gahee),주안치(Zhu, AnZhi),윤갑근(Yoon, Gabgeun) 한국디자인지식학회 2014 디자인지식저널 Vol.29 No.-

현대는 감성화시대로 접어들면서 섬세한 공감각적 사고를 통해 소비생활을 한다. 때문에 합리성보다는 감성과 충동성과 같은 성질에 의존하게 되면서 개성이 중요한 환경이 되었다. 이에 따라 트렌드에 민감하고 섬세한 패션브랜드의 팝업스토어를 중심으로 번 슈미트의 5가지 체험마케팅과 공간디자인의 표현요소를 가지고 공간 체험요소의 특성을 살펴보았다. 그 결과 패션 팝업스토어에서는 소비자의 오감을 이용한 감각, 감성 체험이 두드러지게 나타났으며 관계체험의 경우 공간에서의 표현이 미약한 것으로 나타났다. 반면 소품과 연출도구가 가장 쉽게 공간을 체험할 수 있는 방법으로 나타났다. 그 밖에 인지 체험방법이 활발하게 사용되었는데 감각, 감성 체험방법에서보다 공간디자인의 표현요소를 광범위하게 활용하면서 소비자에게 체험을 유도하고 있었다. 또한 매장의 장소에 따라 다른 양상을 보였는데 실내형 매장보다 실외형 매장에서 다양한 디자인표현방식을 통해 공간을 활용한 체험마케팅을 유도하는 것을 알 수 있었다. 이처럼 브랜드 체험을 위한 공간의 디자인표현특성은 소비자의 감성을 자극해야 효율적으로 체험 기회를 제공할 수 있다는 것을 알 수 있다. 따라서 본 연구는 다양한 마케팅기법 외에도 공간에서의 체험 요소를 활용하여 어떤 방향으로 발전해야 하는 것에 대해 기초적인 발판을 마련하고자 하였다. In this emotion-oriented age, we consume through delicate synesthetic thoughts. So as we tend to depend on sentiment and instinct rather than reason, we give focus to an environment where individuality is important. Therefore, this study looked at the characteristics of spatial experimental factors based on five experimental marketing methods presented by Schmidt centering on pop-up stores for trendy and delicate fashion brands. As a result, it was discovered that fashion pop-up stores emphasized sensational and emotional experiences utilizing the five senses of the consumer while they were weak in spatial expression with respect to relational experience. However, small design elements were the easiest way to experience space. In addition, they used diverse cognitive experimental methods and led consumers to join in with the store experience using extensive expressive factors of spatial design. Also Outdoor locations, rather than indoor ones, induced experimental marketing using space through diverse design expression methods. Likewise, it was suggested that spatial design expression methods for brand experience can provide efficient experience opportunities for consumers when their emotions are stimulated. Therefore, this study aims to prepare basic steps for the further development of spatial design expression methods using spatially expressive factors as well as diverse marketing methods.

전시콘텐츠에 도입된 색채이미지 분석

노민영(Noh, Minyeong),김은희(Kim, Eunhee),윤갑근(Yoon, Gabgeun) 한국디자인지식학회 2014 디자인지식저널 Vol.31 No.-

문화의 세기라 불리는 21세기, 세계 곳곳에서 문화를 통한 경제적, 사회적, 문화적, 환경적 가치 창출 및 지역 이미지 전파를 위한 수단으로 무수한 박람회가 개최되고 또 계획되어지고 있는 가운데, 최근 2013순천만국제정원박람회는 웰빙과 로하스 등 새로운 라이프스타일을 추구하는 인구의 욕구에 따라 건강과 환경, 사회 정의, 지속가능한 삶의 가치를 부각하는 형태로 인류공존을 위한 노력을 어필하고, 친환경적인 삶이 인간에게 가져다주는 긍정적인 효과를 돌아보게 하면서 수요자로 하여금 공감과 신뢰를 끌어내어 박람회를 대성공의 결과를 남겼다. 23개국이 참여한 국제적인 규모의 2013순천만국제정원박람회는 수목원구역, 습지센터구역, 세계정원구역, 참여정원구역, 습지구역으로 총 83개의 정원이 전시되었는바 본 연구에서는 2013순천만국제정원박람회 전시콘텐츠 가운데 본 연구자가 코디네이터로 재직하면서 집중 담당하였던 61개 참여정원 가운데 최종 심사를 거쳐 대상, 금상을 수상한 6개 참여정원 전시콘텐츠를 대상으로 도입된 색채이미지가 참가주체, 정원주제, 정원내용과 어떠한 연관성이 있는지를 분석함으로서 향후 정원계획 및 구현에 있어 색채 이미지의 중요성을 알리는데 그 목적이 있으며, 이는 관람객에게 정확한 정보 전달을 통해 작품에 대한 이해 및 만족도를 높이는데도 연관성이 있기 때문이다. In the 21st century, which is called the era of culture, an infinite number of expositions have been held and planned as a means of the creation of economic, social, cultural and environmental values and distribution of regional images through culture. The 2013 Suncheon Bay International Garden Expo was designed to highlight health, environment, social justice and sustainable values in life according to human needs to pursue new life styles of well-being and LOHAS. It was a successful effort for human coexistence through being eco-friendly and the use of natural materials which led us to recall the positive effects an eco-friendly life has on humans and consumers with regards to sympathy and reliability. 23 countries participated in the exposition and a total of 83 gardens were displayed, such as Arboretum Zone, Wetland Center Zone, World Garden Zone and Wetland Zone. The author joined in the exposition as a coordinator and was in charge of 61 gardens. Out of these, this study analysed the relationship between the images of colors and subjects, themes and contents introduced in 6 gardens which won the grand, gold prizes through the final judgement. It was designed to understand the importance of color images in garden planning and implementation and to enhance satisfaction through delivery of accurate information to visitors.

复合文化空间中的超链接特性分析研究

조수영 ( Sooyoung Jo ),원영기 ( Yuan Yongqi ),윤갑근 ( Gabgeun Yoon ),정기석 ( Kisuk Jung ) 인문사회 21 2023 인문사회 21 Vol.14 No.1

研究目的: 本研究旨在通过考察复合文化空间非线性特征, 为参观者提供更多空间体验, 加强空间间的联系, 完善复合文化空间的设计方法。 研究方法: 对复合文化空间和超链接进行前期研究, 对空间特征进行分类, 得出复合文化空间和超链接的相关性。 研究内容: 通过互联网、书籍等选择国外近10年形成的4个复合文化空间案例, 在前期研究的基础上, 以复合文化空间中的4个超链接特征为基础, 进行案例分析和总结。 结论与建议: 复合文化空间通过不同空间的联动和动线呈现超链接特征, 在空间与来访者之间提供不同的空间体验, 增强空间趣味性和体验性, 为复合文化空间回访提供可能, 但本研究案例仅限于国外案例, 案例分析较少, 今后需不断扩大相关案例研究, 开展复合文化空间超链接特征具体价值和意义的研究。 Along with the development trend of city and society, the public space in the city is constantly changing. In order to meet people’s demand for culture, arts and leisure life, all kinds of complex cultural spaces appear. In this study, the hyperlink characteristics in complex cultural space are analyzed in detail by combining the hyperlink theory with the hyperlink characteristics. The hyperlink characteristics in complex cultural space are analyzed in detail. Therefore, through this research, we hope to provide theoretical basis for the future planning and design of complex cultural space, improve the structure, space connection and people’s spatial experience.

韧性城市理念下水边公园设计特征分析

袁永奇 ( Yuan Yongqi ),金利炫 ( Rihyun Kim ),吴秀贤 ( Soohyun Oh ),尹甲根 ( Gabgeun Yoon ) 인문사회 21 2023 인문사회 21 Vol.14 No.1

研究目的: 本研究旨在结合韧性城市理念, 通过水边公园的设计, 作为城市景观和公共空间, 在解决城市减灾防灾并最终实现可持续发展为主要目的, 探讨韧性水边公园的设计方法。 研究方法: 通过对韧性城市和水边公园进行先行研究, 得出了为了实现韧性城市水边公园设计的特征和必要性, 并得出韧性水边公园的特性。 研究内容: 通过案例调查对中国4个韧性水边公园的设计特征进行分析, 分析在不同地区韧性水边公园的设计方法与策略。 结论及建议: 分析结果显示, 韧性水边公园是基于自然生态系统的基础上, 通过正确的人工开发, 实现自然生态与社会之间的平衡, 通过自然生态系统适应和循环能力, 提高水边空间防灾减灾能力, 减少潜在威胁, 确保城市的可持续发展。 This study aims to explore the design method of resilient waterfront park based on the design of resilient city concept, as an urban landscape and public space, with the main purpose of solving urban disaster reduction and finally realizing sustainable development. The necessity and design characteristics of resilient city and waterfront park design are obtained. Through case analysis of four waterfront parks in China, the design characteristics of resilient waterfront parks in different regions are summarized. According to the analysis results, the resilient waterfront park is based on the correct artificial development to realize the balance between the natural ecology and the society, and to use the adaptation and recycling capacity of the natural ecosystem to ensure the sustainable development of the city.