디지털 자연, 혹은 평평함의 윤리: 팀랩의 설치작업 분석을 중심으로

백승한 서양미술사학회 2019 서양미술사학회논문집 Vol.50 No.-

This paper aims to explore the spectacular forms of life in the digital environments and their ontological dimensions, by calling such conditions as ‘an ethics of flatness.’ What follows is an in-depth analysis of the Japanese experimental art collective known as teamLab (2001-current), which can be subdivided into three stages. The first is a survey of teamLab’s art historical contexts. teamLab represents a generation that has undergone a series of events which include the economic rise and downfall of the postwar Japan, and natural/social disasters such as earthquakes and the subway gas attack in the 1990s. Second, by analyzing the select works of teamLab made in the last ten years, this paper claims that their work prompts an unstable sense of community. Third, this paper proposes a theoretical framework with which to explore a world of flatness without being subjugated by its negative connotations. Bringing forth such a framework accompanies the following set of discourses: the concept of body raised by Baruch Spinoza and Gilles Deleuze, a new materialist approach to the world of experience by John Frow and Yuk Hui, and theories of the spectacle raised by Jean Baudrillard and Jean-Luc Nancy that read the Debordian idea against the grain. 본 논문은 디지털 환경에서의 스펙터클한 삶의 형태와 그 존재론적 차원을 ‘평평함의 윤리’라고 명명하며, 이를 일본의 실험적 아트 콜렉티브 팀랩(2001-현재)의 작업 분석을 통해 탐구한다. 이를 위해 본고는 다음 세 가지의 하위 연구를 수반한다. 첫째는 팀랩 작업의 미술사적 맥락 조사이다. 팀랩은 이차대전 이후 일본의 경제적 성장과 몰락, 그리고 특히 1990년대의 대지진과 지하철 가스 테러 등 자연적/사회적 재앙을 겪은 세대를 대표한다. 이들의 작업은 무라카미 다카시가 주창한 개념 ‘슈퍼플랫(superflat)’의 확장 버전으로, ‘평평함’이 촉발하는 비위계적이고 민주적인 세계를 시적인 방식으로 구현한다. 둘째는 팀랩 작업에 대한 구체적인 작품분석으로, 이는 ≪공간적 서예≫와 ≪늘 꽃이 만발하는 생명≫ 연작 분석, 그리고 <사람들이 모이는 바위 위의 물 입자들로 구성되는 우주>와 잠실 롯데월드에서 열린 대규모 전시 ≪팀랩월드≫를 포함한다. 팀랩 작업에서 두드러지는 부분은 유기적이고 영속적인 공유의 상태가 아닌, ‘따로 또 같이’와 같은 불안정하고 한시적인 공동체의 감각이다. 마지막으로, 본고는 팀랩 작업에서 특징적인 평평함의 윤리를 탐구하기 위한 이론적 관점을 도출한다. 이는 스피노자와 질 들뢰즈의 신체 개념, 경험 세계에 대한 신유물론적 접근을 시도하는 존 프로우와 육 후이의 논의, 나아가 기 드보르의 스펙터클 이론을 재해석하는 장 보드리야르와 장-뤽 낭시의 접근을 포함한다.

Fe-18wt%Mn 마르텐사이트 합금에서 주조상태와 열처리한 상태의 기계적 성질과 진동감쇠능에 관한 연구

백승한,김정철,지광구,신명철,최종술 ( S . H . Baik,J . C . Kim,K . K . Jee,M . C . Shin,C . S . Choi ) 한국열처리공학회 1995 열처리공학회지 Vol.8 No.3

In recent work, we reported that a hot-rolled Fe-18wt%Mn alloy exhibited high damping capacity as well as excellent mechanical properties. It was also proposed that damping capacity of the alloy was proportional to the γ/ε boundary area. In the present study, the effects of homogenization(12hrs at 1100℃) and solution treatment(1hr at 1050℃ before air cooling) on damping capacity and mechanical properties were investigated for as-cast and heat treated Fe-18wt%Mn alloy. The specimen subjected to both homogenization and solution treatment was found to show superior damping capacity and mechanical properties to the as-cast state due to removal of segregation and increase in γ/ε boundary area.

Exploring an Extended Notion of the Generic in Contemporary Asian Cities through Rem Koolhaas’s Essay “The Generic City”

백승한 대한건축학회지회연합회 2016 대한건축학회연합논문집 Vol.18 No.4

This article claims that architect Rem Koolhaas’ essay “The Generic City” (1995) brings forth a new way of thinking about Asian urbanism, and encourages us to be attentive to sensory dimensions of daily urban experience over the stratifying forces imposed from the outside. Although Koolhaas’ essay has often been considered a notoriously disdainful commentary against the vibrancy and dynamism of Asian cities, this article argues against such viewpoints. A critical reading of the essay against the grain, as well as a close visual analysis of the set of images accompanied with the essay that are relatively undermined over its textual narrative, shows that Koolhaas in fact considers Asian cities not so much to be a completely alienating and commodified space but rather an uncharted territory where singularities perpetually fold and unfold at varying speeds and rhythms. His use of the term “generic” is here not put in opposition to the ‘singular,’ but rather implicates one’s attitude of responding to given urban milieus in a state of ambivalence that is at once alienating and sense-making. Hence, this article highlights the interplays between engagement and disengagement, interest and disinterest, and overt claim and delaying judgments implicated in the essay, through which to explore the complex relationship between urbanism and everyday life in contemporary Asia.

Stumbling with the Digital: On the Work of Kang Jungsuck

백승한 연세대학교 영어영문학과 BK21 Plus 사업단 2020 Situations: Cultural Studies in the Asian Context Vol.13 No.2

In this article, I claim that everyday encounters with the strata of digital culture may evoke a sense of wonder and anticipation but also give rise to instances of hesitation and uncertainty, which places the individual on rough terrain where he or she stumbles around painfully seeking a firm ground. In examining these types of experiences, I analyze four videos made by artist Kang Jungsuck (1984–). What is interesting in Kang’s work is that he neither defends nor naively embraces the pervasive character of digital culture. The videos reveal the ways in which he mediates everyday life as a digitalized realm, capturing its euphoric and fascinating atmosphere as well as its pessimistic and lethargic moods. Kang’s works open up an inflected world where forces and rhythms of the post-internet generate various forms of life. The constant back- and-forth movements between the digital and the ordinary and their stuttering audiovisual qualities reflect his hesitant mind, which seeks neither to completely negate nor passively acknowledge the inescapable character of the digitalized world.

[ARTICLE] 심베베코텍처, 또는 기후변화 시대의 무심하고 우연적인 건축을 향하여

백승한 새건축사협의회 2022 건축과사회 Vol.37 No.-

Fe-17wt%Mn 합금의 진동감쇠능에 미치는 탄소와 티타늄 첨가의 영향

백승한,김정철,지과구,신명철,최종술 ( S . H . Baik,J . C . Kim,K . K . Jee,M . C . Shin,C . S . Choi ) 한국열처리공학회 1996 열처리공학회지 Vol.9 No.1

Effects of carbon and Ti on damping capacity are investigated in an Fe-17%Mn alloy. The suppressive force of carbon against γ→ε transformation increases linearly with an increase in its content, lowering Ms temperature and volume fraction of ε martensite. Carbon deteriorates damping capacity by reducing the interfacial area of damping sources and mobility of the boundaries contributing to anelastic deformation. The reduction in damping capacity is accelerated when carboncontaining alloy is aged at higher temperatures above room temperature. The effect of Ti on damping capacity is found to be benificial in carbon-containing alloy, which is attributed to the depletion of carbon solute due to the formation of TiC.

Fe-Mn 방진합금을 적용한 발전소 격납용기 살수펌프의 소음$\cdot$진동 저감효과에 관한 연구

백승한 한국소음진동공학회 1999 소음 진동 Vol.9 No.4

Coventional methods for reducing vibration in engineering designs (i.e. by stifferning or detuning) may be undesirable in conditions where size or weight must be minimized, or where complex vibration spectra exist. Some alloys with a combination of high damping capacity and good mechanical properties can provide attractive techanical and economical solutions to problems involving seismic, shock and vibration isolation. Although several non ferrous damping alloys have been developed, none of those materials are applied in any industrial factor due largely to high production cost. To meet these requirement, we have developed a new Fe-Mn high damping alloy. In previous studies, we have reported that an Fe-17%Mn alloy exhibits the highest damping capacity(Specific Damping Capacity:SDC, 30%) among Fe-Mn binary system, and proposed that the boundaries of various types such as $\varepsilon$-martensite variant boundaries, stacking faults in $\varepsilon$-martensite, stacking faults in austenitic and ${\gamma}$$\gamma /\varepsilon$ interfaces give rise to a high damping capacity. The Fe-17%Mn alloy also has advantages of good mechanical properties(T.S. 70 kg/nm$^2$ and low cost over other damping alloys(1/4 times the cost of non-ferrous damping alloy). Thus, the Fe-17%Mn high damping alloy can be widely applied to household appliances, automobiles, industrial facilities and power plant components. In this paper, the overall properties of the Fe-17%Mn high damping alloy is introduced, and its applicability to containment spray pump in the power plant is discussed.

이미지-어빌리티로서의 건축: 딜러, 스코피디오 + 렌프로의 <셰드> (2019) 분석을 중심으로

백승한 대한건축학회 2024 대한건축학회논문집 Vol.40 No.4

이 논문은 (주로 ds+r이라고 불리는) 건축 그룹 딜러, 스코피디오 + 렌프로의 작업 세계를 조망하며, 이를 통해 이들의 디자인 접근에 있어서 주요한 두 가지 개념어인 ‘보기의 정치학’ 그리고 ‘공간의 민주화’ 사이의 복합적인 관계를 탐구한다. ds+r에게 있어 보기의 정치학은 작품과 관련하는 물성, 아이디어, 이미지, 그리고 경험적 층위 등의 조합을 통해 다양체로서의 건축을 어떻게 활성화시키는지, 그리고 이를 통해 기존의 가치 기준에 도전하고 제도 비평을 수행할 수 있는지와 관련한다. 다른 한편, 공간의 민주화는 신자유주의 세계에서 건축가가 취해야 할 역할을 뜻한다. 공원과 로비, 그리고 광장 등 공공적 개입이 두드러지는 프로젝트들은 지어지는 건축물을 공공 영역으로 만들려는 이들의 열망을 반영한다. 이와 같은 두 가지 의제들은 의미상 서로 잘 연결되는 것처럼 보인다. 하지만 본 논문은 그렇지 않음을 주장한다. 최근의 뉴욕 현대미술관 리노베이션이나 셰드 등의 프로젝트 사례들은 위 두 가지 측면들을 모두 성취하기를 시도한다. 하지만 보수적인 태도를 취하거나 지나치게 실무적으로 접근한 나머지, 2000년 이전에 두드러졌던 이들의 비평성은 스펙터클로서의 건축 또는 그 물질화에 치중한 나머지 상쇄되는 결과로 이어진다. This paper provides an overview of the work of Diller, Scofidio + Renfro, often abbreviated as ds+r. It aims to explore the intricaterelationship between ‘the politics of seeing’ and ‘the democratization of space’, which are two fundamental concepts embodying the firm'sdesign philosophy. The politics of seeing reflects its focus on activating architecture by assembling various elements such as materials, ideas,images, and experiential dimensions. This approach challenges existing criteria and promotes institutional critique. On the other hand, thedemocratization of space, as articulated by Elizabeth Diller, addresses the architect's role in the neoliberal context. The firm's projects,characterized by their public engagement, including parks, lobbies, and squares, demonstrate their ongoing commitments to making architectureaccessible to the public. While these two agendas may seem interconnected, this paper argues that this is not always the case. Some recentprojects, such as The MoMA Renovation and The Shed, aim to achieve both dimensions but tend to lean towards conservatism or practicality. As a result, the criticality that was prevalent in their earlier works before 2000 is sometimes compromised in ways that are not fully able torelease their intricate capacities of mediating the neoliberal world.

근원 없는 건축을 향하여 - 존 메이, 시그널. 이미지. 건축., 2019

백승한 한국건축역사학회 2024 건축역사연구 Vol.33 No.6

폭력을 미화하는 대중 매체

백승한 사회발전연구소 1997 한국인 Vol.16 No.11