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박혁서(Park, Hyeok-Seo) 한국주거환경학회 2009 주거환경(한국주거환경학회논문집) Vol.7 No.2
This study highlights Osaka prefecture's inner area regeneration policy which has been pursued as a part of the urban regeneration policies in metropolitan areas and analyzes how public-private partnership induces cooperation between both sectors and serves to facilitate their pursuit for urban regeneration in view of policies. The research outcomes reveal: first, to smoothly seek an urban regeneration policy in a metropolitan area, they avoided unilateral pursuit of projects by the public but established public-private partnership so as to build consensus and cooperation among stakeholders. In case of the inner area regeneration in Osaka prefecture, public-private partnership was established at all stages of the project to promote further development of the project; Second, it is also found that the public sector helped the private sector to carry out the project without a problem and supported them in various aspects to ensure the private sector made reasonable decisions; Third, the urban regeneration policies were organically linked between the central and local governments and it in turns allowed a supporting system between different layers of the governments. Based on the findings, the study suggests policy implications of the public-private partnership for urban regeneration in a metropolitan area.
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예술결합형 지역활성화 사례에서 나타난 관민파트너십의 특징에 관한 연구
장리브가,윤철재 한국문화공간건축학회 2017 한국문화공간건축학회논문집 Vol.- No.57
Setouchi International Art Festival in Japan, a huge scaled art event has been held triennially since 2010 in Setonaikai inland sea area. From the 1st festival in 2000, it has attracted great attention as a successful revitalization case in that around one million people from all over the world visited the isolated and badly depopulated islands. There might be many different reasons of this success, however, the focus of this paper is the partnerships between public and private sectors of Setouchi International Art Festival. The executive committee of the festival consists of both public and private side participants same as other case at first sight. But the important thing is there is a powerful private participant the Fukutake Foundations playing a great role in supporting economically and providing their art related facilities as core facilities of the Festival. The public side also ensures that the private side organizes the artists or art contents of festival completely their own way. Even though they are not in the executive committee, the residents in the island and the volunteers from the outside are another important participant group. From the investigation of partnerships above, the implications for our country will be discussed in the final part of paper.
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KCI
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