The Forerunner of Establishing Diplomatic Relations, Delayed Attention, and Immortal Significance: A Review of the Korean KBS River Planning Documentary“ Chinese Mainland”

姚诗聪(Shicong YAO) Korea Institute for Humanities and Social Sciences 2024 Journal of Global Arts Studies (JGAS) Vol.2 No.1

【背景】韩国KBS 大河策划纪录片《中国大陆》作为目前所见韩国第一部在中国大陆实地拍摄的中国大陆题材纪录片,保存了80 年代中国大量珍贵的影像资料,为推动中韩建交做出了增进韩国人民了解中国大陆的积极贡献,堪称是起到了中韩建交先行者的先导作用,意义重大,极为难得,足以不朽。然而遗憾的是,该纪录片至今都未能受到中韩两国学界的关注和研究,在民间和社会上也没有多少知名度和影响力可言,与其所拥有的地位与意义极不相称。 【目的】本文写作的初衷和动机就是为了抛砖引玉,希冀能引起中韩两国学界对于该重要纪录片的关注和重视,并谨以此文献礼中韩建交30 周年。 【方法】本文采用文史互证的研究方法,对于该意义重大的纪录片独一无二的地位和意义,以及无法回避的缺陷与遗憾进行探究。 【结果】中国大陆》最直接的意义便是保存了80 年代中国大量珍贵的影像资料,间接意义在于为推动中韩建交做出了增进韩国人民了解中国大陆的积极贡献,堪称是起到了中韩建交先行者的先导作用。然而纪录片《中国大陆》同时也存在着极为明显、无法回避的瑕疵、缺陷。尽管如此,但瑕不掩瑜,并不会影响其作为优秀纪录片的存在。 【结论】笔者将韩国KBS 大河策划纪录片《中国大陆》的意义特征结合本文写作的初衷和动机概括为15 个字,即本文的正标题:建交的先导,迟来的关注,不朽的意义。 [Background] The Korean KBS Dahe planned the documentary “Chinese Mainland”, as the first Korean documentary on the subject of Chinese Mainland shot on the spot in Chinese Mainland, which has preserved a large number of valuable video data of China in the 1980s, and has made a positive contribution to promoting the establishment of diplomatic relations between China and the Republic of Korea to enhance the Korean people's understanding of the Chinese Mainland. It can be regarded as a leading role in the establishment of diplomatic relations between China and the Republic of Korea. It is of great significance, extremely rare, and immortal enough. Unfortunately, the documentary has not received much attention and research from the academic circles of China and South Korea, and it has not gained much popularity and influence in the public and society, which is extremely disproportionate to its status and significance. [Objective] This article adopts the research method of mutual verification between literature and history to explore the unique status and significance of this significant documentary, as well as the unavoidable defects and regrets. [Method] The original intention and motivation of writing this article is to draw attention and attention from the academic circles of China and South Korea to this important documentary, and to present this article as a tribute to the 30th anniversary of the establishment of diplomatic relations between China and South Korea. [Results] The most direct significance of “Chinese Mainland” is that it has preserved a large number of precious video data of China in the 1980s. The indirect significance is that it has made positive contributions to promoting the establishment of diplomatic relations between China and the Republic of Korea, and has played a leading role in the establishment of diplomatic relations between China and the Republic of Korea. However, the documentary Chinese Mainland also has obvious and unavoidable defects. Nevertheless, the flaws do not conceal the merits, and it will not affect its existence as an excellent documentary. [Conclusion] The author summarizes the significance and characteristics of the Korean KBS Dahe planning documentary “Chinese Mainland” in combination with the original intention and motivation of this writing into 15 words, namely, the main title of this article: forerunner of establishing diplomatic relations, late attention, and

Cross-Cultural Communication: Opportunities, Challenges, and Strategies —Taking Cultural Exports of China and South Korea as Examples

黄舒衡(Shuheng HUANG) Korea Institute for Humanities and Social Sciences 2024 Journal of Global Arts Studies (JGAS) Vol.2 No.1

【背景】在全球化和数字化背景下,文化传播的形式和方式正在经历重大变革。 【目的】本文探讨了这一变革对传统文化传播的影响和机遇,以韩国和中国为例进行深入分析。 【方法】首先分析了韩国如何通过现代媒体平台和文化产业成功推广其文化,并尤其关注了其通过电视剧和K-pop 偶像团体的成功实践。随后,讨论了中国在传统文化传播上所面临的挑战,并提出了一些借鉴韩国成功经验的可能策略,并引入了社交媒体平台在跨文化传播中的新作用。 【结果】中国需要利用现代媒体和文化产业,采取更多元和创新的方式来传播传统文化,以增强传统文化的生命力和全球影响力。 【结论】最后,讨论了本土文化保护和传承的重要性,特别是在全球化和数字化背景下的挑战和应对策略。本文希望能提供新的视角和思考,以帮助我们更好地理解和应对如今文化传播的新形势。 [Background] In the context of globalization and digitization, the forms and methods of cultural communication are undergoing significant changes. [Objective] This paper explores the impact and opportunities of this transformation on traditional cultural dissemination, with an in-depth analysis focusing on South Korea and China. [Methods] Firstly, it analyzes how South Korea successfully promotes its culture through modern media platforms and the cultural industry, with particular emphasis on its successful practices through television dramas and K-pop idol groups. Subsequently, it discusses the challenges faced by China in traditional cultural dissemination, proposing some strategies that may draw lessons from South Korea's successful experiences and introducing the new role of social media platforms in cross-cultural communication. [Results] China needs to utilize modern media and the cultural industry, adopting more diverse and innovative ways to disseminate traditional culture, in order to enhance the vitality and global influence of traditional culture. [Conclusion] Finally, the importance of protecting and inheriting local culture, especially in the context of globalization and digitization, is discussed along with the challenges and coping strategies. This paper aims to provide new perspectives and insights to help better understand and respond to the new situation of cultural communication today.

Focusing on cultural content, the Korean tourism industry takes corresponding measures for Chinese tourists

Haiming Li KOREA INSTITUTE FOR HUMANITIES AND SOCIAL SCIENCES 2023 Journal of Arts and Cultural Studies(ACS) Vol.2 No.2

COVID-19 impacted international and domestic tourism in South Korea. The China Tourism Academy analyzed Chinese tourists' post-COVID-19 behavior from July 14th to July 26th, 2021. The survey results showed a shift from offline to online tourism. Purpose: In 2022, the number of people entering and exiting South Korea increased by 326% to 19,414,228 with an increase in the recovery momentum. South Korea is one of the first countries to construct smart cities, guided by the "ubiquitous everywhere" concept. Open policies and smart tourism attract foreign tourists. After the epidemic, the tourism industry’s development accelerated, and local governments introduced various policies. For Chinese tourists, this study analyzed the travel trends, considerations, and Korean tourism policies in the post-epidemic era. It took Incheon as a case of a smart tourism city. It analyzed the measures the Korean tourism industry took to attract Chinese tourists through interviews and surveys. Methods: Qualitative methods and literature demonstrate the tourism industry’s post-pandemic impact on the South Korean economy. This highlights the importance and value of this study. The case study method focuses on Incheon Metropolitan City, analyzing the rise of smart tourism and new media technologies in South Korea. Finally, research interviews were conducted with professionals in related industries to understand their views and attitudes toward the transformation of the smart tourism industry in South Korea. Results: Post-pandemic measures for Chinese tourists entering South Korea have diversified, encompassing online and offline platforms with corresponding tourism policies. The transformation process towards smart tourism has accelerated. Contribution: This study analyzes the simplification measures for Chinese tourists entering South Korea from individual, government, and platform perspectives. It aims to attract more Chinese tourists and stimulate smart tourism development in South Korea.

God,Fairy,Woman -- the transition of Nymph of Luoshen in literature and painting works

刘扬(Yang LIU) Korea Institute for Humanities and Social Sciences 2024 Journal of Global Arts Studies (JGAS) Vol.2 No.1

【背景】洛神在中国文学和美术作品中都占据特殊地位,自古以来为文人雅士所钟爱。 【目的】研究者通过分析洛神形象的图像和内涵,尝试赏析洛神意象在历史上的融合转变。 【方法】通过查找文献、书画和博物馆藏品实物,比较研究洛神在文献中的和绘画作品中的变迁。 【结果】可发现洛神意象经历了三次融合转变:洛神原是洛水之神,河神配偶,而宓妃为伏羲之女。西汉时洛神、宓妃二位女神融为一体,洛神名为宓妃,执掌洛水的水神。后来神女洛神与现实中的甄妃融合,洛神由神转仙,成为文人心中的幻想情人和寄托情感的对象。明清时期仕女画的兴起,又削减了洛神的女仙属性,向世俗美人转变。 【结论】三次融合转变中,她的神性和职责不断被削弱,实现了从神到仙到人的转变。前两次转变主要存在于文学作品中,第三次转变则反映在图像上。洛神意象在绘画作品中晚于文学出现,其文学和绘画形象交相辉映,二者相互促进、相互影响,共同构成洛神意象。 [Background] Luoshen occupies a special position in Chinese literature and fine arts, and has been loved by literati since ancient times. [Objective]By analyzing the image and connotation of Luoshen image, researchers try to appreciate the fusion and transformation of Luoshen image in history. [Method] By searching documents, paintings and paintings and objects in museum collections, the changes of Luoshen in documents and paintings were compared and studied. [Results]It can be found that the image of Luoshen has undergone three fusion changes: Luoshen was originally the god of Luoshui, the consort of the river God, and Mi Fei was the daughter of Fuxi. Western Han Luo God, Mi Fei two goddesses integrated, Luo God named Mi Fei, the water god in charge of Luoshui. Later, the goddess of Luoshen merged with Zhen Fei in reality, and Luoshen changed from God to fairy, becoming the fantasy lover and the object of affection in the hearts of scholars. The rise of beautiful female painting in Ming and Qing dynasties reduced the goddess of Luoshen's feminine attributes and transformed into a secular beauty. [Conclusion]In the three conversions, her divinity and duties were continuously weakened, and she realized the transformation from God to fairy to human. The first two transformations exist mainly in literary works, while the third is reflected in images. The image of Luoshen appeared later than literature in painting works. The images of Luoshen in literature and painting complement each other. The two promote and influence each other to form Luoshen image together.

Research on the application of 3D digital technology in the digital document construction of historical buildings

Xiang Chen,Fuwei Zhang Korea Institute for Humanities and Social Sciences 2024 Journal of design futures (JDF) Vol.1 No.-

Background: Historical architecture is an indispensable part of the cultural heritage of humanity and has cultural, historical, artistic, and scientific value. Objectives: The study aims to improve the preservation and management of historical buildings by leveraging advanced 3D digital technologies, such as three-dimensional laser scanning, slope photography measurement, and virtual reality, to create highly accurate digital archives. Methods: Based on three-dimensional laser scanning technology, slope photography measurement technology, and virtual reality technology, the use of visual information and spatial data of the historical building, the digitization of archiving, the realization of the preservation and management of the history of the building achieved the protection and use of the Historical building. Results: Digital archiving of historical buildings can improve their protection and contribute to coordinating urban construction development and protection management. Conclusions: Digital archiving plays a vital role in preserving and utilizing humanity's cultural heritage by creating databases for historic buildings, using three-dimensional digital technologies to enhance efficiency, and visualizing cloud data for more comprehensive storage of information on relics, ultimately reducing workload and improving conservation efforts for landmark structures.

Exploration of Ecological Classroom Teaching Integration of Architecture Major under the Concept of Sustainability--Creating a Classroom Atmosphere of Regional humanistic spirit

Jingnan Wang Korea Institute for Humanities and Social Sciences 2024 Journal of design futures (JDF) Vol.1 No.-

Background: Combined with the background of China's construction industry, this paper analyzes the new demands of the development of architecture teaching and learning from the aspects of urbanization, industrialization, integration of science and technology and innovation in China. Objectives:The purpose of this study is to explore the human-oriented construction of ecological teaching and create a regional cultural spiritual atmosphere under the concept of sustainable development. To explore the necessary conditions for training architectural composite talents with cross-field integration ability, critical and innovative thinking, and characteristic creation ability. Methods: Through the analysis of teaching ideas, the design of the teaching framework, the specific ways of creating an ecological classroom atmosphere, and the regional project practice around the curriculum platform, we explore to meet the needs of the development of architectural talent cultivation from the perspective of reality and era. Results: The research findings emphasize the effectiveness of integrating regional culture and ecological concepts into the teaching of architecture. It highlights how such integration enhances students' abilities in critical and innovative thinking, and regional expression, fostering a deeper understanding and application of sustainable development principles in architectural education. Conclusion: The study concludes that incorporating regional cultural elements and ecological perspectives into architectural education significantly enriches the learning experience. It aids in developing students' innovative and critical thinking skills and their ability to express regional characteristics creatively. This approach not only contributes to the field of architecture but also aligns with the broader goals of sustainable development and cultural preservation. The research acknowledges potential limitations and suggests directions for future exploration in this educational approach.

An Analysis of “Inheritance and Innovation” in Visual Communication Design——Take Jin Taiqiang and An Shangxiu, Chinese and Korean Designers, as Examples

许显龙(Xianlong XU) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

【背景】视觉传达设计作为一门融合艺术、文化和技术的综合性学科,其发展历程受到社会、文化和技术变革的深刻影响,承载着文化的传承与创新。【目的】本研究旨在探讨中韩视觉传达设计中的“传承与创新”理念,以设计师靳埭强和安尚秀为例展开分析。【方法】文章通过文献研究法对中韩两国设计师在传承与创新方面的具体体现和共同之处进行了比较分析。首先,概述了传承与创新的内涵与价值。随后,聚焦于“传承与创新”在靳埭强和安尚秀设计作品中的具体体现,突显靳埭强深刻理解与创新融合的传统文化,以及安尚秀通过创新手法使传统元素在字体设计中焕发现代时尚魅力。【结果】通过对靳埭强和安尚秀的视觉传达设计作品比较分析,凸显其在现代性风格、传统文化思想传承以及传承与创新关系方面的见解。【结论】最终,强调了两位设计师作品中传承与创新的相辅相成,为视觉传达设计领域注入深刻内涵与丰富价值。 [Background] Visual communication design is a comprehensive discipline that integrates art, culture and technology. Its development process has been profoundly affected by social, cultural and technological changes, and carries the inheritance and innovation of culture.[Objective]This study aims to explore the concept of “inheritance and innovation” in visual communication design in China and South Korea, taking designers Jin Daiqiang and An Sangxiu as examples for analysis. [Methods] Through literature research, this paper makes a comparative analysis of the concrete embodiment and common points of inheritance and innovation of designers in China and South Korea. Firstly, it summarizes the connotation and value of inheritance and innovation. Then, it focuses on the concrete expression of “inheritance and innovation” in the design works of Kan Tai-Keung and Ahn Chang-su, highlighting Kan Tai-keung's deep understanding of traditional culture and the integration of innovation, and Ahn Chang-su's innovative methods to make traditional elements in font design full of modern fashion charm. [Results] Through the comparative analysis of Kan Tai-Keung's and Ahn's visual communication design works, the author highlighted their views on modernity style, inheritance of traditional cultural ideas, and the relationship between inheritance and innovation. [Conclusion] Finally, it emphasizes the complementarity of inheritance and innovation in the works of the two designers, which injects profound connotation and rich value into the field of visual communication design.

East Asian Four Gods and Western Scholarship: A Study of Omissions and Challenges

田雨川(Yuchuan TIAN) Korea Institute for Humanities and Social Sciences 2024 Journal of Global Arts Studies (JGAS) Vol.2 No.1

【背景】四神是东亚一种独特的文化现象,引起了学术界广泛关注。尽管其重要性不言而喻,但西方学术界对这一文化方面的研究仍然有所欠缺。 【目的】本文旨在强调西方学术界目前存在的空白,并倡导深入研究围绕 “四神” 的文化的必要性。 【方法】本研究采用CiteSpace 对Web of Science 收录的论文进行定量分析。 【结果】研究结果显示,西方学术界对四神文化的研究非常有限,以至于这些文化元素往往无法得到准确地译解。 【结论】这种差异突显了西方学术界在全球多元文化研究中存在局限性。为应对《四神》相关研究所面临的挑战,建议将建立适当的译名作为基础步骤,并采用基于四重证据法进行进一步探索。 [Background] The Four Gods, a distinct cultural phenomenon prevalent in East Asia, has garnered significant attention within academic circles. Despite its importance, this cultural aspect remains largely underexplored within Western academic. [Purpose] The objective of this article is to highlight the existing gaps in Western academic and to advocate for the necessity of conducting in-depth studies on the culture surrounding the Four Gods. [Method]This research employs CiteSpace for the quantitative analysis of papers indexed in the Web of Science. [Result] The findings indicate a significant scarcity of Western academic pertaining to the cultures of the Four Gods, to the extent that accurate translation of these cultural elements is often unattainable. [Conclusion] This discrepancy highlights the limited perspective of the Western academic community regarding multicultural studies globally. To address the challenges in researching the Four Gods, the paper suggests establishing a suitable translation as a foundational step, followed by adopting a research method based on quadruple evidence method.

A Comparative Study of the Features of Reclusive Design in China's Lüdao Fang Residence Garden and Korea's Yunjeong Gotaek

Xinle Min,Hongshuai Qi2,Yani Li1 KOREA INSTITUTE FOR HUMANITIES AND SOCIAL SCIENCES 2024 Journal of Arts and Cultural Studies(ACS) Vol.3 No.1

Background: The classical gardens of China and South Korea, rich in traditional cultural connotations, provide a respite from the emptiness and anxiety brought by modern society. This is closely tied to the involvement of scholarly hermits, who represented the learned and morally cultivated class in the ancient garden constructions of both countries. Studying the spatial characteristics of these hermitage gardens is important for modern spatial design. Purpose:This research compares representative residential hermitage gardens in China and South Korea - the Lüdao Fang Residence Garden and the Yin Zheng Ancient Residence. It identifies the similarities and differences in their spatial features and the reasons behind these variations.It also explores the potential applications of these characteristics in contemporary spatial design. Methods: The study begins with a literature review to define the concept of hermitage gardens. It then proceeds with on-site and documentary research of the Lüdao Fang Residence Garden and the Yunjeong Gotaek, analyzing and comparing the spatial attributes of these two gardens. Results: Both gardens reflect the hermitage philosophies of "Moderate Reclusion" and "Confucian Hermitage," chosen for their locations in scenic, tranquil, and harmonious settings. However, their relationships with urban areas differ; both prioritize the creation of spaces that are secluded yet connected. Conclusion: Analyzing and comparing their reclusive cultural characteristics deepens and refines the understanding of Chinese garden art theory and hermit culture. It also provides a theoretical foundation for further exploring their revitalization and promoting creative transformation and innovative development in Eastern classical garden art.

Research on the Design of Diversified Navigation System for the National Central Museum of Korea

王承宇(Chengyu WANG),杨荣明(Rongming YANG) Korea Institute for Humanities and Social Sciences 2024 Journal of Global Arts Studies (JGAS) Vol.2 No.1

【背景】韩国国立中央博物馆新馆自2005 年开放后至今在导览系统的建设中有了较为全面的实践成果。 【目的】对该馆导览系统设计进行梳理和分析,探索其在新馆建立后将近二十年中导览系统设计的发展面貌。 【方法】根据文献研究、实践研究和实地观察等方法对该博物馆所涉及到的导览方式进行搜集、体验和分析。 【结果】总结出该博物馆以多元化的导览体验为发展趋势,依据发展现状将其导览方式分为线上导览、线下导览以及无障碍导览三种方式进行分析。归纳现阶段该馆中导览系统设计的优劣势。 【结论】以用户体验的角度为出发点来寻找与解决实际问题,并对未来发展趋势和路径进行探索及展望。以此来推进韩国国立中央博物馆进一步完善多元化导览体系的建设,进而提供更加完善的导览服务体系。 [Background] The new National Central Museum of Korea has achieved comprehensive practical results in the construction of its navigation system since its opening in 2005. [Purpose] To sort out and analyze the design of the navigation system of the museum, and explore the development trend of the navigation system design in the nearly twenty years after the establishment of the new museum. [Method] Based on literature research, practical research, and on-site observation, collect, experience, and analyze the navigation methods involved in the museum. [Result] It was summarized that the museum's development trend is towards diversified navigation experiences. Based on the current development status, its navigation methods are divided into three types: online navigation, offline navigation, and accessible navigation for analysis. Summarize the advantages and disadvantages of the current design of the navigation system in the museum. [Conclusion] Starting from the perspective of user experience, we aim to find and solve practical problems, and explore and prospect future development trends and paths. To further improve the construction of a diversified navigation system and provide a more comprehensive navigation service system for the National Central Museum of Korea.