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- 저자 : IlHo Park (검색결과 62 건)
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IlHo Park,SunYoung Park,Sulkee Choi,SooYoung Lee,JaeJin Kim 대한신경정신의학회 2017 PSYCHIATRY INVESTIGATION Vol.14 No.4
Objective-Conformity is defined as the act of adjusting one’s behavior to match the social responses of others. Patients with schizophrenia often adjust their maladaptive behaviors by conforming in group treatment settings. This study aimed to examine whether the opinions of group members influence conformity of patients with schizophrenia who attend day-hospital programs. Methods-Nineteen patients with schizophrenia from four different day-hospital programs and 23 healthy controls from four different social clubs completed the homographic meaning choice task under conditions of prior exposure to the pseudo-opinions of their group members, strangers, and unknown information sources. Group influences on conformity were observed when the level of group cohesiveness was high and the level of intimacy was low across participant groups. Results-Controls did not exhibit a significant effect of group influence on conformity, whereas patients were significantly influenced by their group members when making conformity-based decisions despite significantly lower intimacy and cohesiveness levels. Conclusion-These findings suggest that unlike controls, patients with schizophrenia tend to respond with conformity when influenced by the opinions of their affiliated group. In patients with schizophrenia group conformity may be used to select a more accurate decision and to enhance feelings of affiliation among them.
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정일호(Ilho Jung),이진형(Jinhyoung Lee),박태원(Taewon Park),김혁(Hyuk Kim),조동협(Donghyeob Cho),박중경(Joongkyung Park) 한국자동차공학회 2005 한국자동차공학회 춘 추계 학술대회 논문집 Vol.2005 No.5_2
In this paper, a computer aided engineering (CAE) method is proposed for a fatigue life prediction in the early design stages using the multibody dynamics analysis and the linear damage rule. From a dynamic analysis of the OHT vehicle system, dynamic load time histories of vehicle components are calculated. From a finite element analysis of components, modal stresses are calculated. Through the dynamic load time history and the static stress of the component, a dynamic stress time history is produced using the superposition principle. Using the linear damage rule and the cycle counting method, the fatigue life is predicted from the dynamic stress time history. The process of predicting the fatigue life using the proposed computer models in this paper may be applied to structures of various dynamic systems.
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정일호(IlHo-Jung),문하경(HaKyung-Moon),박태원(TaeWon-Park),김혁(Hyuk-Kim),이형(Hyung Lee),박중경(JoongKyung-Park) 한국자동차공학회 2005 한국자동차공학회 춘 추계 학술대회 논문집 Vol.2005 No.5_2
In this study, OHT dynamic model was developed by using the multi body dynamic analysis program ADAMS. Wheel and roller are modeled by the 3-D surface contact module. Especially, motor cycle tire mechanics is used in the wheel contact model. The OHT dynamic model can analyze the dynamic characteristic of the OHT vehicle with various driving conditions. And the result was verified by a vehicle traveling test. As a result of this study, the developed model is expected to predict wheel dynamic load time history and makes a contribution to design of a new monorail vehicle.
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박일호(Park Ilho) 현대미술학회 2007 현대미술학 논문집 Vol.11 No.-
The purpose of this thesis is to trace the significance of 'blockbuster exhibitions' within the present state of late industrial society. The museum alone can not be free from the influence of industrialization and popularization, which is extending over the entire field of society. Also, this thesis indicates that the museum can no longer adopt the elitism of the modernism era in the attitude towards culture and art, and that it should accept the aspect of populism. More over, it demonstrates the significance of blockbuster exhibitions in order to insist that we should not linger within the ground of 'art for art's sake', and that the cultural institution must consider the relationship between art and economy. On the other side, though these tendencies are being supported by the demands of our times, the museum will have to make efforts to neutralize the excessive popularization so as to defend the specialized domain of art itself. That is, the aspects of fostering value of the specialized domain of art or museums, must keep the balance with the prospects of the transition from elitism to popularism, and the connection between art and economy. National and public museums should serve the public. On this, they should regard public interest as its primary duty during the process of administration. The social function of the museum is also essential, considering that it relies on the financial support through the taxes from the general public. Blockbuster exhibition could be favorably applied at the point that it stimulates interests in art and culture by embracing a broader range of public and enlarges the efficiency of museum management. However, serious problems may occur if this makes process only by the commercial purpose and motive of some certain management company. Specialized art exhibition planned by the museum itself as well as considerations which reflects the desire of the public must go side by side. Or else, the acquirement of speciality which is another significant duty of the museum, or the cultural function of the museum might be easily lost.
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박일호(Park Ilho) 한국예술경영학회 2003 예술경영연구 Vol.4 No.-
The aim of this paper is to examine the changes of museum in postmodern era focusing on museum space as context and the industrialization, popularization of museum. The modern museum on the principles of modern art pursued the autonomy of art, and tried to draw the line between art and life. It was designed for the artwork to be isolated from everything that would detract from its own evaluation of itself. The outside world must not come in, so windows were sealed off. Walls were painted white. According to the principles of mdern art, modern museum transposed the perception from life to formal values of artwork. But the postmodern museum is grounded on the principles of postmodern art coping with modern art. First, it emphasizes the museum space which influences the meaning of artwork. It is from the thought that the meaning of artwork is not determined by itself but by the relation of artwork and the external - place, social and cultural context etc. This point is explained through the theory of Brian O’Doherty in this paper. Another characteristic of postmodern museum results from the critical mind that modern art and museum alienated the masses from the apprehension of artwork exaggerating formal values. Therefore postmodern museum focuses on the reunification of art and life, communication with the masses, and management skills of museum. This thought is coincided with expanded industrialization in late capitalistic society, and is connected with industrialization and popularization of museum. I explore this point on the base of the theory of Rosalind Krauss. Investigating those aspects of postmodern museum, I suggest as conclusion that those changes of postmodern museum are not imperative, but must be recieved as supplementing the weakness of modern museum.
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박일호 ( Ilho Park ) 한국논리학회 2018 論理硏究 Vol.21 No.3
본 논문의 목표는 공시적 인식 규범인 주요 원리와 통시적 인식 규범인 조건화 사이의 관계를 명시적으로 밝혀내는 것이다. 이를 위해, 나는 먼저 2절에서 주요 원리와 조건화의 여러 형태들을 정식화할 것이다. 그리고 3절에서 주요 원리와 조건화는 상호 보완적이라는 것을 논증할 것이다. 이 상호보완적 관계는 두 가지 방향에서 제시된다. 첫 번째는 조건화에 의한 주요 원리의 보완이며, 두 번째는 주요 원리에 의한 조건화의 보완이다. 첫 번째 보완관계는 조건화를 이용해 신념도를 갱신하는 경우, 특정한 형태의 주요 원리만을 만족시킨다면 모든 형태의 주요 원리를 만족시킬 수 있다는 것을 의미하며, 두 번째 보완 관계는 언제나 주요 원리를 만족하는 경우, 모든 신념도를 조건화를 통해 갱신하기 위해서는 일부 신념도만을 조건화를 통해서 갱신하는 것으로 충분하다는 것이다. 이 결과, 주요 원리와 조건화가 꽤 밀접한 관련이 있다는 것이 밝혀질 것이다. This paper is intended to examine a relationship between the Principal Principle and Conditionalization. For this purpose, I will first formulate several versions of the Principal Principle and Conditionalization in Section 2. In regard to the relationship between the two norms in question, I will show in Section 3 that the Principal Principle and Conditionalization are complementary in two particular senses. The first complementarity is that we don't have to formulate every version of the Principal Principle if the credences evolves by means of Conditionalization. The second complementarity is that we don't have to require for rational agents to update overall credal state by means of Conditionalization if the agent satisfies the Principal Principle. This result can be regarded as a result that criticizes and supplements some existing works about the relationship between the norms.
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박일호(Park Ilho) 현대미술학회 2009 현대미술학 논문집 Vol.13 No.-
There are two contrary perspectives in approaching the relationship between art and economy. One is a negative point of view that it will only impede creativity, a primary and essential function of arts and culture, to apply an economical logic to them and operate arts organizations pursuing a concept of administrative efficiencies. The other is a supportive opinion that there is no reason for the arts and cultural organizations to make an exception and should follow the general trend of rational and efficient operation since they are run by public funds of taxpayer's precious money. This thesis takes a side of the latter, saying it is time for the arts and cultural organizations to grope for more effective operational schemes. In this perspective, it will examine reciprocal relationship between art and economy, focusing on the features of that relationship as well. And it will further scrutinize the relationship by dividing it into a few areas that needs a particular attention in the context of the relationship between art and economy. Can public support for the arts be justified? The thesis examines the economical effects on society of the arts and takes some instances of analyzing phenomena related to artistic activities, groping for the efficient managerial schemes for the arts and cultural organizations. As a conclusion, it will try to explain that the quests for an operational efficiency are needs of the times by taking an example of R. Krauss' emphasis on industrialization of the museum in the late capitalism. Meanwhile, in the conclusion, I point out that economic principle and an idea of efficiency should not become an absolute criterion for the arts and culture, but an useful reference as an way for the arts and cultural organizations to avoid a chronic deficit and emerge from financial sufferings. It is in the context that it is not desirable to focus only on the economical effects and GDP on which the arts can bring an impact, ignoring the inherent value of it.
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