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시설거주 시각장애 노인의 자기표현과 의사소통 증진을 위한 집단미술치료
길은영(Gil, Eun Young),장인희(Jang, In hee),염성희(Yeom, Sung Hee),이지연(Lee, Ji Yeon) 한국시각장애교육재활학회 2020 시각장애연구 Vol.36 No.2
연구 목적: 이 연구는 시설거주 시각장애 노인에게 집단미술치료를 실시하여 그들의 자기표현과 의사소통 변화를 보기 위한 것이다. 연구 방법: 50∼70대 시각장애 노인 남‧여 9명에게 집단미술치료를 15회 실시하여 그 변화를 차이 검증하고 개인별 변화를 질적 분석하였다. 연구 결과: 시설거주 시각장애 노인은 집단미술치료를 통해 자기표현에 유의미한 변화를 가져왔으며, 의사소통에도 긍정적인 변화를 가져왔다. 시설거주 시각장애 노인은 자유롭게 예술 매체를 탐구하고 자신의 생각과 감정, 욕구를 표현하는 시간을 가졌고 시각을 대신하는 치료사의 언어적 반영과 돌봄으로 안정감과 자신감을 얻어 긍정적인 상호작용을 하게 되었다. 결론: 연구 결과를 바탕으로 시각장애인을 위한 집단미술치료 방법론과 선행연구와의 비교, 연구의 제한점 및 향후 연구의 방향성을 제안하였다. Purpose: The purpose of this study is to investigate the changes in elderly’s self-expressions and communications by performing group art therapy for visual impairment at the care facility. Method: Group art therapy was conducted 15 times for nine elderly men and women in their 50s and 70s to verify differences and analyze their individual changes qualitatively. Results: The elderly visual impairment at the care facility brought significant changes in self-expression through group art therapy and positive changes in communication. The elderly visual impairment at the care facility freely explored art media, and had time to express their thoughts, feelings and desires, and gained a sense of stability and confidence through the verbal reflection and care of the therapist who replaced their vision, which led to positive interaction. Conclusion: Based on the results of this study, the group art therapy methodology for the blind and comparison with prior study, the limitations of study and direction of future studies were proposed.
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일본 내 글로벌 SVOD 서비스를 통한 한국 드라마 수용
박소정(Sojeong Park),장인희(Inhee Jang),홍석경(Seok-Kyeong Hong) 한국언론학회 2021 한국언론학보 Vol.65 No.3
The current popularity of Korean dramas in Japan—including Crash Landing on You (tvN, 2020), which ranked first place in the 2020 rankings of Netflix Japan—is suggesting the emergence of a 4th Hallyu in Japan, implying a change in the reception of Korean dramas among the Japanese audience. This study seeks to understand the specific aspects of this change by focusing on the experiences of the Japanese audience who watch Korean dramas on Netflix. What is new about the current Hallyu phenomenon in Japan, where global SVOD platforms mediate Korean dramas? Furthermore, what significance can we interpret from this? To answer these questions, this study conducted in-depth interviews with 8 Japanese viewers of different ages and gender and observed Japanese news articles on the 4th Hallyu or Crash Landing on You. Our findings reveal that Netflix plays a significant role in attracting Japanese viewers to Korean dramas as it provides the latest Korean dramas in real-time and its recommendation system prompts the audience to explore more Korean dramas. Secondly, another remarkable reason that the Japanese audience chooses Korean dramas among other various global content is the growing quality of Korean dramas. With the qualitative turn in the 2010s, Korean dramas have been gradually growing in scale and in quality through changes in production systems and with the production of Korean Netflix Originals. These changes have shifted the preconceived notion that Japanese people have had of Korean dramas, that they mostly show old-fashioned melodramatic stories or light romantic comedies aimed primarily at the female audience. All of the interviewees had a high opinion of the current Korean dramas, saying that they are a good blend of sophisticated stories and spectacular scenes. Therefore, among Japanese viewers, Korean dramas are regarded as an outstanding form of global content rather than the content that Japanese people consume based on nostalgia or cultural proximity. Lastly, this study discusses the political implications of the reception of Korean dramas by the Japanese audience. While political relations between Korea and Japan have not met a positive moment for the last several years, the reception of Korean dramas seems to promote cultural exchanges and mutual awareness in terms of cultural politics. In particular, it is noteworthy that the narratives and characters of recent Korean dramas provide progressive milestones for feminism and gender discourse in Japanese society. In conclusion, Korean dramas are shifting to a more high-quality global content that represents the future of drama production in Japan, beyond the nostalgic or romcom-style content consumed based on cultural proximity.
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