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- 저자 : 윤보연 ( Bo Yeun Yun ) (검색결과 2 건)
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현대(現代)패션에 반영(反映)된 전통(傳統) 미의식(美意識)의 연구(硏究) -한국(韓國)과 일본(日本)의 비교연구(比較硏究)를 중심(中心)으로-
윤보연 ( Bo Yeun Yun ),배수정 ( Soo Jeong Bae ) 한국패션비즈니스학회 2001 패션 비즈니스 Vol.5 No.4
The purpose of this study is to provide a philosophical basis for a rational, meaningful and systematic development of contemporary Korean fashion and culture industry. The study will begin by comparing traditional aesthetics of Japan and Korea and their respective influences in contemporary fashion design. Japanese aesthetic consciousness can be understood in terms of decorative beauty and undecorated beauty where traditional Korean aesthetic consciousness consists of aesthetic naturalism, beauty of mysticism and beauty of humor. Japanese aesthetic consciousness is generally inclined toward article fanciness, on the other hand, Korean aesthetic consciousness is inclined toward natural beauty. Both Japan and Korea reflect their traditional aesthetic consciousness in their contemporary fashion design. In Japan`s case, traditional patterns have been applied to obi(帶, おび). And aesthetic naturalism can be seen in holes, tears and patches present, as well as rough and coarse texture used, in contemporary fashion design. In case of Korea, aesthetic naturalism can be seen in elegant naturally flowing curves and use of plain colored fabric used in fashion design. Beauty of mysticism can be seen in splendid primary colors from shaman ritual costumes, and fortune-telling hexagram patterns. Beauty of humor can be seen in outrageously exaggerated and distorted fit of clothes. The above comparative analysis, with respect to their formative elements, show that both Korean and Japanese contemporary fashion trends reflect and embody their respective traditional aesthetic consciousness. Japan is creating high-grade fashion design of temporal universality and contemporary appeal. Japan has done so by studying their aesthetic tradition from the point of view of philosophy and utilizing its formative elements. Korea, however, is in the middle of transition: Korea is caught between directly grafting traditional aesthetic designs onto contemporary fashion design and integrating the two according to their common internal spirit.
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무대의상을 위한 18세기 복식의 현대적 제작방법 (제1보)
최지은(Ji Eun Choe),윤선미(Sun Mi Yun),윤보연(Bo Yeun Yun),배수정(Soo Jeong Bae) 한국복식학회 2004 服飾 Vol.54 No.7
The purpose of this paper is to make it easy to reproduce the pattern and sewing technique of men`s coat in 18th century, which are modified in order to be made readily available in Korean theatre costume. The investigation was performed in three steps. 1st: The papers and records about development and change of men`s coats were reviewed. 2nd: The whole process of the way how to make a typical 18th century men`s coats were sewn. 3rd: The modification or revision into the more simplified pattern using by CAD system and sewing technique were suggested in detail. The size of the pattern in the original one. which we chose for this research. was generally small. with the side line being moved back a little. Moreover, arm movements were severely restricted because of the small arm-hole. The problems of original pattern were corrected by making both front and back pattern snug and side line being moved to the front, and making arm-hole wider. In the sewing technique, the simple way how to use of padding, inter-linings and linings and to create the most noticeable figure of 18th century men`s coat. This article may help theatre costume production in Korean performing art.
ScienceON
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