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오정국(Oh Jeong-guk) 중앙어문학회 2002 語文論集 Vol.30 No.-
This article has researched the aspect of poetic change in the poetry of Kim Chunsu focusing on the specific persons, ‘Cheoyong’ and ‘Lee Jungsub' who are his poetic objects. Kim Chunsu adapted these persons as poetic motifs and also subjects because of the unique epic these people have. Kim Chunsu raised the issue of evil and ethics through his poem 「Cheoyong」. Kim Chunsu thought of Cheoyong as ‘a poetic ego’ which exposed ‘a stoic humor’. He noticed two conflicting situations Cheoyong was facing. The situations showed contrast ‘before Cheoyong's seeing four legs’ and ‘after seeing them’. The world, before his witnessing the adultery of his wife and the bad spirit, was ‘a peaceful world' where he used to hang around ‘under the bright moonlight of Seorabeol', and the world was connected with ‘the careless world under the sea' before Cheoyong ascended onto land. Paralleling ‘this careless world under the sea' with ‘his childhood', the age of non-violence world, which was not violated by the force of ‘history'. Kim Chunsu began to write a series of poems, ‘the literary fragment of Cheoyong’. He transformed group epic in the previous language group into individual epic. 「The literary fragment of Cheoyong 1」 described the mythological world which couldn't split the subject and the object, human and nature using the childhood of the poetic narrator. In contrast, after losing sea, the mythological space, Cheoyong ascended into the human world in 「The literary fragment of Cheoyong part 2」. Cheoyong in this part was magical incarnation of the poet himself who experienced ‘evil' with the name of history and who sang querulously desperate reality of the poet himself. Finally, the writer, Kim Chunsu reflected his own individual epic in the two contrasting items which 'Cheoyong' in 「Cheoyong」 had faced. These items are appeared with two separated world, ‘violence from the force of history / stoic escape', ‘wounded grown-up / pure childhood', ‘the world separated from the object / the world without dividing the object and the subject', ‘realistic world / myth world'. Kim Chunsu began to write 「Lee Jungsub」, because he felt a lyric impulse to the epic which Lee Jungsub's life had. He was much more interested in Lee Jungsub's unhappy life than Lee Jungsub's artistic talent. The basic axes of epic which the poem, 「Lee Jung sub」 shows are ‘the ideal artistic spirit' and ‘contemptible reality'. These two items are shown, contrasting the space ‘land' and ‘Seogyipo' in the first part and are transformed into a mental, safe place(Pyongyang, space) and wandering place(Chungmu, Daegu, Busan). The group of persons are separated with ‘family'(wife, children) and ‘I', and the lines in the poem are contrasted and transformed; ‘The wind blows / the wind doesn't blow’, ‘putting the sea on the head / there is no sea’, ‘the wife has gone / the wife has cone' and so on. Kim Chunsu showed himself with narcissistic attitude who was sacrificed by the history and evil wearing the ‘mask' of Cheoyong in his poem 「Cheoyong」. He showed more objectively the contemptible reality, the reality of the human beings which are contrasted with ‘ideal art' in the poem 「Lee Jungsub」. The contemptible reality of a human being contrasted with the ideal art is appeared in poems 「Jesus」 and is enlarged with the question about universal reality, it became the stepping stone role to the poems 「Dostoievski」 which are dealt with the problems about the consciousness of sin and evil the contemptible human being have committed. Kim Chunsu began to think about the proposition of epistemology, asking himself ‘Why am I lingering here?’ through ‘Cheoyong' and ‘Lee Jungsub'. And he gradually enlarged his poetic world from ‘individual reality' to ‘the universal, realistic problem of human beings'. Therefore ‘Cheoyong' and ‘Lee Jungsub' became another person of epistemology of the poet Kim Chunsu, as well became the subject of the conversation opening his new
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Analysis of Neurophysiological Approaches to the Intervention of Hemiplegia
신홍철,강정구,황환익,오정국,Shin, Hong-Cheul,Kang, Jung-Koo,Hwang, Hwan-Ick,Oh, Jeong-Guk Korean Physical Therapy Science 2000 대한물리치료과학회지 Vol.7 No.2
편마비 환자의 물리치료는 장애 결과를 완화시키는 것에 초점을 두고 있다. 본 연구는 신경생리학적 개념을 기초로 한 중재 접근 방법 중 편마비 환자에게 신경 발달 치료와 신경근 균형 접근 기법의 중재 효과를 비교 하였다. 연구 대상은 서울특별시와 전라북도에 소재한 종합병원 및 정형외과 의원에 입원 및 통원하고 있는 47-71세의 연령 범위에 있는 편마비 환자 30명 이다. 중재 집단의 기능적 능력 향상을 평가하기 위해 편마비 환자를 위한 운동 평가 척도와 수정된 바델 척도를 평가도구로 사용하였다. 편마비 환자의 기능적 능력 향성을 평가도구에 의해 측정된 결과를 분석한 바 운동평가 척도 항목중 바로누운 자세에서 옆으로 눕기와 앉아서 균형 취하기 영역에서, 수정된 바델 척도 항목 중 식사하기 영역에서 통계적으로 유의한 차이를 보였다(P<.05). 편마비 환자의 손상 부위, 손상 형태, 마비 부위 등의 손상의 본질에 따른 대상의 선정과 운동 조절 형태에 관한 지식 그리고 신경학적 결함 정도를 심도있게 다루어 기능적 능력 향상의 임상적 효과를 검증하는 것이 중요하다.
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이종마찰압접재의 변형 및 균열 성장 거동 : STS304 와 SM15C재를 중심으로 For STS304 and SM15C
오정국,오환섭,박준건 조선대학교 동력자원연구소 1997 動力資源硏究所誌 Vol.19 No.1
In this study, behavior of crack growth and fracture under static tensile load in friction welded dissimilar materials, and necking phenomenon occuring at tensile yeilding point is shown. Crack is observed in heat affected zone including fine ferrite region of SM15C and heat affected zone of STS304. Plastic flow was occured by friction welding process, so direction of crack is inclined with welded surface. Fracture behavior of similar material is subject to joint of void, but dissimilar material is liable to joint of micro crack. Fibrous zone with the view of macroscope and dimple pattern with the view of microscope is observed at fracture surface.
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