브루셀라병(病) 검색(檢索)에 사용(使用)되는 여러가지 혈청진단법(血淸診斷法)의 비교연구(比較硏究)

김금화,안수환,박용호,김동성,Kim, Keum-Hwa,An, Soo-Hwan,Park, Yong-Ho,Kim, Dong-Sung 대한수의학회 1982 大韓獸醫學會誌 Vol.22 No.2

Results obtained from six secological tests for diagnosing bovine brucellosis-standard plate agglutination test (SPT), standard tube agglutination test(STT), complement fixation test(CFT), Rivanol test (RT), agar gel precipitation test (AGP) and counterimmunoelectrophoresis(CIEP) were compared using 38 sera from brucella reactors and 222 sera from dairy and beef cattle in field. The SPT gave 1.6% apparent false negative reactions and 15.4% apparent false positive reactions when compared with STT which is an official test for bovine brucellosis in this country. The distribution of antibody titers determined by STT showed that 37.5% of 38 reactors had antibody titers ranging from 100 to 200, and the remaining 62.5% had antibody titers of 400 or higher. when 38 reactor judged by STT were tested by CFT and RT, 32 cattle(82.4%) were positive by CFT and 33 cattle (86.8%) were positive by RT, respectively. This results suggest that RT is comparable to CFT in the diagnosis of bovine brucellosis. The results also indicated that both AGP and CIEP were insensitive to detect brucella infection in cattle.

미쯔이(三井) 가문의 후리소데(振袖)에 관한 연구

김금화(Kim Gum-Hwa),이명숙(Rhee Myung-Soog) 한복문화학회 2013 韓服文化 Vol.16 No.3

As a result of inquiring for the kimono of the long-sleeved kimono possessed by Bunka Gakuen Costume Museum, the total 38 works were checked. A color has the works which dyed it what the long-sleeved kimono of red, blue, White, black, and the various colors of a dark blue system appeared, and does not have the textiles and the pattern as a cloud shape of a long-sleeved kimono work same to a textile pattern, and was completed. There were many works which it extracted in order to transmit an overall image, technique and embroidery technique were expressed realistically, and the natural pattern, the geometric pattern, and the good omen pattern were used variously. Although the work of the Edo Era was showy, the work of Meiji Era was expressed simply and was able to feel the difference. I think that I will re-illuminate value as cultural contents combining the traditional technique of the kimono used and utilized from the 17th century to the 20th century on the present age from now on.

비행기 주제의 과학영재프로그램이 초등영재의 자기주도적 학습 태도, 실험활동에 대한 태도, 창의적 성향에 미치는 영향

김금화 ( Geum Hwa Kim ),박기수 ( Gi Su Park ),유미현 ( Mi Hyun Yoo ) 경북대학교 과학교육연구소 2014 科學敎育硏究誌 Vol.38 No.2

The purpose of this study was to develop the ‘airplane`` science program based on Renzulli`s Enrichment Triad Model for the gifted elementary students and investigate the effects of the program on attitude toward self-directed learning attitude, attitude toward laboratory work, and creative personality. Participants were 37 gifted students of local elementary school gifted classrooms. The results of this study were as follows: First, self-directed learning attitude was improved significantly including all sub-areas. Second, the attitude toward laboratory work was improved significantly including all sub-areas. Third, creative personality was improved significantly including all sub-areas. Finally, students` satisfaction about program had an average of 4.52 out of 5 points. Boys showed higher satisfaction on ‘program management’ and ‘teacher`s activities’ than girls.

일본 국립역사민속박물관 소장 16세기 라꾸주우라꾸가이(洛中洛外) 병풍 갑본(甲本) 풍속화의 여자복식 연구

김금화(Kim, Gum-Hwa),김용문(Kim, Yong-Mun) 한복문화학회 2014 韓服文化 Vol.17 No.4

Subjects of the study include costumes worn by 291 out of the 1426 women appearing in genre paintings drawn on Rakuchu-rakugai folding screens dating from the 16<SUP>th</SUP> century in the collection of the National Museum of Japanese History. The study analyzed the types of women’s costume appearing in genre paintings drawn on folding screens, compared costume according to the status of the wearer, and examined the characteristics of headgear, hairstyles and patterns and textile colors in order to discern aspects of the socio-cultural background of the time and the transition in the haracteristics of women’s costume in the 16<SUP>th</SUP> century. The findings of the study are as follows. Genre paintings drawn on Rakuchu-rakugai folding screens showed that 262 out of 291 women wore Gosode, the sleeves of which were narrow compared to Gosode in the 14<SUP>th</SUP> and 15<SUP>th</SUP> centuries. Meanwhile, the total length of Gosode varied depending on the status and occupation of the wearer. In terms of headgear, the highest number of women (102) wore a headgear called Gatsgi, and this was followed in popularity by an Amigasa and a bandana. Looking at hairstyles, it was found that 88 women in the upper class had long hair, while women who were commoners, merchants or laborers mostly had simple hair styles, such as short hair, a beehive or a ponytail. Colors of textile include white, red, green, brown and black, and they were applied to Gosode, Gatsgi, Amigasa, Ijimegasa and bandana. Patterns such as plain patterns, water drop patterns and lattice patterns were used as indicators of social status, and it turned out that lattice patterns were used in the 16<SUP>th</SUP> century. The appearance of women’s costume in genre paintings provides a valuable resource to help researchers examine costume in connection to social background and characteristics in the 16<SUP>th</SUP> century, and to better understand difference sincostume related to social status.

IKAT 기법으로 표현 된 기모노의 조형적 특성

김금화(Kim Gum-Hwa),이경희(Lee Kyung-Hee) 한복문화학회 2015 韓服文化 Vol.18 No.1

The purpose of this article is to study and compare the creative characteristic of Kimono which utilizees IKAT techniques integrating traditional dyeing and weaving techniques. The study is conducted through research on previous studies, written materials, and information collected from the internet. The results of the research are 1) the history, type and value of creativity in the Kasuri technique has been confirmed once more in traditional Japanese dresses, 2) the outstanding creative value of ethnic clothing have been confirmed through Kimono which utilize the harmony between the dyeing and weaving technique to depict linear and grid patterns, 3) a various array of motifs ranging from animals, plants and geometric design could be created using the warp, weft and integrated techniques in forming the Kasuri pattern, and 4) as the places of origin of the Japanese Kasuri are transmitted towards the Kurume region from Okinawa, it is conjectured that these had strong connections with Korea. Relations with Korea is considered to be highly probable since everyday practical items are still produced in many places, especially the original sites of Kurume.

3D측정치를 이용한 성장기 여성의 頭部와 耳目口鼻 사이즈 변화에 관한 연구

김금화(Kim, Gum Hwa),김차현(Kim, Cha Hyun) 한국디지털디자인협의회 2014 디지털디자인학연구 Vol.14 No.1

본 연구는 성장기 여성의 두부 및 이목구비 사이즈 변화에 따른 형태적 특성을 분석함으로써 성장기 여성의 의복 및 스포츠 관련 모자 제작, 체형 연구뷰티관련 제품개발 등에 필요한 기초자료를 제공하는데 그 목적이 있다. 이에 Size Korea(2004)의 만 7세에서 19세 여성 729명의 기본신체 및 두부에 관한 36항목의 3D 측정데이터 자료를 사용하였으며 자료 분석은 SPSS 20을 이용하여 기초통계량, 분산분석, Scheffe 사후검증을 실시하였다. 성장기 여성을 초등학교 저학년, 초등학교 고학년, 중등부, 고등부의 학령기별로 4그룹으로 분류하여 두부 및 이목구비의 사이즈 변화와 형태적 특성을 파악하였다. 기본 신체치수항목인 키, 체중, 가슴둘레, 허리둘레, 엉덩이 둘레는 각 그룹간의 변화량이 매우 컸으며, 그룹간의 차이도 유의한 것으로 확인되어 성장률이 매우 크다는 것이 확인되었다. 머리 및 이목구비의 형태 변화량은 체간부의 변화량보다는 적으나 ‘귀바퀴위점수직길이’ 와 ‘귀구슬-뒤통수돌출점길이’를 제외하고 그룹간의 차이가 유의하게 변화되고 있음이 확인되었다. 머리, 귀, 코는 수평에 비해 수직적으로 더 성장하여 긴 형태로 변화하며 머리의 두께와 너비는 비슷한 비율로 성장하였다. 학령기그룹별 성장편차는 전체적으로 초등후기와 중등부간 에서 매우 크게 나타났으며, 중등부와 고등부 기간 동안에는 머리 및 이목구비의 성장이 크게 둔화하는 것으로 나타났다. 머리와 이목구비에 관련된 패션 및 뷰티제품은 학령기그룹별로 차이를 두어 제작될 수 있을 것이다. This study is to offer basic data for fashion production and design, figure studies, and beauty related product development for the growing women. This purpose of the study is pursued by analyzing morphological characteristics of the head and features of growing women according to school-age, with focus on increase between groups. Study materials depend on 3-D measurement materials of 729 growing women aged between 7 and 19, who participated in Size Korea (2004). This study uses the total of 36 measurement items in the head and features including basic body measurement. For materials analysis, we implemented basic statistics, dispersion analysis, scheffe"s post verification using SPSS 20. Growing women are divided into four age groups, namely, early elementary school, late elementary school, middle school and high school. There were significant differences in basic physical dimensions such as height, weight, bust, waist circumference, hip circumference between the groups. Amount of growth variation of the head and features were less than that of basic physical dimensions and increased in all item in the exception of ‘tragion to wall’ and ‘superior auricle to top of head’ between groups. Head, ears and nose grow more vertically than horizontally and change to the long-form. Thickness and width of the head grow at the same rate. A result of examining the deviation for each group of growing women, growth of the head and visage was increase greatly between late elementary school and middle school period. On the other hand, it was slowed down significantly between the middle school and high school period. The fashion and beauty products related to the head and facial organs could be designed and developed according to school-age groups.

유니버설디자인을 위한 장애자의 체형파악과 개인누드바디연구

김금화(Kim Gum Hwa),송명견(Song Myoung Kyun) 한국지역사회생활과학회 2008 한국지역사회생활과학회지 Vol.19 No.3

KATSURA YUMI(桂 由美)의 작품에 나타난 傳統性에 관한 考察

김금화(Kim Gum-Hwa),이상은(Lee Sang-Eun),김미숙(Kim Mi-Sook) 한복문화학회 2011 韓服文化 Vol.14 No.3

Marriage is an event of the lives that is very important in one of the morality zone companies. As for the formal dress to wear at the time of marriage to wear that is a marriage hit, the study that was differentiated from other industry because it is the part which the specific gravity to occupy it is very high, and is sensitive to a trend is in particular necessary for wedding industry. The purpose of the study of the book is going to consider tradition characteristics peculiar to Japan using the work which KatsuraYumi which is a pioneer of the wedding industry provided to a customer in usual times and a wedding work of the individual collection while being the designer of the Japanese wedding dress. The study method visited the company at KatsuraYumi and it was published every year, but collected the work at the picture album called the world of KatsuraYumi and the works such as videos of a Paris collection and the domestic wedding collection. I divided the work of the document by the theme distinction called weaving, a silhouette, folkcraft technique, the innovation of the traditional dress and the change and compared it and considered it. Research findings are as follows 1. Rediscovery of a Japanese general traditional characteristic and the excellence was considered in a work of KaturaYumi 2. The work which I could reach the wedding ceremony clothes, and considered a Japanese special traditional gender and the traditional beau. 3. It was reconfirmed that I did work activity with a tradition and innovation, the Orient and a keyword called the Western fusion for the world. 4. It is the designer who devised the silhouette of the unique Yum line of the Kimono with the work which utilized kimono clothes. 6. It is the researcher who makes an effort to spread importance of the Wedding ceremony culture in deference to the traditional nature of other countries not to mention a Japanese tradition gender. 6. Necessity was required remedial education and recognizing anew to make much ot a tradition not to mention a basic document for development of the wedding industry of Korea acutely by specialty students such as the traditional design subject and clothes subject. expect that it is in the basics of book document that I rediscover the Korean beauty to students with tradition design and clothes studies expecting they find out the Korean traditional beauty in many aspects earlier to utilize findings, and being reflected by a tradition formal dress and the wedding industry including the wedding dress, and clothes can put together.

노년여성의 스커트 착의 적합성에 관한 연구

김금화(Keum Wha Kim),최혜선(Hei Sun Choi) 대한가정학회 2000 Family and Environment Research Vol.38 No.2

The purpose of this study was to provide the basic information about the women's lower body type and anthropometric data by dhect and indirect measurements, and to provide well fitting skirt pattems of each body types. Direct and indirect measurements wer

미쯔이(三井)가문의 고소데(小袖)에 관한 연구

김금화(Kim Gum-Hwa),김용문(Kim Yong-Mun) 한복문화학회 2013 韓服文化 Vol.16 No.2

In this study, we compared constitution style, pattern, hue and material 22 Kosodes, which are apparent of the time and position of the family’s social standing in Mitsui Family and now owned by Bunka Gakuen Costume Museum, Tokyo, Japan. The result is as follows. Kosode of Mitsui Family mostly makes material animal, plant and landscape, and expressed reality in various technique such as fit dye technic, sewing and embroidery. Kosode which utilized such technique expressed decoration and the molding beauty. It was confirmed that the works of the embroidery technique let reality surface while giving the pattern of the texture a feeling of shadow were reconfirmed the characteristics of the traditional dress of Edo Era, and the works which emphasized gold leaf and precise reality using the gilt thread were the material which showed economic power of Edo Era and Mitsui Family. And we also confirmed that color and pattern of Kosode becoming simple as time goes by from Edo Era to Meiji Era and Taisho Era. The color used mainly blue and white, red, green, black and yellow in turns. We are going to light up the value as culture contents utilize the works which utilized the technique of Japanese traditional dress after 17th century in modern clothes.