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Zhao Mu: The Presence of the Past in the Meaning(s) of Space in Confucius’ Graveyard
Zongjie WU,Bailan Qin 국립민속박물관 2016 International Journal of Intangible Heritage Vol.11 No.-
The idea of heritage in China has been dominated by the Authorised Heritage Discourse, in which the authenticity of material tends to be over-emphasised in the management of heritage sites. This paper seeks to elaborate the intangible ‘sense of space’ as an alternative form of heritage by blurring the boundaries between intangibility and physicality. We explore the space in the Cemetery of Confucius, a World Heritage Site, to demonstrate how Confucian values are perpetuated in the spatial intersection between past and present, the living and the dead, the tangible and the intangible. Spatial meanings are embedded in the form of mounds, stone tablets, and clusters of tombs (Zhao Mu) and are ritually observed to adapt to ongoing changes in kinship relationships and the political context, and to nurture the virtues of filial piety and loyalty. Today, the ways of managing space can still be traced back to the time of Confucius, although material forms have changed with the course of nature and the changing life of the Kong clan. But this heritage practice is now being challenged by modern discourses about heritage. We argue that the ancient meanings that are constantly negotiated within the present context are the core values that need to be interpreted, understood and preserved in the conservation of this heritage site.
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( Song Hou ),( Zongjie Wu ),( Huimei Liu ) 성균관대학교 동아시아학술원 2016 Sungkyun Journal of East Asian Studies Vol.16 No.2
Recognizing the discursive nature of heritage and its crisis of representation, this paper proposes to use what we call “multi-discursive ethnography” as a methodological and writing strategy to renarrate and thereby remake heritage in contemporary China. Multi-discursive ethnography, as its name indicates, is a form of ethnography that encompasses multiple discourses of a subject matter and strives to facilitate dialogue among them. Scholars are required to conduct fieldwork and other research procedures to expose them to varied discourses, and then write up an ethnography by assembling and weaving together those discourses they find useful for representing dialogue and diversity. As a case study, we present a multi-discursive ethnography of the Heavenly Queen Palace (Tianhou Gong 天后宮) in Quzhou (衢州), Zhejiang Province, focusing chiefly on the Yueju opera (越劇) performances that many local people attend. Stories are told there, allowing us to rethink and reconstruct heritage beyond disciplinary knowledge and universalized meaning-making. This multi-discursive ethnography, we argue, problematizes globalized heritage discourses and invites a diverse and dialogical reconceptualization of a local past in the present by foregrounding vernacular voices and deep cultural discourse, especially with regard to li (禮), which is considered to be “the determinate fabric of Chinese culture, and…the language through which the culture is expressed” (Hall and Ames 1998, 269).
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Experimental Study on Spray Characteristics of The Internal Impinging Nozzle
( Jiachen Zhai ),( Zongjie Hu ),( Wei Xie ),( Huizhi Chen ),( Cong Xue ),( Yufeng Wang ),( Zhijun Wu ) 한국액체미립화학회 2017 한국액체미립화학회 학술강연회 논문집 Vol.2017 No.-
The internal impinging nozzle with a bluff body set inside can form a periodic oscillating spray, which is a novel approach of atomization. In this paper, the flow distribution characteristics of the spray are studied with low-pressure water as the medium. Meanwhile, the characteristics of spray cone angle, oscillating frequency, spatial distribution of droplet velocity and particle size are also studied with high-speed Schllieren technique and Malwen particle size analyzer. The results demonstrate that with the increase of the injection pressure, the spray cone angle is almost constant, while the spray oscillating frequency increases gradually, which is tantamount to the variation trend of axial velocity and radial velocity of the droplet. When the injection pressure is elevated from 0.16MPa to 0.18MPa, at the same position, the increase of droplet axial velocity distinctly reaches a maximum. Furthermore, with the development of the spray, the particle size decreases accordingly, and the velocity of the well atomized area near the spray symmetrical center axis is also gradually reduced. The farther away from the nozzle outlet, the more pronounced the symmetry of the spatial distribution of the axial velocity and radial velocity becomes. Moreover, when the injection pressure reaches 0.16MPa, at the position 250mm away from the outlet, the particle size achieves a minimum, and the spray obtains a stable distribution, which is rarefied and uniform in the middle area, while generous on both sides. With the injection pressure increasing to 0.18MPa, the flow of the well atomized area near the spray symmetrical center axis reaches its maximum, and that of the area farthest away from the symmetry center is also raised by degrees as the injection pressure increases.
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Development of a 120 Hz 110 ultra-high-definition a-Si liquid crystal display panel
Yanping Liao,Xibin Shao,Yufan Du,송용지,Weihao Hu,Zhenyu Zhang,Yuqiong Chen,Ying Wang,Qing Ma,윤대근,Dan Wang,Jianfeng Yuan,Hongjiang Wu,Zongjie Guo,Zhaohui Hao,Ji Zhang,Jing Lv 한국정보디스플레이학회 2014 Journal of information display Vol.15 No.2
A prototype 120 Hz 110-inch ultra-high-definition a-Si liquid crystal display (LCD) panel was successfully developed using the BOE exclusive advanced superdimensional switching technology. This LCD has a panel consisting of 3840 × 2160 pixels, four times the number of pixels in the conventional full-high-definition LCD. For the brightness and contrast ratio, 1000 nits and 1200:1 have been achieved, respectively. Additionally, the liquid crystal charging time has been extended through quad area driving and 2G2D line structures. Furthermore, the local dimming and mirror-scanning techniques are applied to realize excellent image display. Finally, the system utilizes 3D shutter glasses, allowing the viewer to achieve the highest sense of realness and immersion.
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