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      리버풀 국제노예제박물관의 전시내러티브 -노예제 역사의 기억문화 만들기- = The Exhibition Narrative of the International Slavery Museum - Making Cultural Memory of the History of Slavery -

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      https://www.riss.kr/link?id=A101897225

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This study analyses the Exhibition Narrative of the International Slavery Museum. The Museum newly opened in August 23, 2007 at Albert Dock, Merseyside, Liverpool. The refurbishment of Albert Dock was the typical case of Heritage Industry development in 1980s. The Museum is located in the 3rd floor of the National Merseyside Maritime Museum. In 1994, the Transatlantic Slavery Gallery started in the Maritime Museum and expanded into the International Slavery Museum in 2007. The three main galleries of Slavery Museum focuses on the history of slave trade not on the history of white abolitionism. Through the exhibition of the museum, slavery history and legacy included in the public discourse of British society. The Exhibition Narrative of the Museum shows the agency and resistance of Enslaved Africans and tries to overcome the victimization of slave. However the project of out of victimization is only partly successful because the controversial slave ship Brookes image still exists in the Museum. Furthermore, the case of commercialization and consumerism is found in the Museum shop. Consequently the International Slavery Museum does not represent the totality of the History of Slavery.
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      This study analyses the Exhibition Narrative of the International Slavery Museum. The Museum newly opened in August 23, 2007 at Albert Dock, Merseyside, Liverpool. The refurbishment of Albert Dock was the typical case of Heritage Industry development ...

      This study analyses the Exhibition Narrative of the International Slavery Museum. The Museum newly opened in August 23, 2007 at Albert Dock, Merseyside, Liverpool. The refurbishment of Albert Dock was the typical case of Heritage Industry development in 1980s. The Museum is located in the 3rd floor of the National Merseyside Maritime Museum. In 1994, the Transatlantic Slavery Gallery started in the Maritime Museum and expanded into the International Slavery Museum in 2007. The three main galleries of Slavery Museum focuses on the history of slave trade not on the history of white abolitionism. Through the exhibition of the museum, slavery history and legacy included in the public discourse of British society. The Exhibition Narrative of the Museum shows the agency and resistance of Enslaved Africans and tries to overcome the victimization of slave. However the project of out of victimization is only partly successful because the controversial slave ship Brookes image still exists in the Museum. Furthermore, the case of commercialization and consumerism is found in the Museum shop. Consequently the International Slavery Museum does not represent the totality of the History of Slavery.

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      참고문헌 (Reference)

      1 박진호, "현대박물관의 전시내러티브 구조에 따른 의미전달 특성에 관한 연구 : 국내 역사계박물관의 유형화를 중심으로" 홍익대학교대학원 2016

      2 염운옥, "포스트-식민 박물관과 ‘다문화’ 정체성의 재구성 ―대서양 노예무역 폐지 200주년 기념전을 중심으로" 역사문제연구소 (95) : 192-217, 2011

      3 박우룡, "영국의 문화유산 산업(Heritage Industry)과 역사 인식: 1980년대 헤리티지 영화(Heritage Film)" 중앙사학연구소 (38) : 271-304, 2013

      4 전진성, "역사가 기억을 말하다" 휴머니스트 2005

      5 권윤경, "부르주아-민주주의 혁명과 식민지-프랑스 혁명, 아이티 혁명, 다시 생각하는 “혁명의 시대”-" 한국서양사학회 (113) : 263-300, 2012

      6 염운옥, "기념의 과잉, 기억의 부재 -영국 노예무역 폐지 200주년 기념-" 한국서양사학회 (110) : 298-323, 2011

      7 Boyle, Bill, "“Tightening the Shackles”: The Continued Invisibility of Liverpool’s British African Caribbean Teachers" 42 (42): 2011

      8 Tibbles, Anthony, "Transatlantic Slavery: Against Human Dignity" H.M.S.O. 1994

      9 Benjamin, Richard, "Transatlantic Slavery : An Introduction" Liverpool University Press 2010

      10 Urban Task Force, "Towards an Urban Renaissance" E & FN Spon 1999

      1 박진호, "현대박물관의 전시내러티브 구조에 따른 의미전달 특성에 관한 연구 : 국내 역사계박물관의 유형화를 중심으로" 홍익대학교대학원 2016

      2 염운옥, "포스트-식민 박물관과 ‘다문화’ 정체성의 재구성 ―대서양 노예무역 폐지 200주년 기념전을 중심으로" 역사문제연구소 (95) : 192-217, 2011

      3 박우룡, "영국의 문화유산 산업(Heritage Industry)과 역사 인식: 1980년대 헤리티지 영화(Heritage Film)" 중앙사학연구소 (38) : 271-304, 2013

      4 전진성, "역사가 기억을 말하다" 휴머니스트 2005

      5 권윤경, "부르주아-민주주의 혁명과 식민지-프랑스 혁명, 아이티 혁명, 다시 생각하는 “혁명의 시대”-" 한국서양사학회 (113) : 263-300, 2012

      6 염운옥, "기념의 과잉, 기억의 부재 -영국 노예무역 폐지 200주년 기념-" 한국서양사학회 (110) : 298-323, 2011

      7 Boyle, Bill, "“Tightening the Shackles”: The Continued Invisibility of Liverpool’s British African Caribbean Teachers" 42 (42): 2011

      8 Tibbles, Anthony, "Transatlantic Slavery: Against Human Dignity" H.M.S.O. 1994

      9 Benjamin, Richard, "Transatlantic Slavery : An Introduction" Liverpool University Press 2010

      10 Urban Task Force, "Towards an Urban Renaissance" E & FN Spon 1999

      11 Hewison, Robert, "The Heritage Industry : Britain in a Climate of Decline" Methuen 1987

      12 Seaton, Anthony V, "Sources of Slavery-Destinations of Slavery: The Silences and Disclosures of Slavery Heritage in the UK and US" 2 (2): 2001

      13 Small, Stephen, "Slavery, Colonialism and Museums Representations in Great Britain: Old and New Circuits of Migration." 9 (9): 2011

      14 Wilks-Heeg, Stuart, "Reinventing the City?: Liverpool in Comparative Perspective" Liverpool University Press 2003

      15 Sontag, Susan, "Regarding of the Pain of Others" Picador

      16 Fleming, David, "Pushing Boundaries: Establishing the International Slavery Museum" 2010

      17 Benjamin, Richard, "Politics of Memory: Making Slavery Visible in the Public Space" Routledge 2012

      18 Leffler, Phyllis, "Peopling the Portholes: National Identity and Maritime Museums in the US and UK" 26 (26): 2004

      19 Fleming, David, "Our Vision for the Museum"

      20 Brown, Christopher Leslie, "Moral Capital : Foundations of British Abolitionism" The University of North Carolina Press 2012

      21 Balderstone, Laura Graeme, "Memory and Place on the Liverpool Waterfront in the Mid-twentieth Century" 41 (41): 2014

      22 Simmine, Silke Arnold-de, "Mediating Memory in the Museum" Palgrave Macmillan 2013

      23 Leffler, Phyllis K, "Maritime Museums and Transatlantic Slavery: A Study in British and American Identity" 4 (4): 2006

      24 Cameron Gail, "Liverpool : Capital of the Slave Trade" Picton Press 1992

      25 Wood, Marcus, "Imagining Transatlantic Slavery" Palgrave Macmillan 2010

      26 Waterton, Emma, "Humiliated Silence : Multiculturalism, Blame and the Trope of ‘Moving on’" 8 (8): 2010

      27 "Freedom! Sculpture"

      28 "Enslaved Africans: Our Truth"

      29 "Creating the museum"

      30 "Collecting Cultures"

      31 Wood, Marcus, "Blind Memory : Visual Representations of Slavery in England and America, 1780-1865" Manchester University Press 2000

      32 Costello, Ray, "Black Liverpool: The Early History of Britain's Oldest Black Community, 1730-1918" Picton Press 2001

      33 Tibbles, Anthony, "Against Human Dignity: The Development of the Transatlantic Slavery Gallery at Merseyside Maritime Museum." 1996

      34 Fyfe, Gordon, "A Companion to Museum Studies" Oxford:Wiley-Blackwell 2011

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2014-11-07 학술지명변경 외국어명 : 미등록 -> SA-CHONG(sa) KCI등재
      2012-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2009-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2008-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2006-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 1.11 1.11 0.84
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.73 0.71 1.55 0.54
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