繪畵의 主情的 表現과 主知的 表現에 對한 比較 硏究 : 二元的 樣式변천과정을 中心으로 = (A) Comparative Study on Emotional Expression and Intellectual Expression in Painting : Centering around the change process of dualistic modes

다국어 초록 (Multilingual Abstract)

We have observed the various expressive modes in the history of paintings. These expressive modes have undergone many changes by the conditions of the times and art historical characteristics and the streams of modes have been more characterized and arranged by the interpretation and division of art historians.
Painting has made many conversions of values as the expressive object of man himself excaping from the tool of divine service which only praised the medieval God to the imitation theory of Nature since ancient times. Therefore such conversion of values brought about the various expressive modes and gradually it was expressed by motional modes as the expression of inner world or psychological conflict, and in some cases it was expressed by intellectual modes which take a serious view of reason.
These expressions show the aesthetic characteristics according to each mode by acceptance of opposition in the history of painting. Therefore this study investigates the dualistic change process of emotional and intellectual expression from the view of art history and divides each expressive mode and characteristic by analysis.
Also this study discusses the mutual influence among the expressive modes of paintings in the context of art history and divides the artists of emotional and intellectual expression and interpretes their works from two sides and searches for the expressive modes according to each tendency of works.
Accordingly this study analyzes the painting modes and characteristics expressed by the artists and finds paintings historical meaning by analyzing their unique aesthetic values and revaluates their characteristics by comparing and analyzing their nature, and investigates the various resulting tendencies.

목차 (Table of Contents)

• 목차
• 圖版目次
• ABSTRACT
• Ⅰ. 序論 = 1
• Ⅱ. 主情主義와 主知主義의 美的 分類 = 3
• Ⅲ. 二元的 樣式論 및 여러 樣相 = 7
• A. 藝術史의 二元的 分類 = 7
• B. 主觀的 要素와 客觀的 要素 = 12
• Ⅳ. 主情的 表現의 樣式과 特性 = 18
• A. 內向的 表現 = 18
• 1) 感性的 形式의 繪畵樣式 = 18
• 2) 繪畵에 있어서 作家의 表現形式 = 29
• Ⅴ. 主知的 表現의 造形性 = 48
• A. 外向的 表現 = 48
• 1) 模倣意識과 客觀的 繪畵樣式 = 48
• 2) 繪畵에 있어서 作家의 表現樣式 = 54
• Ⅵ. 結論 = 61
• 參考文獻 = 64
• 參考圖版 = 66