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    빨갱이와 이데올로기적 환상 -여순사건 반란실정조사반의 기록과 『수치』를 중심으로 = The Reds and Ideological Fantasy -Focusing on the record of Riot Inspection Team of the Yeosun Incident and 「Suchi」

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    https://www.riss.kr/link?id=A101840056

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Lacan called the process of placing ``the name of father`` at the subject, i.e., the overcoming of Oedipus Complex as paternity metaphor. Paternity metaphor gives birth to the desiring subject and fantasy plays a stage of desire by the subject. However, fantasy as a frame for the constituting the desiring subject is also a screen that hides the other``s desire. For this reason, iek defines paradoxically that desire established by fantasy as the defense of desire itself. Such paradox of desire, more accurately ``pure`` desire (death impulse of pure type) defines the human condition itself. Culture is also nothing but reaction - formulation against fundamental negation (death impulse) of human condition. And, iek adopted social theories of E. Laclau and C. Mouffe and defines all symbolization and totality attempt as an attempt that must be failed. In this context, he regards that society has antagonistic conflicts that cannot be integrated in a symbolic order and that the purpose of ideological fantasy is to establish integrated vision of ``the society integrated as a one body`` which is not divided by antagonistic relations. Accordingly, fantasy signifies ideal society that is not achievable ultimately by substituting the social antagonistic relation to a specific target and performs a function of compensation of social and symbolic identification that is destined to fail. From the above perspective of iek, anticommunism inheriting his livelihood from nationalism that indicated mutually defining two factors of integration of Joseon and independent from the foreign power established an ideal vision of society which is integration and independence, and substituted ``the Reds`` as the corresponding object of antagonistic conflicts through the Yeosun Incident effectively hiding fundamental social antagonism. ‘The Reds’ denies structural impossibility of the South Korean society and is fetish to embody at the same time. As shown so far, the fantasy scenario of ``girl students`` troop`` plays a cause of overturning that enables to create surplus ``more than in the Reds`` and reinforced the fetish misunderstanding against ‘the Reds.’ Furthermore, it worked for ‘the Reds’, a signifier, to play role as a point in constituting nationalistic and state value and principles. However, as shown in 『Suchi(shame)』, fantasy on ``the Reds`` is not valid to hysteric subject. And, the fact that we all alike are the subject of hysteric to some degree shows the possibility to overcome anticommunism ideology in relation to ‘the Reds’.
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    Lacan called the process of placing ``the name of father`` at the subject, i.e., the overcoming of Oedipus Complex as paternity metaphor. Paternity metaphor gives birth to the desiring subject and fantasy plays a stage of desire by the subject. Howeve...

    Lacan called the process of placing ``the name of father`` at the subject, i.e., the overcoming of Oedipus Complex as paternity metaphor. Paternity metaphor gives birth to the desiring subject and fantasy plays a stage of desire by the subject. However, fantasy as a frame for the constituting the desiring subject is also a screen that hides the other``s desire. For this reason, iek defines paradoxically that desire established by fantasy as the defense of desire itself. Such paradox of desire, more accurately ``pure`` desire (death impulse of pure type) defines the human condition itself. Culture is also nothing but reaction - formulation against fundamental negation (death impulse) of human condition. And, iek adopted social theories of E. Laclau and C. Mouffe and defines all symbolization and totality attempt as an attempt that must be failed. In this context, he regards that society has antagonistic conflicts that cannot be integrated in a symbolic order and that the purpose of ideological fantasy is to establish integrated vision of ``the society integrated as a one body`` which is not divided by antagonistic relations. Accordingly, fantasy signifies ideal society that is not achievable ultimately by substituting the social antagonistic relation to a specific target and performs a function of compensation of social and symbolic identification that is destined to fail. From the above perspective of iek, anticommunism inheriting his livelihood from nationalism that indicated mutually defining two factors of integration of Joseon and independent from the foreign power established an ideal vision of society which is integration and independence, and substituted ``the Reds`` as the corresponding object of antagonistic conflicts through the Yeosun Incident effectively hiding fundamental social antagonism. ‘The Reds’ denies structural impossibility of the South Korean society and is fetish to embody at the same time. As shown so far, the fantasy scenario of ``girl students`` troop`` plays a cause of overturning that enables to create surplus ``more than in the Reds`` and reinforced the fetish misunderstanding against ‘the Reds.’ Furthermore, it worked for ‘the Reds’, a signifier, to play role as a point in constituting nationalistic and state value and principles. However, as shown in 『Suchi(shame)』, fantasy on ``the Reds`` is not valid to hysteric subject. And, the fact that we all alike are the subject of hysteric to some degree shows the possibility to overcome anticommunism ideology in relation to ‘the Reds’.

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    참고문헌 (Reference)

    1 염상섭, "효풍" 실천문학사 1998

    2 구상, "황진이" 홍성사 2005

    3 조르조 아감벤, "호모 사케르 : 주권 권력과 벌거벗은 생명" 새물결 2008

    4 모리 요시노부, "한국 반공주의이데올로기 형성과정에 관한 연구" 경남대학교 극동문제연구소 5 (5): 1989

    5 "피아골" 한국영상자료원

    6 김성종, "최후의 증인(상·하)" 남도 1979

    7 임종명, "초기 대한민국제(製) 간첩 이야기의 서사(敍事)와 흥미성(興味性): 韓國에서 最初로 發生한 國際間諜事件ꡕ을중심으로" 역사학연구소 (22) : 11-57, 2012

    8 "조선일보"

    9 슬라보예 지젝, "이데올로기의 숭고한 대상" 새물결 2013

    10 주철희, "예술작품을 통해 본 여순사건 연구 : 형상화와 역사적 연관성을 중심으로" 전북대학교 대학원 2014

    1 염상섭, "효풍" 실천문학사 1998

    2 구상, "황진이" 홍성사 2005

    3 조르조 아감벤, "호모 사케르 : 주권 권력과 벌거벗은 생명" 새물결 2008

    4 모리 요시노부, "한국 반공주의이데올로기 형성과정에 관한 연구" 경남대학교 극동문제연구소 5 (5): 1989

    5 "피아골" 한국영상자료원

    6 김성종, "최후의 증인(상·하)" 남도 1979

    7 임종명, "초기 대한민국제(製) 간첩 이야기의 서사(敍事)와 흥미성(興味性): 韓國에서 最初로 發生한 國際間諜事件ꡕ을중심으로" 역사학연구소 (22) : 11-57, 2012

    8 "조선일보"

    9 슬라보예 지젝, "이데올로기의 숭고한 대상" 새물결 2013

    10 주철희, "예술작품을 통해 본 여순사건 연구 : 형상화와 역사적 연관성을 중심으로" 전북대학교 대학원 2014

    11 김병구, "염상섭 『효풍』의 탈식민성 연구" 한국비평문학회 (33) : 50-71, 2009

    12 반충남, "여순반란사건, 인민재판은 없었다" (149) : 1998

    13 김석, "에크리 ; 라캉으로 이끄는 마법의 문자들" 살림 2007

    14 조르조 아감벤, "아우슈비츠의 남은 자들 : 문서고와 증인" 새물결출판사 2012

    15 "서울신문"

    16 슬라보예 지젝, "삐딱하게 보기" 시각과 언어 1995

    17 김득중, "빨갱이의 탄생" 선인 2009

    18 김진기, "반공호국문학의 구조" 상허학회 20 : 218-236, 2007

    19 "동아일보"

    20 채만식, "도야지" 1948

    21 강성율, "내일을 여는 역사" 26 : 2006

    22 목성, "깨여가는 길" (10) : 1921

    23 "경향신문"

    24 정명중, "『전선문학』에 나타난 슬픔의 배제와 증폭" 한국언어문학회 (83) : 393-423, 2012

    25 강성현, "‘아카’(アカ)와 ‘빨갱이’의 탄생—‘적(赤-敵) 만들기’와 ‘비국민’의 계보학" 한국사회사학회 (100) : 235-277, 2013

    26 슬라보예 지젝, "HOW TO READ 라캉" 웅진지식하우스 2007

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    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2021-07-19 학술지명변경 외국어명 : The journal of Gamsung -> Emotion Studies KCI등재
    2020-03-26 학회명변경 영문명 : Chonnam National University Honam Study Center -> Institute of Honam Studies KCI등재
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    2008-08-18 학회명변경 한글명 : 호남문화연구소 -> 호남학연구원
    영문명 : Chonnam National University Honam Culture Research Center -> Chonnam National University Honam Study Center
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