예술작품을 통해 본 여순사건 연구 : 형상화와 역사적 연관성을 중심으로

다국어 초록 (Multilingual Abstract)

It is study of Yoesun Revolt broke out October 19, 1948. A lesson of Yoesun Revolt left to Jeonnam east area people(전남동부지역사람) was sense of shame ; ‘There is no figure in this area.’ ‘Don't meddle in other's business’ is passive and half-hearted pressure of life. People turned into sprawled corpses like anchovies by finger-shooter. The enmity and conflict was internalized by suspicious look among neighbor each other. They can't protest poor treatment, contempt and discrimination of Bbalgaingi(빨갱이) society. Yeosun Revolt during seven days was turning point that it made system of anti-communism firmly in Korea modern history and origin that president Rhee can monopolize political power. Yeosun Revolt had a strong influence on modern history of Korea, community and individual. Image of Yeosun Revolt hold a negative place ; that is, it means sociocultural identity as Bbalgangi, mob and revolt of local public.

This thesis is studying the effects that Yeosun Revolt did sociocultural effects. This can say sociocultural phenomenon or identity. Subject of study is works of art of literature ‧ music ‧ play ‧ movie. It will examine imagery that reflected works of art and historical correlation. And it investigated how government power was worked.

1) Historical background about Yeosun Revolt in work of literature ‧ music ‧ play ‧ movie is in line with realistic circumstances. But, it was biased quietly in historical fact relation and involved in political intention. Also distorting historical fact relation, it exerted influence quietly in negative image of Yeosun Revolt. On the other hand, music expressed weariness of the people and life and attitude of frustrating local resident about collapse of community. Expressing song about this area in that time can't song in era of darkness. President Rhee's government power made monitoring frame that controls the public through legal ‧ institutional system. But it had limits only artifcial ways. Enlightenment activity was actively utilized to cultural ways mobilizing cultural art. Cultural artists contributed this equation about "anti-communism=patriot=ethnic group" that Lee's government wanted to seek.

2) Revolt from the 14th regiment partial serviceperson was spread throughout Jeonnam east area(전남동부지역). Spread of Yeosun Revolt is that president Rhee government's was ability not to rule across the political and social. Accordingly people's complaints were immanent on the base. Revolt of the 14th regiment serviceperson recognized Jeju dispatch of troops refusal. Therefore investigating facts needs why the 14the regiment serviceperson refused Jeju dispatch of troops under correct awareness. Providing that boss 지창수 appointed Yeosun Revolt's supreme command intended revolt that broke from partial serviceperson and the local public. Assuming the Yeosun Revolt's victim, it is expected to sacrifice 13-thousand ~ 17-thousand people. Yeosun Revolt's victims had many examples that finger-shooter killed people without trouble because of personal feeling and revenge.

3) Violent of government power appeared to political opinion and it threatened and monitored nation through legal‧institutional framework. Rhee's government regulated that disagreeing anti-communism itself was to regulate enemy. Anti-communism is probative moral that one person is a member of country. Works of art were mobilized or performed a role. That is, works of art ignored social‧political situation including historical problem and were created by government's intention. Thus, Rhee's government escaped political crisis, monopolized government power behind that it asserted Anti-communism reinforcement taking Yeosun Revolt.

Yeosun Revolt made big and diverse wounds to Jeonnam east area people. First, words that are best current was 'There is no figure." in Yeosu including Suncheon. It means that social communism that normal generational reproduction wasn't fulfilled was collapsed. Second, that was "Don't meddle in other's business". Residents fell into medium of anti-communism and was made to passive and half-hearted follow system by government power. Third, enmity and conflict between neighborhood by 'finger-shooter' is exposed easily in everyday life and were inherited. Forth, ordeal and pain caused by the 'anti-communists' and 'Bbalgangi' by becoming pioneers as anti-communist by itself became that anti-communism was permanent.

Yeosun Revolt broke out troop became at some point that government and nation's forces were judges. Local community and residents pointed the finger at them as 'Bbalgangi'. This awareness was that Rhee's government started with propaganda․public that used. Also it was result that works of arts used actively mass media. Government power is guard of anti-communism and played a leading role in making a permanent seize power through Rhee‘s political monopoly. And 'Bbalgangi' was that sociocultural identity is recognized to nation.

목차 (Table of Contents)

• ABSTRACT
• 제1장. 서론 1
• 1절 문제 제기와 연구 목적 1
• 1. 문제 제기 1
• 2. 연구 목적 3
• 2절 연구 성과와 논문 구성 7
• 1. 연구 성과 7
• 2. 논문 구성과 용어 13
• 제2장. 작품의 배경과 역사적 고찰 17
• 1절 문학‧음악에 반영된 여순사건 18
• 1. 문학 20
• 2. 음악 41
• 2절 영화‧연극‧사진에 반영된 여순사건 66
• 1. 영화 71
• 2. 연극과 악극 78
• 3. 사진 81
• 소결 85
• 제3장. 여순사건의 발발과 민간인 피해 89
• 1절 여순사건 발발원인과 확산 90
• 1. 작품에 나타난 여순사건의 근인(近因) 92
• 2. 제14연대 출병과 제주도의 연관성 95
• 3. 민생 문제와 지역주민의 지지 99
• 2절 여순사건의 주도인물 105
• 1. 작품에 나타난 주도인물의 재현 107
• 2. 주도인물의 역사적 고찰 109
• 3절 민간인 피해의 양상과 역사성 118
• 1. 작품에 나타난 민간인 피해의 형상화 121
• 2. 정부 발표와 피해자 규모 추정 131
• 3. 민간인 피해의 자료 검토 143
• 4. 민간인 피해의 분석 153
• 소결 171
• 제4장. 반공주의와 연좌제 175
• 1절 반공주의 실상과 ‘빨갱이’ 176
• 1. 작품에 나타난 반공주의 실상과 왜곡 176
• 2. ‘빨갱이’의 인식과 폐해 181
• 3. 시대에 따른 작가 이념의 변화 198
• 2절 공동체 해체와 연좌제 203
• 1. 작품에 나타난 공동체 해체 203
• 2. 연좌제의 인식과 왜곡 235
• 3절 기독교와 여순사건의 연관성 244
• 1. 작품에 나타난 기독교 우위론 244
• 2. 여순사건과 기독교와 이승만의 관계 253
• 소결 257
• 제5장. 결론 : 상호반영으로서의 ‘역사와 예술’ 262
• 1절 상호반영으로서의 ‘역사와 예술’ 262
• 2절 요약과 결론 275
• 부록자료 <시와 음악> 284
• 참고문헌 300