建築空間構成에 있어서 映畵的 技法의 利用에 관한 硏究 : 知覺的 側面에 의한 建築空間의 構成 및 連結을 中心으로 = (A) Study on the Application of Cinematic Techniques to Architectural Space Organization

다국어 초록 (Multilingual Abstract)

This study aims to apply the perceptual quality and organizational principles of cinema to architectural space organization. Space organizational method in cinema enables people to have various and dynamic perceptual experiences, and maximize the impression intended by a cinema director in dramatic development.
Architectural space is perceived to articulate spaces and scenes. And, the scene of space unit has the concept of movement and temporal continuance. So the perceptual characteristics of architectural space unit can be analyzed by shot's in cinema.
The meaning in cinematic organization of architectural space connection is reproduced through the arrangement of cinema syntax. The cinema syntax is the organizational method which connected and developed temporally of the shot that has its own perceptual qualities.
As a result of this study, the scene of architectural space unit is analyzed by screen organizational techniques. And, therefore, a meaning of the space connection .is re-interpreted by cinema syntax : separation, parallel action, slow disclosure, familiar image, moving camera, multi-angularity, master shot discipline, and orchestration, as scenic development.

목차 (Table of Contents)

• 목차
• ABSTRACT
• I. 序論 = 1
• I-1. 硏究의 目的 = 1
• I-2. 硏究의 內容 및 方法 = 2
• I-3. 硏究의 背景 = 3
• 1) 建築과 映畵의 관계 = 3
• 2) 映畵知覺의 心理的 特性 = 6
• II. 建築空間 知覺에 대한 考察 = 8
• II-1. 建築空間 知覺 槪念 = 8
• II-2. 知覺空間의 場面的 特性과 時間的 展開 = 12
• 1) 知覺空間의 分節化 = 12
• 2) 視知覺에 의한 空間의 場面化 = 12
• 3) 場面의 展開에 따른 時間性의 問題 = 17
• III. 映畵의 知覺的 特性 및 構造 = 20
• III-1. 映畵의 知覺的 特性 = 20
• 1) 映畵知覺의 2次元的 特性 = 21
• 2) 映畵知覺의 3次元的 特性 = 24
• III-2. 映畵의 構造 = 26
• 1) 映畵의 構成要素 = 26
• 2) 쇼트(SHOT)의 분류 = 27
• 3) 映畵的 構文法 = 29
• IV. 建築空間의 映畵的 構成 = 32
• IV-1. 單位空間의 構成 = 32
• 1) 單位空間의 場面化 = 32
• 2) 場面 構成要素에 따른 分類 = 39
• IV-2. 空間의 連結 = 43
• V. 結論 = 54
• 參考文獻 = 57