19세기 남성문인의 미인도 감상 = 재덕을 겸비한 미인상 추구를 중심으로

다국어 초록 (Multilingual Abstract)

Some Paintings of the beauty in the nineteenth century of Joseon depict beautiful Chinese ladies who are famous for their artistic or literary turns. These paintings would be on a different track from the other popular stream of paintings of the beauty in Korean costume without any talents or virtue. Appellation of ‘yosa(女史)’ or female recording secretary in ancient palaces, was used for calling a comtemporary lady who has talent of writing and painting by Joseon scholars at that time. This appellation reflects the pursuit of the image of talented beauties at the same time.
Sin Wi(申緯), a poet and scholar in the nineteenth century of Joseon, was interested in the painting of the beauty and composed many poems on that kind of paintings. One of his poem is on The Twelve Beauties, which is painted by his son, Sin Myong-yon(申命衍). The Twelve Beauties is composed of ten ladies selected among ancient Chinese girls who had literary and artistic talents. Sin’s selection is different from the Chinese setting of the beauty for painting at that time, in that Sin picked up women of literary, artistic and virtuous merits like Tangshan(唐山夫人) and ruled out well-known beautiful ladies like Yangguibei or Zhofeiyan. Sin Wi especially preferred image of “reading lady” usually unidentified. Writing poems about the image of reading lady, Sin Wi enjoyed searching for her name as recollecting the names of the ladies in Chinese literatures.
Elites’ fondness of paintings of the talented Chinese beauty clearly revealed in the paintings of several beauties by Yi Jae-kwan(李在寬). Yi’s paintings show famous Chinese women, like Xuetao(薛濤) well-known for her paper and her poem, Nongyu(弄玉) famous as a player of Chinese flute, Hongxian(紅線) favored by Joseon scholars as an attractive female character who saved her man with her martial arts and Hongfu(紅拂) who showed her strong trueness. These talented women provided ideal and fantastic images of the beauty to scholars of the late Joseon.
Hankering for the imagery of beautiful, talented and classical Chinese girls in the paintings of the late Joseon would not be interpreted as conservatism or cultural toadyism. It would rather be evaluated as a cultural phenomenon which is connected to appearance of female professional artists called as yosa in the early twentieth century.

목차 (Table of Contents)

• I. 머리말
• II. ‘여사(女史)’라는 호칭의 지평
• III. ‘십이명원(十二名媛)’ 선정의 의미
• IV. 재덕(才德)을 겸비한 미인도의 유형
• V. 맺음말
• 참고문헌
• Abstract

참고문헌 (Reference)

1 고연희, "칼춤 추는 미인" (61) : 2012

2 박청아, "청대의 미인 이미지 고찰, In 근대를 만난 동아시아 회화" 사회평론 2011

3 이현일, "조선후기 경화세족의 이상적 여성상 -申緯의 경우를 중심으로-" 한국고전여성문학회 (18) : 351-388, 2009

4 김경숙, "자하 신위(1769-1847)와 그 시대 여성들 또는 여성상" 한국고전여성문학회 (6) : 259-290, 2003

5 고연희, "이재관이 그린 미인도, 19세기 미인의 조건" (64) : 2013

6 박무영, "여성시문집의 간행과 19세기 경화사족의 욕망 -『정일당유고』의 간행을 중심으로-" 한국고전문학회 33 (33): 369-406, 2008

7 이연주, "소당 이재관의 회화 연구" 충북대학교 대학원 2003

8 차미애, "공재 윤두서 일가의 회화 연구" 홍익대학교 대학원 2010

9 李德懋, "靑莊館全書"

10 金允植, "雲養集"

11 金正喜, "阮堂集"

12 申緯, "警修堂全藁"

13 南九萬, "藥泉集"

14 王宗英, "藝術學博士文叢, In 藝術學博士文叢" 東南大學出版社 2009

15 고연희, "美人圖의 감상코드" 대동문화연구원 12 (12): 303-338, 2007

16 王士禎, "池北偶談"

17 崔秀景, "明末 기녀를 둘러싼 문화적 이미지와 그 의미" 중국어문연구회 31 (31): 233-263, 2006

18 趙斗淳, "心庵遺稿"

19 Widmer, Ellen, "Writing Women in Late Imperial China" Stanford University Press 1997

20 박영민, "19세기 문예사와 기생의 한시" 고려대민족문화연구원 2011

21 박무영, "18-19세기 중국 여성예술가의 소식과 조선의 반응" 한국고전여성문학회 (17) : 117-155, 2008