Hans Werner Henze's의 엘시마론<El Cimarrón> 분석 연구 = (An) analysis of Hans Werner Henze's <El Cimarrón>

다국어 초록 (Multilingual Abstract)

An Analysis of Hans Werner Henze's
<El Cimarrón>


Mi-ran Eom

Department of Music
The Graduate School
Pusan National University

Abstract

In the beginning of the 20th century, there were many aspects of change in respect of politics, economy and society through the World War I․II. This also affected music, there were various works made by the attempts to escape from that depressed atmosphere.
The mode of the beginning of the 20th century reached the peak of subjectivity, characteristic of romanticism, and emotional expression, at the same time, the composers emerged, who were interested in new musical language, e.g. new system of tonality, chord progress, and discord, etc.
One of the German composers in the 20th century, Hans Werner Henze(1926-2012) is a composer who mastered various genres. He adopted modern technique, covering romanticism orchestral music of latter romanticism, Serialism, and naturalism. Initially, he composed neoclassic music of Igor Stravinsky(1882-1971) style. However, later on he adopted Serialism by 12-tone technique, and attempted various ways including expressionism of Arnold Schönberg(1874-1951) or Alban Berg(1885-1935) and Jazz.
Through an internet news, I heard a news about Henze, who passed away in 2012. Lots of media praise, as one, his excellent musical talent by calling him as 'Master of German musical play', 'The most talented and influential composer'.
Many works of various genres are performed, however, it is true that he did not have much attention and has not become known compared to other masters of modern musical world. This paper analyzed and considered his musical language and musical world which he pursued, through his representative work, 「el cimarron」(1970), which contained his political orientation, and reconfirmed his value in modern music. Before analyzing the work, the researcher is going to search for his life and world of his works, and investigate the opportunity to form his political orientation and how it was reflected in his music, and musical characteristic according to composing skill. Then, the researcher aimed at comprehending the background of 「el cimarron」 and overall flow of the music, and researching it concretely.

목차 (Table of Contents)

• 목 차
• I. 서론 1
• 1. 연구 목적과 의의 1
• II. 본론 3
• 1. 한스 베르너 헨쩨(Hans Werner Henze, 1926-2012)의 생애 3
• 2. 작품세계 6
• 1) 정치적사상의 측면 6
• 2) 음악적 특징 8
• 3. 「엘 시마론」(el cimarrón, 1970) 작품의 분석 11
• 1) 작품의 개요 11
• (1) 창작배경 11
• (2) 작품의 구성 및 내용 11
• (3) 악기의 구성 및 무대배치 13
• 2) 분석고찰 17
• (1) 연극(Theater)적 특징 17
• 가. 가사의 개념적 지시에 의한 표현 17
• 나. 패러디 기법 22
• (2) 음악(Konzert)적 특징 24
• 가. 연주를 위한 다양한 기보법 24
• 가-1) 즉흥연주를 위한 Open form 형식의 기보법 24
• 가-2) 전통적인 형식의 기보법 31
• 나. 쿠바음악의 영향 33
• 다. 새로운 음향적 기법 추구 36
• 라. 음악의 회화적 접근 41
• III. 결론 46
• 참고문헌 48
• Abstracts 49