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      1920년대 초기 『조선일보』 「문예란」 연구 -발굴과 위상의 구명 = The Study on Literary Section in Chosun Ilbo in Early 1920s -Excavation and Investigation of Status

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      https://www.riss.kr/link?id=A100494171

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      다국어 초록 (Multilingual Abstract)

      Literary section in Chosun Ilbo was first open on July 4, 1921 and lasted until on August 27 in the same year. The section was reported on the first page of Chosun Ilbo. The purpose of this article was to discover and introduce the pieces of literary work reported in Chosun Ilbo, and to bring light on the status of its literary section. The time when literary section was established was the moment Chosun Ilbo was returning to normal condition of running business after having twenty three times of prohibition of release and two times of suspension. The number of reported literary section was thirty eight, which included twenty one pieces of poem, three pieces of critique, one piece of travel essay, and one piece of essay. Thus, the total number of reported literary work was twenty six. Writers who participated in the section were as followed : Young-Roh Byun, Byuk Namgung, Uk Kim, Jong-Hwa Park, Sang-Soon Oh, Chun-Seok Oh, Chan-Young Kim and Jin-Gun Hyun. Among them, Young-Roh Byun was the most active writer in the literary section and was in the center of mutual exchange of opinion among the writers. He sought the core of literature in the attitude that was devoted to the uncertainty, which was off the world of concrete truth. This article supposed a question on determination of the formal copies by discovering and introducing the Byul-eui-ap-hem(별의압흠), and Mal(말) which were reported by Byuk. He translated these pieces for himself using style of writing, ∼ da. Moreover, as Namgung was not a prolific writer, the importance of five pieces of poem by Byuk Namgung should not be overlooked. Park`s poem, Lying in the closed garden(廢 園에누어셔), consisted of three chapters compared to that of his, which were issued in Secret songs in a black room(黑房秘曲). Especially, the third chapter of it was related to conflict among his companions, Baek Jung and Sah-Yong Hong. Therefore, it needs to be focused on that chapter. Two pieces of poem by Sang-Soon Oh were introduced for the first time. These represented Oh`s literary view at the moment, which the writer understood the language with childhood imagination as the most essential one. Writers of the literary section had already been approve by the literary circle. For this reason, the pieces reported in the literary section had a different character from their studies or submission before starting their literature career. In addition, the writers were the subject of the network and career activities among the writers who were not bound by literary coterie magazines. The most significant meaning of literary section was that the section with the same character did not exist in Dong-A Ilbo, Maeil Shinbo, or Chosun Ilbo itself. To prove this point, relation between news media and literature in early 1920s was discussed.
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      Literary section in Chosun Ilbo was first open on July 4, 1921 and lasted until on August 27 in the same year. The section was reported on the first page of Chosun Ilbo. The purpose of this article was to discover and introduce the pieces of literary ...

      Literary section in Chosun Ilbo was first open on July 4, 1921 and lasted until on August 27 in the same year. The section was reported on the first page of Chosun Ilbo. The purpose of this article was to discover and introduce the pieces of literary work reported in Chosun Ilbo, and to bring light on the status of its literary section. The time when literary section was established was the moment Chosun Ilbo was returning to normal condition of running business after having twenty three times of prohibition of release and two times of suspension. The number of reported literary section was thirty eight, which included twenty one pieces of poem, three pieces of critique, one piece of travel essay, and one piece of essay. Thus, the total number of reported literary work was twenty six. Writers who participated in the section were as followed : Young-Roh Byun, Byuk Namgung, Uk Kim, Jong-Hwa Park, Sang-Soon Oh, Chun-Seok Oh, Chan-Young Kim and Jin-Gun Hyun. Among them, Young-Roh Byun was the most active writer in the literary section and was in the center of mutual exchange of opinion among the writers. He sought the core of literature in the attitude that was devoted to the uncertainty, which was off the world of concrete truth. This article supposed a question on determination of the formal copies by discovering and introducing the Byul-eui-ap-hem(별의압흠), and Mal(말) which were reported by Byuk. He translated these pieces for himself using style of writing, ∼ da. Moreover, as Namgung was not a prolific writer, the importance of five pieces of poem by Byuk Namgung should not be overlooked. Park`s poem, Lying in the closed garden(廢 園에누어셔), consisted of three chapters compared to that of his, which were issued in Secret songs in a black room(黑房秘曲). Especially, the third chapter of it was related to conflict among his companions, Baek Jung and Sah-Yong Hong. Therefore, it needs to be focused on that chapter. Two pieces of poem by Sang-Soon Oh were introduced for the first time. These represented Oh`s literary view at the moment, which the writer understood the language with childhood imagination as the most essential one. Writers of the literary section had already been approve by the literary circle. For this reason, the pieces reported in the literary section had a different character from their studies or submission before starting their literature career. In addition, the writers were the subject of the network and career activities among the writers who were not bound by literary coterie magazines. The most significant meaning of literary section was that the section with the same character did not exist in Dong-A Ilbo, Maeil Shinbo, or Chosun Ilbo itself. To prove this point, relation between news media and literature in early 1920s was discussed.

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      참고문헌 (Reference)

      1 김영철, "「매신문단」의 문학사적 의의" 국어국문학회 94 : 1985

      2 박종화, "歷史는 흐르는데 靑山은 말이 없네" 삼경출판사 1979

      3 황정현, "현진건 장편번역소설 「백발」 연구" 한국학연구소 (42) : 321-345, 2012

      4 조연현, "한국현대문학사" 성문각 1969

      5 김학동, "한국근대시인연구Ⅰ" 1974

      6 김용직, "한국근대시사 上" 학연사 1994

      7 "학지광"

      8 "폐허이후"

      9 "폐허"

      10 심선옥, "춘성 노자영 초기 시 연구" 반교어문학회 13 : 2001

      1 김영철, "「매신문단」의 문학사적 의의" 국어국문학회 94 : 1985

      2 박종화, "歷史는 흐르는데 靑山은 말이 없네" 삼경출판사 1979

      3 황정현, "현진건 장편번역소설 「백발」 연구" 한국학연구소 (42) : 321-345, 2012

      4 조연현, "한국현대문학사" 성문각 1969

      5 김학동, "한국근대시인연구Ⅰ" 1974

      6 김용직, "한국근대시사 上" 학연사 1994

      7 "학지광"

      8 "폐허이후"

      9 "폐허"

      10 심선옥, "춘성 노자영 초기 시 연구" 반교어문학회 13 : 2001

      11 "청춘"

      12 박진영, "천리구 김동성과 셜록 홈스 번역의 역사 — 『동아일보』 연재소설 『붉은 실』—" 상허학회 27 : 277-318, 2009

      13 김영민, "차라리 달 없는 밤이드면" 정음사 1983

      14 조선일보사 사료연구실, "조선일보사람들" 랜덤하우스중앙 2004

      15 "조선일보"

      16 백철, "조선신문학사조사(근대편)" 수선사 1948

      17 "장미촌"

      18 이종호, "일제시대 아나키즘 문학 형성 연구 : 『근대사조』 『삼광』 『폐허』를 중심으로" 성균관대 2006

      19 김윤식, "염상섭연구" 서울대 출판부 1987

      20 "아성"

      21 "신생활"

      22 "신동아"

      23 김영석, "수주 변영로의 시세계" 한국어문교육연구회 42·43 : 1984

      24 "서울"

      25 "삼천리"

      26 민충환, "변영로의 새로운 작품에 대해서- 조선일보 발표본을 중심으로" 산과들 8 : 2008

      27 오세인, "변영로 시 연구 - ‘관념’과 ‘감각’을 중심으로" 한국어문학국제학술포럼 23 : 7-38, 2013

      28 윤병로, "박종화의 삶과 문학-미공개월탄일기평설" 성균관대 출판부 1992

      29 이동희, "박영희 전집 Ⅱ" 영남대 출판부 1997

      30 "매일신보"

      31 "동아일보"

      32 조영복, "근대 초기 시의 미적 개념 인식과 근대시 장르의 체계화 과정 연구" 우리말글학회 29 : 489-526, 2003

      33 유석환, "근대 문학시장의 형성과 신문·잡지의 역할" 성균관대 2013

      34 박두진, "겨레에 바친 시들(3)-수주 변영로의 시" 대한기독교서회 137 : 1969

      35 "개벽"

      36 朴月灘, "黑房秘曲" 조선도서주식회사 1924

      37 민규호, "韓國言論人物史話: 8․15前篇 上" 社團法人 大韓言論人會 1992

      38 변영로, "朝鮮의마음" 평문사 1924

      39 조선일보60년사 편찬위원회, "朝鮮日報60年史" 朝鮮日報社 1980

      40 정우택, "『문우』에서 『백조』까지 -매체와 인적 네트워크를 중심으로" 국제어문학회 (47) : 35-65, 2009

      41 최호영, "『기독신보』에 나타난 문인들의 활동과 ‘이상향’의 의미 ― 남궁벽과 노자영의 발굴 자료를 중심으로" 민족문학사학회 (56) : 331-360, 2014

      42 최성윤, "≪조선일보≫ 초창기 연재 번역·번안소설과 현진건" 민족어문학회 (65) : 463-485, 2012

      43 차승기, "‘폐허’의 시간-1920년대 초 동인지 문학의 미적 세계관 형성에 대하여" 상허학회 6 : 2000

      44 권유성, "1920년대 초기 『每日申報』의 근대시 게재 양상과 의미" 한국시학회 (23) : 93-121, 2008

      45 최현희, "1920년대 초 한국문학과 동인지 폐허의 위상 자아 담론을 중심으로" 서울대규장각 한국학연구원 31 : 2007

      46 홍현영, "1920년대 전반기 시문학에서 '민중'의 의미" 성균관대 2013

      47 박현수, "1920년대 전반기 『조선일보』와 현진건" 대동문화연구원 (88) : 495-536, 2014

      48 조은주, "1920년대 문학에 나타난 허무주의와 '폐허(廢墟)'의 수사학" 한국현대문학회 (25) : 7-40, 2008

      49 장신, "1920년 대정친목회의 조선일보 창간과 운영" 역사문제연구소 (92) : 291-327, 2010

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 () KCI등재후보
      2000-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.91 0.91 0.9
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.86 0.87 1.721 0.34
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