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    흥천사 대방(大房)의 건축적 특징 = Architectural characteristics of Heungcheonsa Daebang(大房)

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Heungcheonsa was originally built in 1397 (the 6th year of King Taejo's reign) in Hwanghwabang, the site of Deoksugung Palace, as a temple of Jeongneung Royal Tomb, the tomb of Queen Sindeok. In the late Joseon Dynasty, it was rebuilt in its current location along with Queen Sindeok's Chubong, and with the support of the royal family in the 19th century, its appearance was renewed through the reconstruction and Buddhist service of various halls. Daebang Building was rebuilt in 1865 with the origin of Heungseon Daewongun, and it is presumed that the existing building was expanded.
    Daebang Architecture is a special form in temples in Seoul and Gyeonggi-do in relation to the form of worship and economic supporters of temples. Since the mid-19th century, the tendency to gradually accommodate various functions in one building has emerged in palaces and houses, and this trend can be seen in temple architecture.
    In Buddhist architecture, Daebang means a large-scale building where monks can gather together in a temple to perform seated lines, sermon, and meals, etc. A temple with a yard surrounded by buildings in the late Joseon Dynasty, it is a unique architecture with large ondol rooms, pavilions, and kitchens attached to the place where the pavilion was located. The temporal range of the 19th to early 20th centuries and the Daebang, which can be seen in limited areas such as Seoul and Gyeonggi areas, have a more specialized uniqueness here.
    The Daebang of Heungcheonsa is a representative example of the typical floor plan structure, architectural style, and location in the temple newly emerging in the 19th century.
    First, Daebang is placed in front of Geungnakbojeon Hall, the main Buddhist temple, and Daebang's building is configured to have the frontality of the temple.
    Second, spaces with different personalities in one building were configured to be closely connected while maintaining independence from each other.
    Third, it is the brevity of the wooden structure. There are four bent parts on the roof, so the roof structure is bound to be complicated. The center of the body is made of a wide whole compartment thread, and the floor structure is not a floor, but an ondol.
    Fourth, the hierarchicality expressed in the building components gradually collapses, and there is a tendency to intensively add colorful decorations to the place desired by the owner.
    Fifth, eaves were built in a way that does not install Hoecheomchuyeo, a characteristic of the central region, in the roof valley.
    Daebang is a building type of Buddhist architecture that shows the characteristics of the modern era pursuing economic feasibility and rationality by integrating and accepting various functions of the temple according to the necessity of Buddhist worship and hospitality space at the end of the Joseon Dynasty. Heungcheonsa Daebang is an example of the 19th century in the structure and decoration of the building, and the space is constructed to fit these functional characteristics well.
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    Heungcheonsa was originally built in 1397 (the 6th year of King Taejo's reign) in Hwanghwabang, the site of Deoksugung Palace, as a temple of Jeongneung Royal Tomb, the tomb of Queen Sindeok. In the late Joseon Dynasty, it was rebuilt in its current l...

    Heungcheonsa was originally built in 1397 (the 6th year of King Taejo's reign) in Hwanghwabang, the site of Deoksugung Palace, as a temple of Jeongneung Royal Tomb, the tomb of Queen Sindeok. In the late Joseon Dynasty, it was rebuilt in its current location along with Queen Sindeok's Chubong, and with the support of the royal family in the 19th century, its appearance was renewed through the reconstruction and Buddhist service of various halls. Daebang Building was rebuilt in 1865 with the origin of Heungseon Daewongun, and it is presumed that the existing building was expanded.
    Daebang Architecture is a special form in temples in Seoul and Gyeonggi-do in relation to the form of worship and economic supporters of temples. Since the mid-19th century, the tendency to gradually accommodate various functions in one building has emerged in palaces and houses, and this trend can be seen in temple architecture.
    In Buddhist architecture, Daebang means a large-scale building where monks can gather together in a temple to perform seated lines, sermon, and meals, etc. A temple with a yard surrounded by buildings in the late Joseon Dynasty, it is a unique architecture with large ondol rooms, pavilions, and kitchens attached to the place where the pavilion was located. The temporal range of the 19th to early 20th centuries and the Daebang, which can be seen in limited areas such as Seoul and Gyeonggi areas, have a more specialized uniqueness here.
    The Daebang of Heungcheonsa is a representative example of the typical floor plan structure, architectural style, and location in the temple newly emerging in the 19th century.
    First, Daebang is placed in front of Geungnakbojeon Hall, the main Buddhist temple, and Daebang's building is configured to have the frontality of the temple.
    Second, spaces with different personalities in one building were configured to be closely connected while maintaining independence from each other.
    Third, it is the brevity of the wooden structure. There are four bent parts on the roof, so the roof structure is bound to be complicated. The center of the body is made of a wide whole compartment thread, and the floor structure is not a floor, but an ondol.
    Fourth, the hierarchicality expressed in the building components gradually collapses, and there is a tendency to intensively add colorful decorations to the place desired by the owner.
    Fifth, eaves were built in a way that does not install Hoecheomchuyeo, a characteristic of the central region, in the roof valley.
    Daebang is a building type of Buddhist architecture that shows the characteristics of the modern era pursuing economic feasibility and rationality by integrating and accepting various functions of the temple according to the necessity of Buddhist worship and hospitality space at the end of the Joseon Dynasty. Heungcheonsa Daebang is an example of the 19th century in the structure and decoration of the building, and the space is constructed to fit these functional characteristics well.

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    참고문헌 (Reference)

    1 문무왕, "흥천사의 역사와 사상" 한국불교미술사학회 (53) : 95-111, 2019

    2 대한불교 조계종 흥천사, "흥천사의 역사와 문화재" 2016

    3 손신영, "흥천사와 화계사의 건축장인과 후원자" 한국불교미술사학회 (26) : 423-449, 2006

    4 서울특별시, "흥천사 실측조사보고서" 1988

    5 이정주, "흥선대원군 李昰應(1820~1898)의 불교 후원과 그 정치적 의미" 호서사학회 (73) : 287-318, 2015

    6 서울특별시, "화계사 실측조사보고서" 1988

    7 김동욱, "한국건축의 역사" 기문당 2007

    8 장기인, "한국건축대계 Ⅴ 목조" 보성각 2005

    9 김동욱, "조선후기 지붕구조의 새로운 시도" 건축역사학회 (69) : 2010

    10 최정효, "조선후기 왕릉 정자각의 지붕구조 변화에 관한 연구" 경기대학교 대학원 2013

    1 문무왕, "흥천사의 역사와 사상" 한국불교미술사학회 (53) : 95-111, 2019

    2 대한불교 조계종 흥천사, "흥천사의 역사와 문화재" 2016

    3 손신영, "흥천사와 화계사의 건축장인과 후원자" 한국불교미술사학회 (26) : 423-449, 2006

    4 서울특별시, "흥천사 실측조사보고서" 1988

    5 이정주, "흥선대원군 李昰應(1820~1898)의 불교 후원과 그 정치적 의미" 호서사학회 (73) : 287-318, 2015

    6 서울특별시, "화계사 실측조사보고서" 1988

    7 김동욱, "한국건축의 역사" 기문당 2007

    8 장기인, "한국건축대계 Ⅴ 목조" 보성각 2005

    9 김동욱, "조선후기 지붕구조의 새로운 시도" 건축역사학회 (69) : 2010

    10 최정효, "조선후기 왕릉 정자각의 지붕구조 변화에 관한 연구" 경기대학교 대학원 2013

    11 손신영, "조선후기 興天寺의 연혁과 시주" 한국불교미술사학회 (49) : 145-169, 2017

    12 金成都, "조선시대말과 20세기 전반기의 사찰건축 특성에 관한 연구 : 서울·경기 일원의 불전을 중심으로" 高麗大學校 大學院 1999

    13 한진욱, "조선시대 주택의 꺽음부 지붕구성에 관한 연구" 강원대학교대학원 2016

    14 이응묵, "요사채" 대원사 1989

    15 서울역사박물관, "성 베네틱도 상트 오틸리엔 수도원 소장 서울 사진" 2014

    16 성북구청, "서울 흥천사 대방 해체수리보고서" 2019

    17 서울특별시, "봉원사 실측조사보고서" 1990

    18 경기도 남양주시, "남양주 흥국사 대방 해체수리조사보고서" 2016

    19 손신영, "남양주 흥국사 萬歲樓房 연구" 한국불교미술사학회 (34) : 237-269, 2010

    20 김성도, "근대기 韓日 불교 건축" 도서출판 고려 2010

    21 김봉열, "近世期 佛敎寺刹의 建築計劃과 構成要所 硏究" 건축역사학회 (2) : 1995

    22 박창범, "19세기 원당사찰의 대방건축에 나타난 근대적 성향에 관한 연구" 대한건축학회 27 (27): 2007

    23 손신영, "19세기 불교건축의 연구 : 서울·경기지역을 중심으로" 동국대학교 대학원 2006

    24 손신영, "19세기 近畿지역 불교사찰의 大房建築 연구" 제10집 10 : 2005

    25 손신영, "19세기 王室 後援 사찰의 조형성 - 高宗年間을 중심으로 -" 한국불교미술사학회 (42) : 33-66, 2014

    26 김성도, "19世紀以來20世紀前半期의 서울?경기 일원에 건립된 寺刹大房 建築의 平面計劃特性에 관한 硏究" 대한건축학회 18 (18): 67-74, 2002

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