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      박재삼 시의 기억과 일상 연구 = A Study of Memory and Daily Life of Bak Jae-sam’s Poems

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      https://www.riss.kr/link?id=T14460339

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Bak Jae-sam’s poems has been discussed in the tradition of lyric poetry. Bak Jae-sam’s poems, however, was based on his daily experiences and memories of childhood. His poems are singing everyday life and memories throughout his life. Literature not based on experience and not rooted in reality is easy to stops at imagination. On the other hand, literature works written on the basis of personal experience in everyday life can not only acquire universality by acquiring communal sympathy from the categories of individuals, but also may have an eternal vitality.
      The life of Bak Jae-sam, a poet, can be implied living together of poverty and disease. “The grudge and the sadness”, main emotion of his poem established the tradition of Korean lyric poem.
      However, first of all, it can be come out from loneliness and pain to master because of poverty experience and every disease of childhood.
      His poor life as expressed in grudge and sadness in his poem. In this influence, the emotion of ‘grudge’ and ‘sadness’ was expressed in main emotion of his poem.
      But his grudge and sadness became to overcome by fusing with eternity, natural object. Also we can meet nature to be expressed plentiful from all parts of his poem. This has a deep relation with nature of his hometown, Samcheonpo where he spent his childhood. He pours out the sadness of poverty and disease is bright and warm nature that he has borne from his childhood. In addition, the sadness and the grudge are perpetual, and are always seen in life. For the poet, every life is not passively judged by other people or according to the wagon wheel of society, but it is the imagination.
      The situation of play in Bak Jae-sam’s poem has already happened in the past, and it is taking structures that repeat it as an adult speaker recalls. He calls it ‘memories’, and the past facts in memories become a glittering experience. Various poems reflecting his childhood play experience actually show the process of realizing something through play while singing the joy of play itself.
      He has lived in pain of disease his lifetime since he broke down from high blood pressure at young age of 35. For that reason, he realized emptiness of life and he became to recognize death. After suffering from a serious illness, he became an opportunity to see life more affectionately by not being frustrated or afraid of death and realizing that life and death were together. His perception of disease and death tells poets how to live life more meaningfully.
      So, the emptiness that appears in his poem is not the emptiness of gloomy and dark color. It is a step forward emptiness.
      This emptiness consciousness is sublimated beautifully with emotion of grudge and grief through the tear, production of pure emotion and that he enjoyed Baduk can’t except from his life.
      We can look furtively at his simple view of life to practice the virtue of temperance and modesty and to overcome grudge and sadness from the pain of poverty and disease.
      This seems to be influenced on by Baduk that he enjoys ordinary times. He becomes to realize the discretion of life by playing Baduk because a wide Baduk board is at sixes and sevens like a way of life. In other words, we meet the modest figure to follow the nature with discretion consciousness that is based on the balance and the harmony from all parts of his poem.
      Because Bak Jae-sam’s everyday experience is melted in poetry, we feel more emotion and empathy. So, finding his ordinary traces of poetry is believed to be one of the ways to better understand his poems.
      번역하기

      Bak Jae-sam’s poems has been discussed in the tradition of lyric poetry. Bak Jae-sam’s poems, however, was based on his daily experiences and memories of childhood. His poems are singing everyday life and memories throughout his life. Literature n...

      Bak Jae-sam’s poems has been discussed in the tradition of lyric poetry. Bak Jae-sam’s poems, however, was based on his daily experiences and memories of childhood. His poems are singing everyday life and memories throughout his life. Literature not based on experience and not rooted in reality is easy to stops at imagination. On the other hand, literature works written on the basis of personal experience in everyday life can not only acquire universality by acquiring communal sympathy from the categories of individuals, but also may have an eternal vitality.
      The life of Bak Jae-sam, a poet, can be implied living together of poverty and disease. “The grudge and the sadness”, main emotion of his poem established the tradition of Korean lyric poem.
      However, first of all, it can be come out from loneliness and pain to master because of poverty experience and every disease of childhood.
      His poor life as expressed in grudge and sadness in his poem. In this influence, the emotion of ‘grudge’ and ‘sadness’ was expressed in main emotion of his poem.
      But his grudge and sadness became to overcome by fusing with eternity, natural object. Also we can meet nature to be expressed plentiful from all parts of his poem. This has a deep relation with nature of his hometown, Samcheonpo where he spent his childhood. He pours out the sadness of poverty and disease is bright and warm nature that he has borne from his childhood. In addition, the sadness and the grudge are perpetual, and are always seen in life. For the poet, every life is not passively judged by other people or according to the wagon wheel of society, but it is the imagination.
      The situation of play in Bak Jae-sam’s poem has already happened in the past, and it is taking structures that repeat it as an adult speaker recalls. He calls it ‘memories’, and the past facts in memories become a glittering experience. Various poems reflecting his childhood play experience actually show the process of realizing something through play while singing the joy of play itself.
      He has lived in pain of disease his lifetime since he broke down from high blood pressure at young age of 35. For that reason, he realized emptiness of life and he became to recognize death. After suffering from a serious illness, he became an opportunity to see life more affectionately by not being frustrated or afraid of death and realizing that life and death were together. His perception of disease and death tells poets how to live life more meaningfully.
      So, the emptiness that appears in his poem is not the emptiness of gloomy and dark color. It is a step forward emptiness.
      This emptiness consciousness is sublimated beautifully with emotion of grudge and grief through the tear, production of pure emotion and that he enjoyed Baduk can’t except from his life.
      We can look furtively at his simple view of life to practice the virtue of temperance and modesty and to overcome grudge and sadness from the pain of poverty and disease.
      This seems to be influenced on by Baduk that he enjoys ordinary times. He becomes to realize the discretion of life by playing Baduk because a wide Baduk board is at sixes and sevens like a way of life. In other words, we meet the modest figure to follow the nature with discretion consciousness that is based on the balance and the harmony from all parts of his poem.
      Because Bak Jae-sam’s everyday experience is melted in poetry, we feel more emotion and empathy. So, finding his ordinary traces of poetry is believed to be one of the ways to better understand his poems.

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      목차 (Table of Contents)

      • Ⅰ. 서론 1
      • 1. 연구 목적 1
      • 2. 연구 방법과 범위 4
      • 3. 연구사 검토 8
      • Ⅱ. 시인의 삶과 문학 활동 13
      • Ⅰ. 서론 1
      • 1. 연구 목적 1
      • 2. 연구 방법과 범위 4
      • 3. 연구사 검토 8
      • Ⅱ. 시인의 삶과 문학 활동 13
      • 1. 전기적 생애 13
      • 2. 문학 활동 17
      • Ⅲ. 시에 나타난 일상의 층위 29
      • 1. ‘가난’, 유년 시절의 질곡 29
      • 2. 고향 삼천포에서의 ‘놀이’ 41
      • 3. 중년, 바둑판 위에 써내려간 삶과 시 50
      • 4. 투병, 죽음에 대한 인식 54
      • Ⅳ. 결론 70
      • 참고문헌 73
      • Abstract 78
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