鄭澈의 韻文文學 硏究 = (A) study of Chong chol's Sijo

다국어 초록 (Multilingual Abstract)

This study aims at not newly discovering characters or values in Song Kang Chong Chol's literature, which has been as if it was created on the foundation of different literature view and sentiment, but finding out the homogeneity of inherent essence of his Sijo by noticing that his works were ultimately, outcomes of a unitary sentiment of writers.
First of all, he was a statesman and writer who had fiercely lived in a turbulent period mixed with political chaos as a result of party strife, social agitation in Japaness Invasion of Korea in 1592, and academic of anti-chujahak(朱子學).
The most noticeable aspect of Song Kang's literary characteristic is also the pragmatic theory that was commonly found out in Sadaepu(士大夫: a man of nobel birth) at that time. this was the reflection of basic thoughts showed in Sadaepu who had respect for confucianism and bureaucratism, and was essential to the standard of value to realize ideal.
but, in spite of thorough pursuit of pragmatic theory, his literature achieved success by securing prominent sense of art on the genius for literature. This literary success is positively revealed in expressing his inner world than in pursuing the public utility. song Kang's inward depression shows the aspect of antagonism and trouble in extremely agony.
As a material offering the settlemely of trouble, it was a liquor that often appeared in his works. He indulged in liquor advocated intimacy with nature through refined life, but such an attitude was removed from his mind was only empty cry.
Though he expressed this change of his feelings with letter and different from such as Silo, Kasa(歌辭), chiness poem(漢詩), the harmonious of inherent essence was displayed in his works because of his consistent.
Song Kang is the very poet that perfectly harmonized the ideological world on pragmatic theory with sentimental world on the theory of expression regardless of form and transcription on the basis of a spirit of literature.

목차 (Table of Contents)

• ≪목차≫
• I. 머리말
• 1. 문제의 제기 = 1
• 2. 연구방법 및 범위 = 3
• 3. 연구사 = 6
• II. 정철 시조의 시적 원리
• 1. 시조에서 고유어에 대한 인식 = 9
• 1) 어휘의 특징 = 11
• 2) 표현상의 특징 = 18
• 2. 윤리적 주제 표현의 특징 = 20
• III. 정철 시조·가사·한시의 비교
• 1. 시조와 한시의 비교 = 27
• 1) 감정 이입 = 29
• 2) 대유 = 31
• 3) 화신 = 33
• 2. 시조와 가사의 비교 = 36
• 1) 임에 대한 獻呈 = 38
• 2) 연모한정 의 化身 = 40
• 3) 託意 = 42
• IV. <훈민가>와 <오륜가>계 시조의 비교 = 44
• 1. <훈민가>의 구조와 발화 양상 = 46
• 2. <오륜가>의 구조와 발화 양상 = 54
• 3. <훈민가>와 <오륜가>의 어취 비교 = 60
• V. 맺음말 = 64
• <참고 문헌> = 67
• <영문 초록> = 70