현대 박물관건축에 나타난 건축의 공공성에 관한 연구 = A Study on Architectural Publicity revealing in contemporary museum architecture : Focused on Perceptual Phenomenology and Minimalism

다국어 초록 (Multilingual Abstract)

A Study on 'Architectural Publicity' revealing in contemporary museum architecture
- Focused on Perceptual Phenomenology and Minimalism -
CHO, Sung-Choon
Department of Architecture
The Graduate School of Namseoul University
Directed by Professor CHO, Kyung-Soo

The meaning of architectural design is to deal with ‘a life inducing arbitrary behaviour’ that is more than the matter ‘to satisfy functions in human life’, and the ‘life’ just mentioned here means a human correlation should be interpreted and applied to the course of architectural style. Accordingly, it is significantly important to draw out the relation between architectural space & form and life areas as architectural styles.
Contemporary architecture is emphasized in functional efficiency or economic rationality, consequently showing homogeneous space sense in which meaning for each role is decreased. Area of architecture is curtailed and simplified more and more without consideration of its intrinsic value and meaning reflecting
individuality. Thus construction of architectural space by modernism patterns caused the loss of human being and standardization which was being followed by the loss of natural identity of human being.
The aim of this study is to break from the dualistic way of thinking of contemporary architecture through the Phenomenology and minimalism, and prepare the groundwork for the human publicity recovering their identity by observing human body.
Museums have developed differing their concept according to the time, and their function and social role also have underwent many changes. From the concept that they simply collect data or works to preserve and exhibit to the role-taking of citizens education as the space of mass culture open for citizens. Such change in concept generated the change in museum space construction. That is, the museum architecture settled down as a architectural style post -18th- century, raise their interest in education?research areas as the public space open for the mass with exhibition areas to shorten the distance between the public and exhibits after 1970th, showing their effort to make opportunities for the general public to be close to the exhibits easily, and those results are seen in spatial matches following various researches and program diversifying of the museum which are actually built. 1980th is the time those efforts are settling down, and the traits of spatial configuration of the museum built at that period is the groping for a new way that the 21th century's museum architecture should go. Especially, from the analysis on currently built museums, it appears that as the public numbers using education?research areas increases, pavilions which were only for noble class in the past time are changing newly into social public institutes for general public.
This study required two methods, one is an inquiry into documents, and the other one is analysis of cases, and with the former one, an analytic frame was developed standing on the phenomenology, minimalism & arrangement of museum's concept and role, and with the latter, an expression aspect of ‘Architectural Publicity’ revealing in the museum architecture was settled down. Those cases selected from the works post -1980thwhich show a great change in the appearance time of new architectural spatial concepts and museums's history and 9 works by 7 architectures were analyzed.
In the process of interpreting and defining Perceptual Phenomenology by M. Merleau-Ponty, three concept elements were deduced, and drew out 4 concept elements which defining the phenomenological spatial concept among architectural concept that explain minimalism to use as a standard of selecting cases and preparing analytical framework. To here 6 elemental spatial traits(Openness, Accessibility, Amenity, Sequence, Transparency, Symbols)which embodying Publicity were grafted together to complete the analytical framework.
We sought for a direction of embodiment of publicity by planning Phenomenology theory dealing in this study as architectural design principle and then expressing archit

목차 (Table of Contents)

• 표 목차
• 그림목차
• 논문개요
• Ⅰ 서론 = 1
• 1 연구의 배경과 목적 = 1
• 2 연구의 범위와 방법 = 3
• Ⅱ 건축의 공공성 정의와 표현요소 및 특징 = 6
• 1 일반적인 공공성의 개념 = 6
• 1) 어원 적 정의 = 6
• 2) 다양 한 분야에서의 공공성의 정의 = 7
• 3) 공공 성의 정의 = 9
• 2 건축의 공공성 개념 = 10
• 1) 기존 논의에서 정의되는 건축의 공공성 = 11
• 2) 일반 적인 공공성과 건축에서 공공성의 차이 = 11
• 3) 건축 의 공공성 정의 = 12
• 3 공공성의 표현요소 및 특성 = 14
• 1) 선행 연구에 의한 공공성 표현요소의 선정 = 14
• 2) 공간적 측면 = 15
• (1) 개방성 = 15
• (2) 쾌적성 = 15
• (3) 접근성 = 16
• (4) 연속성 = 16
• 3) 형태적 측면 = 17
• (1) 투명성 = 17
• (2) 상징성 = 18
• Ⅲ 현상학과 미니멀리즘 및 박물관건축의 개념 = 20
• 1 메를로-퐁티의 지각 현상학과 건축공간론 = 20
• 1) 지각의 현상학 = 20
• 2) 건축적 관점에서의 공간개념 및 개념요소 = 20
• (1) 실존적 공간 = 20
• (2) 중심성의 이동 = 21
• (3) 장소의 혼과 대지의 적응 = 22
• 2 미니멀리즘의 현상학적 관점과 공간개념 = 23
• 1) 미니멀리즘의 현상학적 관점 = 23
• 2) 미니멀리즘의 공간개념 = 24
• (1) 시지각(몸) = 24
• (2) 움직임 = 25
• (3) 불확정성 = 25
• (4) 장소성 = 27
• 3 박물관건축의 개념과 역할 = 29
• 1) 박물관의 개념변천 = 29
• 2) 박물관의 사회적 역할 = 31
• Ⅳ 현상학의 개념요소를 적용한 사례분석 = 34
• 1 사례선정을 위한 연구방법 = 34
• 1) 건축가 선정 = 35
• 2) 작품 선정 = 35
• 3) 분석의 틀 구성 = 35
• 2 건축가 및 작품 분석 = 37
• 1) 건축가의 현상학적 공간개념 = 37
• (1) Daniel Libeskind = 37
• (2) Fank O Gehry = 38
• (3) Steven Holl = 38
• (4) Rem Koolhaas = 39
• (5) Ando Tadao = 40
• (6) David Chipperfield = 41
• (7) Bernard Tschumi = 42
• 2) 작품분석 = 43
• (1) Jewish Museum Berlin = 43
• (2) Felix Nussbaum Museum = 46
• (3) Vitra Design Museum = 49
• (4) Bilbao Guggenheim Museum = 52
• (5) Kiasma, Museum of Contemporary Art = 55
• (6) Kunsthal Museum = 58
• (7) Naoshima Contemporary Art Museum = 61
• (8) Suntory Museum = 64
• 3 사례분석에 의한 종합 정리 = 67
• 4 건축의 공공성에 대한 종합 정리 = 68
• Ⅴ 결론 = 69
• 참고문헌 = 72
• ABSTRACT = 75