지역상징조형물에 나타난 문화정체성 유형 연구 = A Study of Cultural Identity's Types that are shown by Regional Symbolic Sculpture

다국어 초록 (Multilingual Abstract)

Today symbolic sculpture fulfills special function to represent the image of one region, and they not only play a symbolic role of society and culture, but they also are used commercially to promote the industry and to advertise special products of the region. Each local self-governing body erects its symbolic sculptures, expecting them to show various purposes and effects. A symbolic sculpture plays major two roles; One is that it functions as both the Landmark which is representative of the city and the region and the Communication Symbol which shows a strong symbolism. The other is that it helps to improve the quality of life, being able to make our environment more aesthetic and to provide more spacious and beautiful space.
This research was conducted on the basis of public sculpture that each local self-governing body manages. Among the broad range of environmental sculptures that are erected in some places of cities and regions, the subject of this study is confined to only domestic symbolic statues, not in foreign countries in order to find the type of unique cultural identity, which are shown by regional symbolic sculptures. A theoretical study was also undertaken by introducing the concept of the plural and eclectic representation toward the symbolic sculpture. As a result of the elements shown by the region's culture and image element-analysis they are classified according to five categories; characteristic, modernity, symbolism, intimacy, and harmony. These cultural identities could be compared and analyzed by the representing forms and regions. Especially, we could see that direct and indirect expression's elements are formed by contrast in the category of representing forms.
In the age of information and globalization, culture is important in one element. When it comes to the regional image, elements which are related to time, space, and genre should be expressed eclectically. The cultural identity that each region has consists of specific group's historic experience, geographical location, and common interest and aim for the future, and it not only provides local residents with homogeneity, originality, and the common guiding principle about understanding reality, but it also is absolutely essential elements for the survival of region and nation.

다국어 초록 (Multilingual Abstract)

Today symbolic sculpture fulfills special function to represent the image of one region, and they not only play a symbolic role of society and culture, but they also are used commercially to promote the industry and to advertise special products of the region. Each local self-governing body erects its symbolic sculptures, expecting them to show various purposes and effects. A symbolic sculpture plays major two roles; One is that it functions as both the Landmark which is representative of the city and the region and the Communication Symbol which shows a strong symbolism. The other is that it helps to improve the quality of life, being able to make our environment more aesthetic and to provide more spacious and beautiful space.
This research was conducted on the basis of public sculpture that each local self-governing body manages. Among the broad range of environmental sculptures that are erected in some places of cities and regions, the subject of this study is confined to only domestic symbolic statues, not in foreign countries in order to find the type of unique cultural identity, which are shown by regional symbolic sculptures. A theoretical study was also undertaken by introducing the concept of the plural and eclectic representation toward the symbolic sculpture. As a result of the elements shown by the region's culture and image element-analysis they are classified according to five categories; characteristic, modernity, symbolism, intimacy, and harmony. These cultural identities could be compared and analyzed by the representing forms and regions. Especially, we could see that direct and indirect expression's elements are formed by contrast in the category of representing forms.
In the age of information and globalization, culture is important in one element. When it comes to the regional image, elements which are related to time, space, and genre should be expressed eclectically. The cultural identity that each region has consists of specific group's historic experience, geographical location, and common interest and aim for the future, and it not only provides local residents with homogeneity, originality, and the common guiding principle about understanding reality, but it also is absolutely essential elements for the survival of region and nation.

참고문헌 (Reference)

1 이정욱, "혼성의 건축" 1991

2 이일영, "현대건축의 혼성적 경향에 관한 연구" 11 (11): 1995

3 김종균, "한국현대디자인의 문화정체성 연구" 서울대학교 대학원 2004

4 이정연, "캐릭터에 대한 소비자 심리연구" 홍익대학교 대학원 1991

5 이상민, "출판의 퓨전화 경향에 관한 연구" 중앙대학교 대학원 2002

6 김민자, "복식미 엿보기 - 복식미학 강의 2" 교문사 2004

7 윤민희, "문화의 키워드, 디자인" 예경 2003

8 이종인, "문화예술경영 이론과 실제 : 지역문화와 문화행정" 생각의나무 2002

9 박정하, "도시의 상징성 확보방안에 관한 연구" 전남대학교 행정대학원 1991

10 박태희, "도시가로 경관에 있어 환경조형물의 시각적 조화성 분석" 한국디자인학회 2 (2): 2004