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    『雜同散異』를 통해 본 순암 문학관의 일단 -필기패설의 鈔書- = An Aspect of Sunam’s Literary Perspective as Seen Through Japdongsani -Focusing on the Transcription of Anecdotal Writings-

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    https://www.riss.kr/link?id=A109518636

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study aims to elucidate an aspect of Sunam Ahn Jeong-bok’s(1712-1791) literary perspective by analyzing the inclusion of miscellaneous notes and anecdotal writings(筆記稗說) in Japdongsani(雜同散異), a compilation attributed to Sunam. While Sunam has traditionally been regarded as a rigorous scholar, this research seeks to uncover his literary interests through his selections in Japdongsani.
    To this end, the study reviews the general composition of the anecdotal writings excerpted in Japdongsani and focuses specifically on the characteristics of those included in the third volume. The findings reveal that Sunam transcribed a significant number of Joseon-era anecdotal writings to document historical precedents. Furthermore, he included two of China’s Four Great Strange Novels—Water Margin(水滸傳) and Romance of the Three Kingdoms(三國志演義)—as well as two representative plays by Ming-dynasty playwright Tang Xianzu, Peony Pavilion (牡丹亭還魂記) and The Story of the Purple Hairpin(題紫釵記). While Water Margin and Romance of the Three Kingdoms are heroic tales, Peony Pavilion and The Story of the Purple Hairpin are romantic and chivalric narratives. Notably, The Story of the Purple Hairpin was relatively unknown among Joseon literati, making its inclusion particularly significant. These four works are transcribed in considerable detail within Japdongsani, indicating Sunam's broad scholarly inclinations.
    Moreover, Water Margin and Romance of the Three Kingdoms reflect conservative perspectives within the framework of the Four Great Strange Novels, further underscored by debates surrounding the legitimacy of the Shu Han in Chinese historiography.
    In conclusion, this study underscores Sunam's diverse literary interests as reflected in his inclusion of anecdotal writings in Japdongsani, offering a foundation for further scholarly inquiry into the scope and implications of his literary pursuits.
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    This study aims to elucidate an aspect of Sunam Ahn Jeong-bok’s(1712-1791) literary perspective by analyzing the inclusion of miscellaneous notes and anecdotal writings(筆記稗說) in Japdongsani(雜同散異), a compilation attributed to Sunam. W...

    This study aims to elucidate an aspect of Sunam Ahn Jeong-bok’s(1712-1791) literary perspective by analyzing the inclusion of miscellaneous notes and anecdotal writings(筆記稗說) in Japdongsani(雜同散異), a compilation attributed to Sunam. While Sunam has traditionally been regarded as a rigorous scholar, this research seeks to uncover his literary interests through his selections in Japdongsani.
    To this end, the study reviews the general composition of the anecdotal writings excerpted in Japdongsani and focuses specifically on the characteristics of those included in the third volume. The findings reveal that Sunam transcribed a significant number of Joseon-era anecdotal writings to document historical precedents. Furthermore, he included two of China’s Four Great Strange Novels—Water Margin(水滸傳) and Romance of the Three Kingdoms(三國志演義)—as well as two representative plays by Ming-dynasty playwright Tang Xianzu, Peony Pavilion (牡丹亭還魂記) and The Story of the Purple Hairpin(題紫釵記). While Water Margin and Romance of the Three Kingdoms are heroic tales, Peony Pavilion and The Story of the Purple Hairpin are romantic and chivalric narratives. Notably, The Story of the Purple Hairpin was relatively unknown among Joseon literati, making its inclusion particularly significant. These four works are transcribed in considerable detail within Japdongsani, indicating Sunam's broad scholarly inclinations.
    Moreover, Water Margin and Romance of the Three Kingdoms reflect conservative perspectives within the framework of the Four Great Strange Novels, further underscored by debates surrounding the legitimacy of the Shu Han in Chinese historiography.
    In conclusion, this study underscores Sunam's diverse literary interests as reflected in his inclusion of anecdotal writings in Japdongsani, offering a foundation for further scholarly inquiry into the scope and implications of his literary pursuits.

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    참고문헌 (Reference)

    1 박희병, "한국한문소설교합구해" 소명출판 161-162, 2005

    2 安鼎福, "한국문집총간 59" 한국고전번역원

    3 김하라, "유만주의 『수호전』 독법" 한국한문학회 (48) : 207-, 2011

    4 시내암, "원본 수호전 1" 글항아리 29-30, 2024

    5 이가원, "연암소설연구" 을유문화사 391-, 1965

    6 김현영, "순암 안정복의 일상과 이택재 장서" 성균관대학교 출판부 25-27, 2012

    7 安鼎福, "順庵集" 순암 안정복 탄생 기념사업회 2017

    8 安鼎福, "雜同散異"

    9 安鼎福, "雜同散異" 아세아문화사 1981

    10 安鼎福, "覆瓿稿"

    1 박희병, "한국한문소설교합구해" 소명출판 161-162, 2005

    2 安鼎福, "한국문집총간 59" 한국고전번역원

    3 김하라, "유만주의 『수호전』 독법" 한국한문학회 (48) : 207-, 2011

    4 시내암, "원본 수호전 1" 글항아리 29-30, 2024

    5 이가원, "연암소설연구" 을유문화사 391-, 1965

    6 김현영, "순암 안정복의 일상과 이택재 장서" 성균관대학교 출판부 25-27, 2012

    7 安鼎福, "順庵集" 순암 안정복 탄생 기념사업회 2017

    8 安鼎福, "雜同散異"

    9 安鼎福, "雜同散異" 아세아문화사 1981

    10 安鼎福, "覆瓿稿"

    11 湯顯祖, "湯顯祖全集" 北京古籍出版社 1999

    12 施耐庵, "水滸傳注評本" 上海古籍出版社 2015

    13 박기완, "兩棄齋 安瑞羽 文學 硏究" 성균관대학교 2021

    14 李圭景, "五洲衍文長箋散稿" 한국고전번역원

    15 정길수, "<흑의인전> 연구-창작의식과 형식적 특징을 중심으로" 한국고전문학회 (29) : 440-454, 2005

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