닻배노래를 통해 본 어로요의 리듬 분화와 인터랙션 = A Study on the Rhythm Differentiation and the Interaction of Fishery Songs through Datbae(Anchor-ship) Song

다국어 초록 (Multilingual Abstract)

A Study on the Rhythm Differentiation and the Interaction of Fishery Songs through Datbae(Anchor-ship) Song


Lee, Yoon Sun*

This study approaches to the differentiation of an interaction and the performing ways in fishery songs, with the point of view called as a cultural prototype in storytelling. This is because the study assumes it the most important thing in an interactive storytelling to the changeability intermediated by both sides or multiple sides.
To do this, the study examines ‘Not-sori’, ‘Sulbi-sori’ and ‘Pungjang-sori’ with the analysis of their contexts and musical scores, and also examines it through pictures to the situation that the song is recited during fishery works. All of three songs have the cultural prototype of an interaction to be given and taken. Especially, the study figures out that ‘Not-sori’ focuses its prototype on the role to intermediate the motion of labors and that ‘Pungjang-sori’ focuses it prototype on the role to intermediate musical functions. Besides, the study figures out that ‘Sulbi-sori’ was expressed in a conversional style to combine ‘Chang’ and ‘Aniri’. The study assumes that the performing mechanism of labor folksongs’ competitions appears in melodious competitions when the musical function of the song is enlarged by rhythm differentiations and musical range’s extension. Finally, the existed discussions concerned with Humanistic Contents have been mainly interested with the storytelling about narrations, but the study considers that the upper-mentioned new proposal can make an effect to induce the existed tendency to the study of a folk song.

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