전유공간의 매개역할로서의 인터랙티브 라이팅 아트 = Interactive lighting art as mediator in the appropriation space

다국어 초록 (Multilingual Abstract)

Interactive communication has been defined as being the main element of new media art. In order to communicate with modern spectators who possess new sensibilities and ways of perceiving things, there is a need to combine and expand various forms of media.
Owing to the avant-garde art movement, the spirit of futuristic artists have deeply influenced technological art by accelerating the combination of art and science. This influence has become the motivating factor in the development of lighting art.
In this context, it is no exaggeration to say that lighting art has expanded its boundaries all the way into our urban space by combining with various other media as well as incorporating the advancement of digital technology. It indeed constructs urban ecosystems reflecting the forms of life of urban residents.
However, the modern urban space, which has become a new venue for lighting art, is losing its appearance as a subjective space for urban residents due capitalism.
It is hard to deny that the exhibitions limited only to forms of light festivals or in a few popular locations of the city encourage biased city growth. This is also true for some of the current cases of lighting art in urban spaces.
In this capitalistic mechanism, individuals become segregated from creative and subjective life and are isolated from their life and society.
This paper proposes interactive lighting art as mediator in the appropriation space that is newly restored by urban residents. They recover from isolation by becoming active participants in artistic activities in their everyday lives by themselves in the urban space which lost its existential value.

목차 (Table of Contents)

• Ⅰ. 서론 1
• 1. 연구 배경 및 목적 1
• 2. 연구 내용 및 방법 2
• 3. 논문 구성 3
• Ⅱ. 빛매체와의 상호작용 5
• 1. 예술매체로서의 빛 7
• 2. 빛을 통한 상호작용 12
• 3. 상호작용과 전유공간 16
• Ⅲ. 매개역할로서의 라이팅 아트 작품 ‘Illudere’22
• 1. 작품의도와 개요 22
• 2. 물리적 인터랙션 23
• 3. 라이팅 제어 구조와 동작 25
• 4. 참여자와 작품 ‘Illudere’의 상호작용 37
• Ⅳ. 전시와 활용 39
• 1. 작품 전시 39
• 2. 전시 참여 40
• 3. 텔레프레즌스기반의 원격소통 43
• Ⅴ. 결론 46
• •참고문헌 47
• •Abstract 49