김용준의 미술 비평과 미술론 연구 -1930년대 한국 화단을 중심으로- = a study on Yong jun Kim’s art criticism and art theory -Based on the painters of the 1930's-

목차 (Table of Contents)

• 목 차
• Ⅰ. 서론 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 1
• 1. 연구의 필요성과 목적 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 1
• 2. 연구의 내용과 구성 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 5
• Ⅱ. 1930년대 한국 근대미술과 미술비평 ­­­­­­­­­­­­ 8
• 1. 1930년대 이전의 한국 근대미술 형성과정 ­­­­­­­­­­­ 8
• 2. 1930년대 한국 근대미술 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 11
• 3. 한국 근대미술 비평의 형성과 전개 ­­­­­­­­­­­­­­­­­­­­ 15
• 4. 한국 전통미의 재발견 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 26
• Ⅲ. 김용준의 미술 비평의 활동 ­­­­­­­­­­­­­­­­­­­­­­­­­ 33
• 1. 초기 - 프로미술과 순수미술의 갈등 ­­­­­­­­­­­­­­­­­­ 33
• 2. 중기 - 시대의식의 방향전환 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 42
• 3. 후기 - 동양성을 중심으로 한 문인화로의 귀결 ­­­­ 48
• Ⅳ. 김용준의 미술 비평론 특징 ­­­­­­­­­­­­­­­­­­­­­­­­­­
• 1. 보편적 가치추구로서의 동양주의 ­­­­­­­­­­­­­­­­­­­­­­­ 54
• 2. 조선 향토색으로서의 동양주의 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 58
• Ⅴ. 김용준의 문인화 이론 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 62
• Ⅵ. 결론 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 69
• 참고문헌 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 71
• 도판목록 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 73
• 도판 ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ 74