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      1929년 신라예술품전람회의 개최 과정과 성격 = A Study on Process and Characteristics of the 1929 Shilla Art Exhibition

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      https://www.riss.kr/link?id=A106468052

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      Sillayesulpumjeonlamhoe(Silla Art Exhibition) was held from 15 September to 3 November 1929 at Daegusangpumjinyeolso(Daegu Merchandise Display Hall). The exhibition is important because it is directly related with Choseon Exhibition, a national project of Imperial Japan. In addition, the exhibition is specially themed on Silla, so it can be another feature of the exhibition. Daegu, the host city of the exhibition, was one of a representative colonial city of Japanese imperialism. Based on its abundant commercial capital, an active antique trading market was formed in Daegu and it became one of a background that could hold the exhibition. Visitors heading Gyeongseong to watch Choseon Exhibition were main target of the exhibition and several japanese collectors in Daegu and surrounding area of province participated in the exhibition. Also, it is noteworthy that the expression Â卽賣Ê was used in exhibition articles published in newspapers. That means exhibits, maybe illegally excavated or stolen, were sold at the exhibition. Exhibits include artifacts of high value, such as Buddha statues, ceramics, and gilt bronze crowns and others such as roof tiles, floor tiles and earthen figures. Valuable artifacts are played a role in enhancing the value of artifacts themselves while raising the level of the exhibition. Others are mostly illegally excavated or stolen artifacts that can be easily sold and transported to Japan. In terms of exhibition contents, Sillayesulpumjeonlamhoe is characterized by its emphasis on Silla and Silla Dynasty and it is the result of considering the taste of Japanese, major visitors of the exhibition. In the colonial view of Japanese imperialism history, Silla is a kingdom occupied by the Japanese once and also a symbol that Japan conquered Silla in the past, although this is totally different from the fact. So that the exhibition aims to emphasize the ancient characteristic of the Silla Dynasty in accordance with the taste of the Japanese, main visitors. This was one of the main ways Choseon artifacts were consumed by Japanese under Japanese imperialism
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      Sillayesulpumjeonlamhoe(Silla Art Exhibition) was held from 15 September to 3 November 1929 at Daegusangpumjinyeolso(Daegu Merchandise Display Hall). The exhibition is important because it is directly related with Choseon Exhibition, a national projec...

      Sillayesulpumjeonlamhoe(Silla Art Exhibition) was held from 15 September to 3 November 1929 at Daegusangpumjinyeolso(Daegu Merchandise Display Hall). The exhibition is important because it is directly related with Choseon Exhibition, a national project of Imperial Japan. In addition, the exhibition is specially themed on Silla, so it can be another feature of the exhibition. Daegu, the host city of the exhibition, was one of a representative colonial city of Japanese imperialism. Based on its abundant commercial capital, an active antique trading market was formed in Daegu and it became one of a background that could hold the exhibition. Visitors heading Gyeongseong to watch Choseon Exhibition were main target of the exhibition and several japanese collectors in Daegu and surrounding area of province participated in the exhibition. Also, it is noteworthy that the expression Â卽賣Ê was used in exhibition articles published in newspapers. That means exhibits, maybe illegally excavated or stolen, were sold at the exhibition. Exhibits include artifacts of high value, such as Buddha statues, ceramics, and gilt bronze crowns and others such as roof tiles, floor tiles and earthen figures. Valuable artifacts are played a role in enhancing the value of artifacts themselves while raising the level of the exhibition. Others are mostly illegally excavated or stolen artifacts that can be easily sold and transported to Japan. In terms of exhibition contents, Sillayesulpumjeonlamhoe is characterized by its emphasis on Silla and Silla Dynasty and it is the result of considering the taste of Japanese, major visitors of the exhibition. In the colonial view of Japanese imperialism history, Silla is a kingdom occupied by the Japanese once and also a symbol that Japan conquered Silla in the past, although this is totally different from the fact. So that the exhibition aims to emphasize the ancient characteristic of the Silla Dynasty in accordance with the taste of the Japanese, main visitors. This was one of the main ways Choseon artifacts were consumed by Japanese under Japanese imperialism

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      참고문헌 (Reference)

      1 김상엽, "한국 근대의 골동시장과 京城美術俱樂部" 동양고전학회 19 : 229-321, 2003

      2 문정희, "전람회 시대: 『京城日報』(1906~1945)의 미술자료" 한국미술연구소 (38) : 289-318, 2014

      3 목수현, "일제하 이왕가박물관의 식민지적 성격" 한국미술사학회 227 : 81-104, 2000

      4 전민정, "일제시기 조선박람회(1929년) 연구 : 조선인의 근대적 시각 체험을 중심으로" 성균관대학교 대학원 2004

      5 정인성, "일제강점기의 낙랑고고학" 한국상고사학회 71 (71): 149-170, 2011

      6 정인성, "일제강점기 ‘慶州古蹟保存會’와 모로가 히데오(諸鹿央雄)" 대구사학회 95 : 1-39, 2009

      7 이기성, "일제강점기 ‘古都’의 고적조사 - 초기 고적조사를 중심으로 -" 호서사학회 (79) : 1-39, 2016

      8 김일수, "일제강점 전후 대구의 도시화과정과 그 성격" 역사문제연구소 10 : 83-121, 2003

      9 국립문화재연구소, "일본 도쿄국립박물관 소장 오구라 컬렉션 한국문화재" 2005

      10 국립문화재연구소, "일본 규슈국립박물관 소장 한국문화재" 2014

      1 김상엽, "한국 근대의 골동시장과 京城美術俱樂部" 동양고전학회 19 : 229-321, 2003

      2 문정희, "전람회 시대: 『京城日報』(1906~1945)의 미술자료" 한국미술연구소 (38) : 289-318, 2014

      3 목수현, "일제하 이왕가박물관의 식민지적 성격" 한국미술사학회 227 : 81-104, 2000

      4 전민정, "일제시기 조선박람회(1929년) 연구 : 조선인의 근대적 시각 체험을 중심으로" 성균관대학교 대학원 2004

      5 정인성, "일제강점기의 낙랑고고학" 한국상고사학회 71 (71): 149-170, 2011

      6 정인성, "일제강점기 ‘慶州古蹟保存會’와 모로가 히데오(諸鹿央雄)" 대구사학회 95 : 1-39, 2009

      7 이기성, "일제강점기 ‘古都’의 고적조사 - 초기 고적조사를 중심으로 -" 호서사학회 (79) : 1-39, 2016

      8 김일수, "일제강점 전후 대구의 도시화과정과 그 성격" 역사문제연구소 10 : 83-121, 2003

      9 국립문화재연구소, "일본 도쿄국립박물관 소장 오구라 컬렉션 한국문화재" 2005

      10 국립문화재연구소, "일본 규슈국립박물관 소장 한국문화재" 2014

      11 차문성, "근대박물관 형성과정에 대한 연구 : 박물학과 박람회의 영향을 중심으로" 중앙대학교 예술대학원 2008

      12 "국립중앙박물관 일제강점기 자료 원문"

      13 "釜山日報"

      14 "每日申報"

      15 "東亞日報"

      16 김진원, "朝鮮總督府의 佛敎文化財 政策 硏究" 중앙대학교 대학원 2012

      17 "朝鮮新聞"

      18 朝鮮總督府, "朝鮮博覽會紀念寫眞帖"

      19 朝鮮博覽會慶尙北道協贊會, "新羅藝術品展覽會出品目錄"

      20 "新羅藝術品展覽會に就いて" 日本考古學會 19 (19): 645-659, 1929

      21 김나리, "1929년 조선박람회 경성협찬회 연구" 연세대학교 대학원 2016

      22 최병택, "1910~20년대 식민지 조선에서 개최된 공진회와 박람회의 성격" 전북사학회 (53) : 275-302, 2018

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보 1차 FAIL (등재후보1차) KCI등재후보
      2001-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.64 0.64 0.61
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.65 0.63 0.82 0.07
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