G. Mahler의 <대지의 노래> 연구 : 중국문화요소를 중심으로

목차 (Table of Contents)

• I. 서론 ·······································································································1
• 1. 연구의 필요성과 목적 ·····································································1
• 2. 연구방법 및 내용 ·············································································2
• 3. 선행연구 ·····························································································4
• Ⅱ. 이론적 배경 ······················································································10
• 1. 후기 낭만주의 ···············································································10
• 2. 말러의 생애와 음악적 특징 ·························································13
• 1) 말러의 생애 ···············································································13
• 2) 말러의 음악적 특징 ·································································15
• 3. 후기 낭만주의 시기 중국과 서양 음악 교류 ··························· 20
• 1) 서양음악의 특징 ·······································································20
• 2) 동양음악의 특징 ·······································································22
• 3) 중국 음악과 서양 음악의 교류 ·············································24
• Ⅲ. <대지의 노래>와 중국 문화 요소 ············································28
• 1. <대지의 노래> 가사의 출처 ························································28
• 2. <대지의 노래>에서의 중국 음악적 요소 ··································31
• 1) <대지의 노래>의 중국 음악의 특징 ···································31
• 2) <대지의 노래>의 창작 특징 ···············································32
• 3. <대지의 노래>에서의 중국 문화 요소 ······································34
• 1) <대지의 노래>의 ‘중국 문화 요소’가 보여주는 특징 ····· 34
• 2) 중국 고전시사 및 서양으로의 전파 ·····································38
• 3) 중국과 서양의 시가의 특징 비교 ·········································40
• 4) <대지의 노래> ‘중국 문화 요소'의 예술적 가치 ·············42
• Ⅳ. 성악교향곡 <대지의 노래> ························································44
• 1. <대지의 노래>의 창작 동기 및 배경 ········································44
• 2. 말러의 <대지의 노래> ··································································46
• 3. 말러 <대지의 노래> 분석 ····························································49
• 1) 원시와 가사 ···············································································49
• 2) 형식과 구조 ···············································································73
• 3) 중국 오음음계 활용 ·································································87
• 4) <대지의 노래> 성악 연주 기법 ·········································104
• 5) <대지의 노래>의 가창 특징 ···············································108
• 6) <대지의 노래>와 중국 고전시사 음율 ·····························118
• Ⅴ. 결론 ··································································································121
• 참고 문헌 ·······························································································124
• ABSTRACT ·························································································128